Füge eine Handlung in deiner Sprache hinzuA small-town attorney comes to the city to investigate the murder of a friend and falls in love with the daughter of the head of the crime ring he hopes to expose.A small-town attorney comes to the city to investigate the murder of a friend and falls in love with the daughter of the head of the crime ring he hopes to expose.A small-town attorney comes to the city to investigate the murder of a friend and falls in love with the daughter of the head of the crime ring he hopes to expose.
- Regie
- Drehbuch
- Hauptbesetzung
Edwin Stanley
- Prosecutor
- (as Ed Stanley)
Harry Allen
- Beggar Outside Club Inferno
- (Nicht genannt)
Raymond Bailey
- Amato Henchman
- (Nicht genannt)
Mary Bovard
- Brunette at Train Station
- (Nicht genannt)
Buster Brodie
- Little Man at Soup Kitchen
- (Nicht genannt)
Empfohlene Bewertungen
After a young man supposedly commits suicide after leaving a nightclub in New York, a rural lawyer named "Lynn Hollister" (John Wayne) travels from the same hometown as the victim and goes to the Big Apple to investigate. When he gets there he finds that clues leading to the truth are hard to come by and eventually they lead to a corrupt politician named "Tom Cameron" (Edward Ellis) who knows more than he admits. But rather than simply give up he decides to continue his investigation with the help of the politician's daughter "Sabra Cameron" (Frances Dee). What he doesn't know is that Sabra may not have the same intention of finding the killer as he does. Now rather than reveal any more I will just say that this was a typical John Wayne film which benefited from a good plot and a decent script. I was especially impressed with the scenes involving the nightclub called "the Inferno" which could have easily come from a movie filmed 20 or 30 years later. On the other hand, the one thing I didn't care for was the rather jumbled ending which I thought should have been more fully developed. Likewise, I would have preferred a bit more drama as well. Even so, it was a fairly decent movie for the most part and I have rated it accordingly. Average.
John Wayne has the ability to shine through even the poorest of scripts. Its an interesting story where the Duke has to deal with his morals and conscience when moving to a corrupt city and falls in love with a dirty politicians daughter.
Francis Dee and Wayne have good on screen chemistry but this can be seen as the strength of Waynes acting rather Dees performance.
The show has the classic 40s slapstick comic relief. If you want to sit with some Wayne nostalgia then you will enjoy this movie. But if your looking for an exciting story with a well written script and good acting, then don't rush to this movie. It not a classic of the 40s, but its a classic example of 40s movies :-)
Francis Dee and Wayne have good on screen chemistry but this can be seen as the strength of Waynes acting rather Dees performance.
The show has the classic 40s slapstick comic relief. If you want to sit with some Wayne nostalgia then you will enjoy this movie. But if your looking for an exciting story with a well written script and good acting, then don't rush to this movie. It not a classic of the 40s, but its a classic example of 40s movies :-)
Going out for the day and seeing the BBC had a John Wayne movie on for the afternoon I left and set the tape running. Later I started to watch it expecting a western, I was disappointed at first and then pleasantly surprised. I have seen very few John Wayne movies that were not westerns and not always good but this I enjoyed. Good storyline and a plot which was well thought out. This is the first time I have seen Frances Dee and she was very convincing in her conflict of emotions in loyalty to her father and love for the "Duke". Edward Ellis was wooden but he was old school so I could put up with that. Ward Bond was unnerving in his role as the simple-minded killer henchman. I shall keep the tape and look for more Frances Dee movies, a good actress easy on the eye - and married for 57 years to the same man - respect!!
Lynn Hollister, a small-town lawyer, travels to the nearby big city on business connected with the death of his friend Johnny. (Yes, Lynn is a man despite the feminine-sounding Christian name. Were the scriptwriters trying to make a snide reference to the fact that John Wayne's birth name was "Marion"?) Hollister at first believes Johnny's death to have been an accident, but soon realises that Johnny was murdered. Further investigations reveal a web of corruption, criminality and election rigging connected to Boss Cameron, the leading light in city 's political machine.
That sounds like the plot of a gritty crime thriller, possibly made in the film noir style which was starting to become popular in 1941. It isn't. "A Man Betrayed", despite its theme, is more like a light romantic comedy than a crime drama. Hollister falls in love with Cameron's attractive daughter Sabra, and the film then concentrates as much on their resulting romance as on the suspense elements.
