A Man Betrayed

One wonders how the script came to be written.

Wayne and the other performers do an OK job but as it is neither comedy, romantic thriller or anything else it is all rather disappointing.

One feels as if one of the threads had been pursued it could have been something worthwhile. It is nonetheless interesting to see a real turkey of a story made just before the USA became directly involved with the war. I wonder if the surrounding politics had something to do with trying to make a movie for all tastes but ending up with something that pleases no one.

Nonetheless it has historical value.

I enjoyed watching this movie, but there is no use pretending that it has any particular merit. It is interesting to watch early John Wayne movies where he is not playing a cowboy and not fiddling with his revolver. The female lead, Frances Dee, was very interesting to watch, lively and attractive. She reminds me of Geena Davis when young as in EARTH GIRLS ARE EASY (1988, see my review). She stopped acting in 1954, aged 55, and had made 56 films by then. The story of this film is so unconvincing and implausible that it is not even worthwhile attempting to describe it. It is nonsense from beginning to end. The Hungarian émigré director John H. Auer directed the film. It is both easy to watch and easy to forget.

Lynn Hollister, a small-town lawyer, travels to the nearby big city on business connected with the death of his friend Johnny. (Yes, Lynn is a man despite the feminine-sounding Christian name. Were the scriptwriters trying to make a snide reference to the fact that John Wayne's birth name was "Marion"?) Hollister at first believes Johnny's death to have been an accident, but soon realises that Johnny was murdered. Further investigations reveal a web of corruption, criminality and election rigging connected to Boss Cameron, the leading light in city 's political machine.

That sounds like the plot of a gritty crime thriller, possibly made in the film noir style which was starting to become popular in 1941. It isn't. "A Man Betrayed", despite its theme, is more like a light romantic comedy than a crime drama. Hollister falls in love with Cameron's attractive daughter Sabra, and the film then concentrates as much on their resulting romance as on the suspense elements.

This film might just have worked if it had been made as a straightforward serious drama. One reviewer states that John Wayne is not at all believable as a lawyer, but he couldn't play a cowboy in every movie, and a tough crusading lawyer taking on the forces of organised crime would probably have been well within his compass. Where I do agree with that reviewer is when he says that Wayne was no Cary Grant impersonator. Romantic comedy just wasn't up his street. One of the weaknesses of the studio system is that actors could be required to play any part their bosses demanded of them, regardless of whether it was up their street or not, and as Wayne was one of the few major stars working for Republic Pictures they doubtless wanted to get as much mileage out of him as they could.

That said, not even Cary Grant himself could have made "A Man Betrayed" work as a comedy. That's not a reflection on his comic talents; it's a reflection on the total lack of amusing material in this film. I doubt if anyone, no matter how well developed their sense of humour might be, could find anything to laugh at in it. The film's light-hearted tone doesn't make it a successful comedy; it just prevents it from being taken seriously as anything else. This is one of those films that are neither fish nor flesh nor fowl nor good red herring. 3/10

Lawyer John Wayne's friend, a high school basketball star from his town, is shot down and then run over by a car. The death is declared a suicide by the local coroner. Wayne goes to the big city to investigate.

Wayne's directed to see Edward Ellis who is the local political boss and of course the Duke falls big time for Ellis's daughter Frances Dee. Never mind he's got a job to do, even if it costs him Dee.

This was John Wayne's one and only attempt at playing a crusader type, a scaled down version of Jefferson Smith. Ellis is a combination of the characters played by Edward Arnold and Claude Rains in Mr. Smith Goes to Washington and Dee combines both Jean Arthur and Astrid Allwyn. I'd say the results were mixed. Perhaps with a better script at a larger studio with more production values, Wayne might have done more with the part.

As it is there are some nice John Wayne style fight scenes in A Man Betrayed, a couple with Ward Bond, and a king sized brawl outside a polling place where Ellis is bringing in repeaters from his sponsored soup kitchens. Machine politics, American style. Hopefully none of those countries where we're crusading for democracy ever sees this film.

Ward Bond plays the moronic brother of Alexander Granach, owner of the red light district club where Wayne's friend was killed in. His performance while good, was a carbon copy of Lon Chaney, Jr.'s from Of Mice and Men. I expected him to ask Granach about the bunny rabbits any minute.

At this phase of Wayne's career, Republic was casting him in a variety of parts to broaden his casting potential in the wake of his success with Stagecoach. Herbert J. Yates of Republic films was making almost as much money loaning Wayne out as in his own films and he was trying to make him more marketable. He didn't succeed with A Man Betrayed, but it wasn't the Duke's fault by any means.

John Wayne has the ability to shine through even the poorest of scripts. Its an interesting story where the Duke has to deal with his morals and conscience when moving to a corrupt city and falls in love with a dirty politicians daughter.

Francis Dee and Wayne have good on screen chemistry but this can be seen as the strength of Waynes acting rather Dees performance.

The show has the classic 40s slapstick comic relief. If you want to sit with some Wayne nostalgia then you will enjoy this movie. But if your looking for an exciting story with a well written script and good acting, then don't rush to this movie. It not a classic of the 40s, but its a classic example of 40s movies :-)