H.M. Pulham, Esq.

Previous comments referred to the slow pace of the story, in a way I agree, but we're talking about a different time in the cinema. It was a pleasure to see how the characters were formed and could only attest to the direction of King Vidor. Hedy in her role as a career woman, had the full understanding of the character. Her outstanding beauty ( even in a masculine business suit) are not to be denied. Some people have said she was not a great actress, and indeed she wasn't, but certainly a competent one, and she proved here, given the right roles. As for Robert Young, I thought he was also excellent in the main role, as were all the others. Kudos to all of them for an enjoyable two hours.

This movie is very thought provoking about how life is or how it could have been. It helped me appreciate life, the good and the bad, most of everyday life is actually quite good especially when we don't dwell on the could haves. It was very nostalgic for me. I especially liked the spontaneity as thats something we like to do as a couple, but we don't see a lot of it these days. The idea of taking a chance was a little scary for me. The romance was soft and touching, very clean. It actually gave me some ideas on how to be more romantic. It was a kick seeing Van Heflin so young and skinny. The movie really was a fantasy, but so close to the truth that it just grabbed me. Being older, the film quality was worn, some of the pan scenes were distorted. That Robert Young smile is contagious, thats how I'll remember this movie in my mind's eye.

Robert Young and Hedy Lamarr are great together in this period piece about a young man bound by his society upbringing and the exciting modern woman who breaks all the molds he has carefully preserved. The dynamic between the pull of family obligation and the inner longing to be free in Young is wonderfully portrayed.

What a remarkable movie! It contains, as far as I've seen her, Hedy Lamarr's best performance ever...she's luminous here, human, warm, heart-wrenching, not the aloof goddess of other MGM films (which I like too, by the way). She gives a complex, multi-layered performance as a liberal, independent, unprejudiced, modern working woman who falls in love with a lad (grandly impersonated by Robert Young) who comes from an aristocratic, old fashioned, "blue-blood" family from Boston.

They meet while working together in an advertising/publicity company, but their relationship is not an easy one, due to Marvin's (Hedy) unease with his family's morals, mores and ways...

The movie is told in flashback, with Harry Pulham (Robert Young) remembering his childhood and younger days, when he's well into his forties and married to a woman of his same "Social Circle" (Ruth Hussey-what a good actress she was, giving a first-rate performance in a role so different from the one she played the previous year in "The Philadelphia Story").

You can tell this movie was directed by a first rate director like King Vidor, who could handle so well "sociological" issues.

Good performances too by Van Heflin as Young's pal, Bonita Granville as his sister, Charles Coburn as his father et al.

An engrossing film, watch it on TCM, where it's scheduled regularly.

Hedy Lamarr and Robert Young are well-paired in this movie. She plays the mature independent woman. He plays the good-natured homespun man. The movie is slow and touching, in the genre of movies where modern life conflicts with old and established life. I was reminded of "The Magnificent Ambersons." I agree that this was one of Hedy's best performances, and interestingly another in which her character has a male name (perhaps to balance her beguiling femininity.) In this and a few other movies, her face conveys a variety of emotions, often breaking the placidity of her porcelain beauty. Robert sets the tone of this movie. It would have been very different if another actor had been cast. He was an excellent choice for this role. Passion and prudence clash in this story, and as was often the case in Hays' Hollywood, the result is bittersweet. One of my favorite lines is when Marvin says to Harry on the sled, "Now don't be like Ethan Frome. I want to live."