Life Begins for Andy Hardy

Following his graduation from high school, a small-town teenager decides to try his luck learning about life and making it on his own in New York City. Where he encounters the death of a disillusioned, penniless young friend and the seductive wiles of a glamorous "older woman" he encounters at his office job. Not to mention the wrath of the censors (who forced the studio the change the cause of death from a suicide to a heart attack) as well as the Catholic church (whose Legion of Decency damned the film with an "objectionable for children" rating). Hard to believe that an episode in the ebullient Andy Hardy series caused such controversy, but it is this film's commendable attempt to portray the dilemmas of youth with honesty and candor (incredible for 1941) that make it the most durable and disarming entry of the entire series. As contemporary today as it was 60 years ago, "Life Begins for Andy Hardy" is blessed with, besides a refreshingly adult screenplay that evokes emotions unchanged by the passage of time, astoundingly "mature" performances by Mickey Rooney (for once underplaying) and Judy Garland (displaying a sincerity and warmth without ever singing a note).

Rooney's portrayal of a good-hearted teenager who decent instincts hardly prepare him for the brutal reality of survival in the "Big City" will strike resonant chords with anyone in a similar situation 60 years later. And, in addition to Rooney and Ms. Garland, sterling performances are contributed by the Hardy regulars (Lewis Stone, never more sage or heartrending as Andy's concerned father); the lovely Patricia Dane, as Andy's office co-worker and would-be seducer; and Ray McDonald, heartbreaking as a penniless aspiring actor reduced to living (and starving) in Central Park. A tacked-on happy ending and jarring lapses in continuity (indicating heavy studio re-cutting and re-shooting) fail to undermine the sweet sadness of this most unusual MGM drama--flirting with themes that would be dealt with far more candidly and cruelly some 20 years later in such innocents-lost-in-the-city classics as "The Rat Race" and "Breakfast at Tiffanys," of which "Life Begins for Andy Hardy" is a most poignant pre-cursor.

Betsy Booth (Judy Garland) is still obsessed with Andy Hardy (Mickey Rooney). The Judge advises college to study law but Andy wants to get a job in New York City. He heads off with Betsy by his side but he still treats her as a kid. In the city, he sets his sight on receptionist Jennitt Hicks. He befriends terribly troubled Jimmy Frobisher.

It's the 11th installment in the Hardy family franchise and the last one with Judy Garland. The franchise missed a golden opportunity to make Judy a permanent part of the family. With the way Andy treats Betsy, I fully support her getting a fresh start away from him. He really needs to evolve his feelings for her or set her free. I'm guessing that they would eventually get there but Judy is way too big at this point. The franchise needs to either transition to a duo or she can't waste her time.

I am trying to rack my brain if this is the first death in the series. It seems to be trying for some darker tones. The night with Jennitt really surprised me. It's very adult and out of place for the franchise. This seems to be a fork in the road for the series in more than one way.

Life Begins for Andy Hardy (1941)

*** (out of 4)

Eleventh film in the series is a pure delight as Andy (Mickey Rooney) decides to put off going to college even though Judge (Lewis Stone) feels that would be his best bet. Instead Andy travels to New York City to get a job and see what all life has to offer. He meets up with his old friend (Judy Garland) but quickly falls for a woman (Patricia Dane) who might not have his best interest in mind. I've read some critics who said this series handled dark subjects too lightly and perhaps that's true but that doesn't apply here. This film really shocked me at how mature it was and it even hit some rather dark subjects including suicide and what really makes a man. The movie has plenty of great laughs, some wonderful performances and an all around charm that makes this irresistible to fans of classic cinema. I'm still rather new to the series but the chemistry between Rooney and Stone is just marvelous and the two really come off as a real father and son. I'm not sure if it was just luck or if the two actors really did their homework but they are perfect together and really seem to know how to work off one another. This is certainly true during a brief scene at a table after Judge has come to visit Andy at work. The supporting cast is equally good and that includes Garland in her third and final appearance in the series. I've read she had four songs cut from the film but she doesn't have too much to work with except playing shoulder to Andy. Dane is the one who really surprised me because I thought she made for an excellent femme fatale years before that term would really take off. I think even those who aren't fans of the series would get a kick out of this one because it really does bring those "coming of age" issues up front and looks at them in a pretty serious manor. Even though there are laughs scattered throughout, for the most part the film is looked at in a serious way and this is a major plus.

Andy Hardy has just graduated high school, and so he ponders what comes next. His father has dreams of him attending his own alma mater, Wainwright college, and going into law. Looking at the long journey that would be - seven years of college - he decides to break out on his own and see what life on his own would be like. So he drives to New York City in search of a job.

He gets a room in a kind of high-rise boarding house for guys, back when women were not allowed past the front desk. His search for a job, though, is arduous until he finally lands one as an office boy at a stock brokerage concern.

Before he gets the job though, he runs out of money, can't get his car out of hock in storage, and goes hungry for a few days. At one point, his roommate, unable to get a job in what he wants to do, even kills himself in the bathroom, with Andy discovering the body! So this is not your average Andy Hardy film.

There is one really odd scene between Andy and his father, the judge. Usually I can easily see the rather timeless lessons the judge is trying to teach, but this one seems mid Victorian. The judge has noticed the flirting going on between Andy and the woman a few years older - she's probably 25 or so - who also works at the brokerage. The judge says that people should be faithful to their spouses before they even meet them, because lots of casual "dating" - to be euphemistic about it - makes it hard to be faithful to a spouse once you have one. So much for sowing one's wild oats!

This movie is worth seeing just for the advice Judge Hardy gives Andy. He explains beautifully why every unmarried person should be faithful to his or her future spouse, even before they ever meet each other.

It is interesting that the Legion of Decency objected to this speech. In 1941 such parental advice was so well known that it was not helpful to hear it in a movie, and it was dangerous to display sexual advice in the public setting of a movie. Keep in mind that the speech is so tasteful that we would not even call it sexual at all. Yet to them it was good, sound advice but far too personal to publicize.

In our time we have fallen so far from those wholesome principles that it would be very helpful to publicize them broadly. I am seeking a copy of this movie to show to my children and friends.