Füge eine Handlung in deiner Sprache hinzuRetired British general Brunswick reminisces about the days when he was a colonel in charge of a British Army battalion fighting against native rebels in colonial India during the late 1800s... Alles lesenRetired British general Brunswick reminisces about the days when he was a colonel in charge of a British Army battalion fighting against native rebels in colonial India during the late 1800s.Retired British general Brunswick reminisces about the days when he was a colonel in charge of a British Army battalion fighting against native rebels in colonial India during the late 1800s.
- Proprietress
- (as Movita Castenada)
- Soldier
- (Nicht genannt)
- Soldier
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- Boggs
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Ackroyd, Sykes, and Malloy have spent most of their adult life as privates keeping the sun up for the Empire. Prone to mischief their frustrated commander (Walter Pidgeon) decides to break the boys up; not by court martial but instead by promoting one to the responsible rank of sergeant. Sulking like schoolboys it fractures the friendship until the mates are in harms way.
It's hard to believe director Tay Garnett yelled action in Soldiers Three because the little there is of it is abysmal. The editing is choppy, the battle scenes poorly choreographed with Garnet in some instances having his cast point and fire guns that don't discharge. The three underachieving lifers played by Stewart Granger with a poor Irish accent, Cyril Cusack's rancid pixie and the painful to watch visibly dissipating Robert Newton mooing like a cow and "Ar'ing like Long John Silver lack both chemistry and energy to summon up laughter or excitement. Pidgeon's blustery incoherent commander is no improvement while David Niven and Robert Coote are only required to display stiff upper lips. Void of both action and humor Soldiers Three is strictly third rate.
The humor between the three is passable enough but Newton and Cusack just don't offer much chemistry or star power, and the script rarely gives them anything to do but banter at Granger and each other and down pints. David Niven, wasted in the role of a superior officer, would have been way better served to have been cast as one of the threesome instead of Cusack. Walter Pigeon, too, gives one of his clunkiest performances as the Colonel, much consternated British bluster is attempted but fails to be very humorous or believable.
The best sequence in the film is the brawl in the tavern with the Scottish soldiers, which is very much reminiscent of Gunga Din's opening, and the battle at the end is well staged and action packed, it just takes about 70 mostly wasted minutes to get there.
Overall the picture is not unentertaining, it has its moments but it's barely half the adventure masterpiece Gunga Din is.
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First watch: 2018 / How many: 1 / Source: DVD-R / Rating: 7
Gargantuan thrill ride it ain't, you might think. Indeed its nothing special or exciting. Its merely a standard Hollywood studio film of its day, but of course, the standard Hollywood films in 1951 were much more enjoyable than now 50 years later. (at least in my opinion) So this might be worth your time on a lazy tuesday afternoon (If you are not working), just to see a few likable actors like Stewart Granger and David Niven (playing a british officer, a role he fits more than well)
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- WissenswertesRobert Newton plays Private Bill Sykes. He memorably played the Charles Dickens villain Bill Sykes in the David Lean adaptation of Oliver Twist (1948). The characters Sykes, Malloy, and Ackroyd are loosely adapted from characters named Learoyd, Mulvaney and Ortheris in the Rudyard Kipling stories.
- PatzerStewart Granger encourages Robert Newton and Cyril Cusack to take the mickey out of some Scottish soldiers in order to start a fight so that he can chat up the land lady who has a glass in her hand which keep disappearing and reappearing.
- Zitate
Col. Brunswick: I've heard it all Pindenny. I've heard it ten times, and it's no use. It always ends up the same way - you turn up with the patrol in lady's pink silk underwear!
- VerbindungenFeatured in The Metro-Goldwyn-Mayer Story (1951)
Top-Auswahl
Details
Box Office
- Budget
- 1.429.000 $ (geschätzt)
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1