This film might just have worked if it had been made as a straightforward serious drama. One reviewer states that John Wayne is not at all believable as a lawyer, but he couldn't play a cowboy in every movie, and a tough crusading lawyer taking on the forces of organised crime would probably have been well within his compass. Where I do agree with that reviewer is when he says that Wayne was no Cary Grant impersonator. Romantic comedy just wasn't up his street. One of the weaknesses of the studio system is that actors could be required to play any part their bosses demanded of them, regardless of whether it was up their street or not, and as Wayne was one of the few major stars working for Republic Pictures they doubtless wanted to get as much mileage out of him as they could.
That said, not even Cary Grant himself could have made "A Man Betrayed" work as a comedy. That's not a reflection on his comic talents; it's a reflection on the total lack of amusing material in this film. I doubt if anyone, no matter how well developed their sense of humour might be, could find anything to laugh at in it. The film's light-hearted tone doesn't make it a successful comedy; it just prevents it from being taken seriously as anything else. This is one of those films that are neither fish nor flesh nor fowl nor good red herring. 3/10
That sounds like the plot of a gritty crime thriller, possibly made in the film noir style which was starting to become popular in 1941. It isn't. "A Man Betrayed", despite its theme, is more like a light romantic comedy than a crime drama. Hollister falls in love with Cameron's attractive daughter Sabra, and the film then concentrates as much on their resulting romance as on the suspense elements.
This film might just have worked if it had been made as a straightforward serious drama. One reviewer states that John Wayne is not at all believable as a lawyer, but he couldn't play a cowboy in every movie, and a tough crusading lawyer taking on the forces of organised crime would probably have been well within his compass. Where I do agree with that reviewer is when he says that Wayne was no Cary Grant impersonator. Romantic comedy just wasn't up his street. One of the weaknesses of the studio system is that actors could be required to play any part their bosses demanded of them, regardless of whether it was up their street or not, and as Wayne was one of the few major stars working for Republic Pictures they doubtless wanted to get as much mileage out of him as they could.
That said, not even Cary Grant himself could have made "A Man Betrayed" work as a comedy. That's not a reflection on his comic talents; it's a reflection on the total lack of amusing material in this film. I doubt if anyone, no matter how well developed their sense of humour might be, could find anything to laugh at in it. The film's light-hearted tone doesn't make it a successful comedy; it just prevents it from being taken seriously as anything else. This is one of those films that are neither fish nor flesh nor fowl nor good red herring. 3/10
One wonders how the script came to be written.
Wayne and the other performers do an OK job but as it is neither comedy, romantic thriller or anything else it is all rather disappointing.
One feels as if one of the threads had been pursued it could have been something worthwhile. It is nonetheless interesting to see a real turkey of a story made just before the USA became directly involved with the war. I wonder if the surrounding politics had something to do with trying to make a movie for all tastes but ending up with something that pleases no one.
Nonetheless it has historical value.
Wayne and the other performers do an OK job but as it is neither comedy, romantic thriller or anything else it is all rather disappointing.
One feels as if one of the threads had been pursued it could have been something worthwhile. It is nonetheless interesting to see a real turkey of a story made just before the USA became directly involved with the war. I wonder if the surrounding politics had something to do with trying to make a movie for all tastes but ending up with something that pleases no one.
Nonetheless it has historical value.
Wusstest du schon
- WissenswertesAccording to a member of Frances Dee's family, the scene in which John Wayne wraps her up in a tablecloth and carries her out to the car was scripted to use a double for Dee. Wayne spontaneously carried off Dee instead, shocking her. The director left it in.
- PatzerA wire can be seen attached to the speech papers. The papers are supposed to be blown away by an electric fan.
- Zitate
Lynn Hollister: You know, you'd be lovely if you had brown hair.
Sabra Cameron: I have brown hair.
Lynn Hollister: [Fixing his eyes on her] Yeah... !
- Crazy CreditsVery near the end of the film where it shows all the luggage is marked "Spring Valley" even on the motorcycle policemen's motorcycle, then on the last policeman's back is a package marked "The End".
- VerbindungenReferences Ich bin ein entflohener Kettensträfling (1932)
- SoundtracksAuld Lang Syne
(uncredited)
Traditional
Played as part of the score twice
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Wheel of Fortune
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 250.000 $ (geschätzt)
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen







