Füge eine Handlung in deiner Sprache hinzuIn the 1890s, a Northern lawyer goes to New Orleans to aid the local reform league in their fight against the crooked lottery run by a Southern ex-general and his beautiful daughter.In the 1890s, a Northern lawyer goes to New Orleans to aid the local reform league in their fight against the crooked lottery run by a Southern ex-general and his beautiful daughter.In the 1890s, a Northern lawyer goes to New Orleans to aid the local reform league in their fight against the crooked lottery run by a Southern ex-general and his beautiful daughter.
- Senator Cassidy
- (as Major James H. MacNamara)
- Palace Patron
- (Nicht genannt)
- Courtroom Spectator
- (Nicht genannt)
- Lottery Victim
- (Nicht genannt)
- Captain of Police
- (Nicht genannt)
- Courtroom Spectator
- (Nicht genannt)
Empfohlene Bewertungen
The Lady from Louisiana sounds like a western, but it isn't - it's set in circa 1890's New Orleans, and the location, costumes and extravagant period detail is sharp as is the dialogue and the plot. Don't expect too much action, just a solid story with some melodrama. The subject matter about lottery is interesting and fairly relevant. John Wayne and Ona Munson have a good chemistry.
This mediocre flick is also worth watching if you want to see John Wayne without his horse. It's a period drama in which he plays a young, idealistic lawyer, determined to weed out the corruption in New Orleans. Good luck, Duke. Politics is a very tough racket to clean up, and when the citizens and powerful men are on the same side, he has an uphill battle. The problem is the lottery: the powerful men set up a "charitable" lottery for the common men, but whoever wins ends up being whisked away to the French Quarter and robbed - and sometimes killed. Can Duke get anyone to testify against the bad guys, or are they all too scared? Add in the terrible complication that Duke is in love with the head bad guy's daughter, Ona Munson, and you wonder how they will ever patch up their differences.
Or... if they even should. For me, I wasn't rooting for them to get back together. Oona was a pretty rotten person, and even though Duke had the cutest opening line to a movie I think I've ever seen (after breaking a lengthy kiss, he asks, "What's your name?"), I thought he could do better.
Republic attempts to make a MGM-caliber costumer with less than thrilling results. The sets and costumes are well done, but the story is dull, barely coherent, and predicated on just a few too many coincidences and failures of communication. There's some disaster-movie action near the end with the failure of levees and flooding. I don't know if Wayne enjoyed making a movie where he wasn't on a horse for a change, but he seems ill-suited for this one. Some sources label this movie a Western, but it in no way is, unless one thinks any movie set in the 19th century is a Western.
While John thinks the General is his big problem, the General isn't that bad a guy. But neither realize just how low and dangerous the General's assistant, Blackie (Ray Middleton) is. When the General starts to suspect, the General is murdered...and Blackie encourages his lottery ticket salesmen to use ANY tactic to get tickets sold. It essentially becomes a shakedown racket...and folks pay protection by buying tickets...or else.
Can the nice guy John manage to clean up this den of thieves? And what about Julie? After all, she is foolish enough to blame John for the death of her father!
The style of this film is very similar to Wayne's other films in this time period. Since he's becoming more of a star, the budgets and look of the films have gotten much better than his cheap B- westerns of the 1930s. But despite looking much better and having a spectacular finale in this film, the Republic films are essentially B-movies with longer running times and bigger budgets. There were exceptions at this time (such as the films he did with John Ford, such as "Stagecoach") but this film fits in style-wise with Wayne's "Seven Sinners", "Dark Command" and "In Old California"...rather formulaic but enjoyable. My only quibble is that the baddie is named 'Blackie'...and yet no one seems to suspect him of villainy through most of the film!!
Wusstest du schon
- WissenswertesIn 1953, Republic Pictures theatrically reissued this film on a double bill with another John Wayne western, A Man Betrayed (1941).
- Zitate
General Anatole Mirbeau: We always control the office, no matter who holds the job.
Blackburn 'Blackie' Williams: Very clever, sir. But practical?
General Anatole Mirbeau: Diplomacy is the art of giving your enemy a victory and keeping the power.
- VerbindungenReferenced in Biography: Dorothy Dandridge: Little Girl Lost (1999)
Top-Auswahl
Details
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1