Phantom des Schreckens

This is my favorite of Bela Lugosi's Monogram potboilers. This film is perfect in black and white because of the use of light and shadow as well as thunder and lightning in a creepy old house that has the feel of an old tomb. Throughout the film, the house setting with its weird shadows and spooky atmosphere sets the tone for the film

A series of unsolved murders take place in this old house and the authorities fail to close it up due to legal technicalities. From the beginning, one knows that the guilty party is Bela Lugosi under the bizarre hypnotic influence of his estranged wife. The story rolls on with additional murders and an innocent suitor being sent to the electric chair for a murder he did not commit. After a few more people bite the dust, the real murderer is uncovered in one of the most bizarre climaxes in "B" movie history.

Great late night fun.

Dan Basinger

This murder shocker, featuring some typically hilarious plot twists and insane character reactions, is buoyed by that inimitable Lugosi magic. Also worth mentioning is the surprisingly inventive direction by Joseph H. Lewis, as is the comparatively dignified treatment of the black butler character, well played by Clarence Muse. Fans of old Monogram and PRC programmers will be well entertained.

Bela Lugosi plays Charles Kessler, a man whose wife left him years ago, apparently is dead, and comes out of a crypt and hypnotizes him so he will kill people by throwing his black cloak over them till they suffocate. Hmmm..okay. This is a real cheapie by Monogram, yet it is entertaining and even has a few inspired bits of direction. Not many, however. The biggest problem with this film is that nothing is really explained about Lugosi and his wife, why she is dead and comes back, what happened to her, etc... We are also to believe that a horde of murders have happened in the house, yet no one has ever really suspected the inhabitants of the house(Lugosi, his daughter, or reliable servant Evans). In fact the murders are taken with a grain of salt as more and more people are attacked by the dreaded cloak and killed. Help must really be hard to find under those circumstances. The film is under an hour in length and surely could have benefited by some deeper exposition. The movie also has some pretty annoying acting by the likes of John McGuire playing twin brothers(yeah right) and George Pembroke as a cigar-chomping policeman. These guys have no range at all. But the other actors are pretty decent, an unusual bonus for a film like this. Polly Ann Young actually is credible in her role as Lugosi's daughter. Betty Compson is effective in her brief role(you might remember her from the silent film era and in early talkies like The Great Gabbo with the great Erich Von Stroheim). Much of the film's credibility is due in large part to the acting of Clarence Muse, the black, dignified butler Evans. Muse plays his part with subtlety and dignity. He does nothing even remotely like the Mantan Moreland scared routine, and really is a pillar of strength for the film to build upon. I definitely would like to see more of him(He does have a brief role with Lugosi in White Zombie as a coach driver). As for Lugosi..what can I say...simply wonderful. He makes the common extraordinary..and is the heart of films like The Invisible Ghost. He keeps it beating long after it would normally have died from the memories of most. Lugosi is seldom over-the-top in this film, and I found it to be one of his more sensitive portrayals. The scenes with him looking out the window at an aged Betty Compson eerily made-up are really the film's best highlights. They are well-crafted mood pieces.

Maybe this is a spoiler, but I don't think anyone should watch this movie without knowing the following: this movie makes no sense.

Bela Lugosi stars as a wealthy estate owner who misses his wife and thinks she is dead. But she's not dead -- the gardener keeps her in a shed in the backyard. And sometimes she escapes in a bathrobe to steal a piece of chicken from the kitchen, only to be spotted through the window by Lugosi who thinks it's a ghost. This causes him to enter a trance and kill some random person. Even after several murders (maybe dozens) in the same house, the police never suspect Lugosi.

On one occasion, they arrest the boyfriend of Lugosi's daughter and execute him. A minute later in the next scene his twin brother shows up.

If you like Lugosi, this film is decent and quite fun. But seriously, don't try to figure out why the wife is in a shed or what causes him to go into a trance or why the police are so stupid. Because you will never make sense of this preposterous film.

The best way to see this film is to catch an aged, scratched up print with bad sound on late night television. It seems to almost be made for that kind of antique, romantic creakiness.

Bela Lugosi plays a husband who murders his house guests overnight at the command of his hypnotist wife. The story isn't very well executed and is pretty ridiculous, actually, BUT what redeems the film and makes it very worthy of seeing is it's bizarre, ghostly atmosphere. The film is not about suspense, it's about mood. It's all about white figures moving around shadowy black backgrounds. It's about the interiors of the house looking like furnished crypts or like secret rooms not shown on the board of a Clue game.

This whole film is texture. It's very dream-like.