Füge eine Handlung in deiner Sprache hinzuShy executive Stephen meets Dot at opera and as temp secretary. Her boyfriend Coffee visits from Navy. Life's dull with fiancée Cecilia but exciting with Dot and Coffee. Stephen falls for Do... Alles lesenShy executive Stephen meets Dot at opera and as temp secretary. Her boyfriend Coffee visits from Navy. Life's dull with fiancée Cecilia but exciting with Dot and Coffee. Stephen falls for Dot, but Coffee plans to marry her soon.Shy executive Stephen meets Dot at opera and as temp secretary. Her boyfriend Coffee visits from Navy. Life's dull with fiancée Cecilia but exciting with Dot and Coffee. Stephen falls for Dot, but Coffee plans to marry her soon.
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I really wanted to like "A Girl, a Guy, and a Gob". After all, the great silent comedian Harold Lloyd was the producer of this film...and I love Lloyd. But, sadly, I found the film to occasionally be tedious...mostly because it seemed to try too hard to make the audience laugh. Subtle, it wasn't! And, overall, it's more a pleasant (albeit loud) time-passer and not much more.
The film starts off well--with a rich guy, Stephen (Edmond O'Brien) in an awkward situation at the symphony. A family is in his box and try as he might, he cannot convince the staff that they are in his place. Not surprisingly, Stephen is mad.
Later, Dot (Lucille Ball) realizes that her family WAS in the wrong...it was Stephen's box after all. However, shortly after realizing it, she's assigned to be Stephen's new secretary. Imagine how awkward this might be!
Along the way, Stephen finds himself falling for Dot. But there's a hitch...she's got a fiance who is a sailor (George Murphy)...and Stephen likes the couple and doesn't want to horn in on their relationship. But what about Dot....what does she want?!
The problem with this film is that in many scenes it tries way, way too hard to be kooky. In the process, it lack subtlety and is a bit shrill. Terrible? No...but these annoying scenes do negatively impact the film and it's an easy film to skip....or not.
The film starts off well--with a rich guy, Stephen (Edmond O'Brien) in an awkward situation at the symphony. A family is in his box and try as he might, he cannot convince the staff that they are in his place. Not surprisingly, Stephen is mad.
Later, Dot (Lucille Ball) realizes that her family WAS in the wrong...it was Stephen's box after all. However, shortly after realizing it, she's assigned to be Stephen's new secretary. Imagine how awkward this might be!
Along the way, Stephen finds himself falling for Dot. But there's a hitch...she's got a fiance who is a sailor (George Murphy)...and Stephen likes the couple and doesn't want to horn in on their relationship. But what about Dot....what does she want?!
The problem with this film is that in many scenes it tries way, way too hard to be kooky. In the process, it lack subtlety and is a bit shrill. Terrible? No...but these annoying scenes do negatively impact the film and it's an easy film to skip....or not.
Harold Lloyd the fabled comedian of the silent screen produced this comedy for
RKO. Lloyd recognizing comic talent has Lucille Ball in the lead and her guy and
gob in that order are Edmond O'Brien and George Murphy.
The day before she's to start a new job as the secretary of a big shipping firm, Ball and her family which consists of parents George Cleveland and Kathleen Howard and nimble fingered Lloyd Corrigan as her brother decide to go to the opera. They get into a row with Edmond O'Brien and his fiance Marguerite Chapman when they sit at his box at the Met.
The next day Ball reports for work and discovers her new boss is O'Brien and that sets off a row. But soon he rather likes the blue color girl. The problem is she has a blue collar guy in sailor George Murphy on leave from Uncle Sam's Navy and deciding whether he wants another hitch.
The comedy belongs to Ball and Murphy. O'Brien who is a rich but shy business executive serves as a foil primarily. Lloyd puts in a few nice touches including a great car chase that could have come from one of his silent screen classics.
Franklin Pangborn has a couple of scenes as a nervous pet shop owner whom they all seem to run into and put upon. Henry Travers is also featured as O'Brien's uncle and quite the matchmaker.
Curiously enough with one of the protagonists a sailor and the film coming out in March of 1941 not a word about current unpleasantness in the world that the Navy would be getting into before the year was out.
Films like these were putting Lucille Ball on the road to being the queen of comedy.
The day before she's to start a new job as the secretary of a big shipping firm, Ball and her family which consists of parents George Cleveland and Kathleen Howard and nimble fingered Lloyd Corrigan as her brother decide to go to the opera. They get into a row with Edmond O'Brien and his fiance Marguerite Chapman when they sit at his box at the Met.
The next day Ball reports for work and discovers her new boss is O'Brien and that sets off a row. But soon he rather likes the blue color girl. The problem is she has a blue collar guy in sailor George Murphy on leave from Uncle Sam's Navy and deciding whether he wants another hitch.
The comedy belongs to Ball and Murphy. O'Brien who is a rich but shy business executive serves as a foil primarily. Lloyd puts in a few nice touches including a great car chase that could have come from one of his silent screen classics.
Franklin Pangborn has a couple of scenes as a nervous pet shop owner whom they all seem to run into and put upon. Henry Travers is also featured as O'Brien's uncle and quite the matchmaker.
Curiously enough with one of the protagonists a sailor and the film coming out in March of 1941 not a word about current unpleasantness in the world that the Navy would be getting into before the year was out.
Films like these were putting Lucille Ball on the road to being the queen of comedy.
Lucille Ball was much more restrained in this 1941 comedy with Edmond O'Brien and George Murphy.
O'Brien appears so young and dashing in this film. He plays an upper class businessman who meets and finds love with secretary Ball. Murphy plays her sailor boyfriend. To me, the biggest question in the film was who would Murphy wind up with?
The comedy here is tedious. O'Brien has a snobbish girlfriend with a high society mother to the bargain.
Ball comes from a real common family where the brother finds opera tickets that belong to O'Brien. By the next scene, Ball is going to apply for a job where O'Brien is the owner. How coincidental can we get?
O'Brien appears so young and dashing in this film. He plays an upper class businessman who meets and finds love with secretary Ball. Murphy plays her sailor boyfriend. To me, the biggest question in the film was who would Murphy wind up with?
The comedy here is tedious. O'Brien has a snobbish girlfriend with a high society mother to the bargain.
Ball comes from a real common family where the brother finds opera tickets that belong to O'Brien. By the next scene, Ball is going to apply for a job where O'Brien is the owner. How coincidental can we get?
One night, while he was at the opera, young ship tycoon Stephen Herrick (Edmond O'Brien) accidentally meets an unusually full young woman named Dot (Lucille Ball). The next day, while he is still dizzy from their dizzying meeting, she enters his office to serve as his secretary. Despite her audacity - or because of it - Stephen is inevitably attracted to the lively Dot, which is a big problem for Dotina's beauty, a sailor beast named Coffee Cup (George Murphy).
Lucy, Murphy, and O'Brien make something out of this little B movie.
Wusstest du schon
- WissenswertesFirst film produced by Harold Lloyd in which he did not star.
- PatzerWhen Pop and Pigeon are playing checkers, Pop is winning. Pigeon gets upset and slaps the board, causing it to fold up. In the next shot of the table, the board is lying flat, and the next it's folded up again.
- VerbindungenReferenced in Lucy & Desi - Blick hinter die Kulissen (1991)
- SoundtracksOchy Tchornya
(uncredited)
Russian traditional
[Played on the radio]
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Ella, él y el otro
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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