Phantom des Schreckens

Another cheapie from Monogram, once again casting Lugosi as a hypnotic murderer, lit from below as is expected. This time, however, he's the innocent victim, entranced by the sight of his 'dead' wife who appears beneath his window and seemingly 'commands' him to kill (rather surreptitiously and for a reason not fully explained). Indeed, most of the plot isn't really fully explained, but it's academic. Instead of the plot, concentrate on the director's unusual flair, and the writers' penchant for a decent gag or two. It's these that elevate this slightly above the rest of its kind. Some interesting panning between rooms, and behind furniture, and a memorable shot of Lugosi leering direct to camera from behind his black robe show that director Lewis had, at least, a modicum of creativity. There's also a wicked sense of humour that takes you by surprise, and is handled well enough to complement the thriller element. Sadly, the performances are mundane, especially Lugosi, who, once again mugs and grimaces his way through the part. The film is stolen by Clarence Muse, superb as the amenable butler, Evans - although he does get all the best lines.

If you haven't seen Invisible Ghost, I won't bother going into much of the plot. Most of it is silly and doesn't make much sense. Basically, the story involves a man who is driven to commit murder by seeing his supposedly dead wife. That's really all you need to know. And, it's not much of a spoiler as you discover most of this within the first ten minutes or so.

Lugosi is great as the mad killer. A really first-rate acting job that is by far one of his best from the Poverty Row movies he made (that I've seen). He does an excellent job of alternating between the kindly Charles Kessler and the mad killer. Clarence Muse is also a standout as the butler, Evans. Muse played Evans as smart, calm, strong, and nothing like the typical black character you find in a 40s horror/mystery movie. I call him the anti-Mantan.

Over the past few years, I've learned to enjoy the movies from the 40s that Monogram and others were putting out. Invisible Ghost is not the best of the bunch, but it's certainly not the worst. It's fun to watch if just to see Lugosi hamming it up. Just don't take these movies too seriously.

The best way to see this film is to catch an aged, scratched up print with bad sound on late night television. It seems to almost be made for that kind of antique, romantic creakiness.

Bela Lugosi plays a husband who murders his house guests overnight at the command of his hypnotist wife. The story isn't very well executed and is pretty ridiculous, actually, BUT what redeems the film and makes it very worthy of seeing is it's bizarre, ghostly atmosphere. The film is not about suspense, it's about mood. It's all about white figures moving around shadowy black backgrounds. It's about the interiors of the house looking like furnished crypts or like secret rooms not shown on the board of a Clue game.

This whole film is texture. It's very dream-like.

This murder shocker, featuring some typically hilarious plot twists and insane character reactions, is buoyed by that inimitable Lugosi magic. Also worth mentioning is the surprisingly inventive direction by Joseph H. Lewis, as is the comparatively dignified treatment of the black butler character, well played by Clarence Muse. Fans of old Monogram and PRC programmers will be well entertained.

The best quality this film possesses is a genuine creepy atmosphere. Especially good use of the weather (rain, stormy nights) enhances certain scenes particularly those in which Bela Lugosi's character Dr. Kessler is visited by his ghostly long-thought dead wife. Following this, Dr. Kessler is driven to unwittingly become a mad strangler. Just the result you'd expect?...no I didn't think so either.

Lugosi is actually quite good in the film and gives it his best effort. Also I felt Polly Ann Young, Betty Compson and Clarence Muse did fine jobs with what they had to work with.

The Inspector (played by George Pembroke) is an incredibly silly stereotype who comes across as thoroughly incompetent. However I did laugh when the visiting psychiatrist suggests it may be the Inspector who needs help.