Urlaub vom Himmel

During a flight in a personal airplane, a young boxer by the name of Joe Pendleton crashes into a wooded area - just within the first ten minutes of the beginning of Here Comes Mr. Jordan. Unfortunately, a heavenly escort prematurely plucks his body from the plane before the actual crash, thereby rendering Joe body-less, yet technically alive. Joe's body is promptly cremated, so his new friend, Mr. Jordan, promises Joe a new form and they begin a search for a replacement. The 1941 film centers around Joe Pendleton, an affable man and a capable boxer, who is on his way to a fight whenever he meets his untimely death. With the help of Mr. Jordan, Joe attempts to reverse his misfortune with a new body and a fresh opportunity to enter the title fight. Along the way, however, he meets the unexpected: a beautiful, independent, and charmingly belligerent woman that he falls hopelessly in love with. The film centers around Joe's struggle to realize his dream of winning a title fight, however, it is truly a romantic comedy with themes that tend to focus on love and the fulfillment of our dreams. The makers of the film use Joe's different forms to impart their view that love is a connection between two people, while the body is simply a shell and love is a faceless awareness that sees through physical realities. Don't be turned off by this seemingly heavy theme, because Joe's constant wisecracks and frequent squabbles with the man who took him from his body keep the film light and enjoyable. Despite the occasional sluggish scene, this timeless film offers enough clean-cut comedy and bearable romanticism to warrant a viewing. It deals with an important subject without taking any importance away from keeping the film light and fun to watch.

Boxer Joe Pendleton is days away from his championship bout when his private plane goes down and the agents of death take him away to heaven. Unfortunately for Joe, the agent acted too fast and, had he waited he would have seen Joe recover the crashing aircraft and make it away safely. Problem is in the time taken to sort this out (which has involved top agent Mr Jordan), Joe's earthly remains have been cremated with no chance of him just being returned to his body. So begins a search for another body for Joe, a search that ultimately leads to millionaire Farnsworth – who has just been murdered by his wife and her lover.

Looking at the basic plot (and even the detail of the ending) it does strike me as rather amazing that this did get made as a studio picture because it does have a dark streak to it that could easily have undercut any comedy, whimsy or romance and alienated the audience. Watching it again recently it does still surprise me that it pulls it off but somehow it is light, funny and with plenty of charm and somehow even the rather ambiguous ending comes off as lifting and happy. A big part of this for me is the cast because they get the delivery just right – in particular Robert Montgomery. Some have said that Rains dominates his scenes but I totally disagree, Montgomery owns the film because the tough but kind nature of his character is the engine that drives it to success. He is note perfect and his performance kept me with the tone of the film. Rains is nearly as good but is more of a cool presence in each scene.

Hall's direction holds it together and makes the tone so that we never lose the slight hint of darkness but prevents it ever getting in the way of the comedy and fantasy of the piece. Here Comes Mr Jordan has been remade several times recently and you can see why because this original is charming and fresh with solid comedy and whimsy held together by a couple of great performances.

Boxer Joe Pendleton is killed in an airplane crash, while training for a championship match, however Joe wasn't to die for sometime far into the future. In order to make things right, Mr. Jordan (in charge of all arrivals for the hereafter) searches for another body that Joe can use until his time is up. The body of financier Bruce Farnsworth is the selection after he is killed by his wife and secretary in order to continue their romance and get ahold of his finances. Betty Logan appears to get Farnsworth to settle the matter concerning her father, who was sent to prison in a deal swindled by Farnsworth, and Joe frees her father, but falls for her as well. In the meantime, Joe (as Farnsworth- everyone sees Joe as Farnsworth but Joe sees himself as his true being-) starts training for the championship fight (it was Joe's natural destiny to become champ), with the help of Joe's trainer, Max Corkle. This upsets Julia Farnsworth, who then decides to make certain that Joe/Farnsworth is killed. Joe and Mr. Jordan work to make sure Joe can find another body in order to become boxing champ, bring Julia and Abbott to justice, and keep the romance alive between Joe & Betty. This film has such a beautiful charm (even though it seems hokey at times, but it has the ability to bridge gaps between audiences easily. An excellent script, crisp direction, and excellent performances by the cast (Gleason standing out as the befuddled trainer Corkle.) The ending is both brilliant and touching. Rating, 9.

For his second of two Oscar nominations Robert Montgomery was loaned to Columbia Pictures for Here Comes Mr. Jordan, a very charming fantasy about a man who fulfills his destiny in many different ways in many different bodies.

I'm not sure how theologically sound this is, but apparently they make mistakes in heaven. Of course when you've got a new heavenly retriever on the job like Edward Everett Horton anything is possible.

He snatches prize fighter Robert Montgomery from a private plane that's about to crash. Only problem is that Montgomery wasn't supposed to die in the crash. What to do, send for Claude Rains in the title role as the heavenly fixer, Mr. Jordan.

Montgomery goes through two different bodies after that in an effort to give him the life span that the heavenly records are supposed to have for him. In one of those guises he meets Evelyn Keyes for whom he falls big time and she him. Of course there's a problem because Montgomery is a millionaire, married to Rita Johnson who with his private secretary, John Emery is trying to kill him.

Through all of this lending his confused elfin charm is James Gleason as Montgomery's fight manager. Seems as though Gleason had a destiny also, to manage a heavyweight champion. Gleason got his career role in Here Comes Mr. Jordan as he was nominated for a Best Supporting Actor, but lost to Donald Crisp for How Green Was My Valley. The film itself was Columbia's entry in the Best Picture category, but also lost to How Green Was My Valley.

This was Robert Montgomery's second Oscar nomination and the movie going public accepted him as good natured, saxophone playing pug Joe Pendleton a lot better than the homicidal maniac in Night Must Fall his first and other Oscar nomination. This time Montgomery lost to Gary Cooper in Sergeant York.

My favorite in this film however is the wise and patient Claude Rains as Mr. Jordan. One thing the film does do is that the end will have you wondering whether the whole thing really was Montgomery's destiny. Some of Rains's expressions will keep you guessing.

This movie is my favorite film because of the comic and dramatic acting. Robert Montgomery is able to switch between Farnsworth and Joe Pendelton in a split second When he switches to Murdoch, you have a slight difference in speech and walk between Murdoch and Joe. The James Gleason scene in the gym with Montgomery is perfection. I love Claude Rains facial expressions and Edward Everett Horton's bumbling. The dectective's line (I believe he is William McBride, a great comic actor of the 1940's), "Where's the body" is one that I use as a joke with my husband often. The remakes of this film don't come close to the original. "Down to Earth", the one with Chris Rock, was just terrible. This plot has been borrowed often. It is the first film that every dealt with this subject and will remain a classic forever.