Ellery Queen and the Murder Ring

The fourth and final film of the Ellery Queen series that Ralph Bellamy starred in has the mystery writer checking into a hospital that grande society dame Blanche Yurka has endowed. Later on when Yurka is killed there are a lot of suspects at home and in the hospital. Her two children Leon Ames and Jean Fenwick who are about to be cut from her will for instance. Doctor in charge of the hospital George Zucco has a vested interest as does gangster Paul Hurst whom Ames is into for a lot of money. Not to mention all kinds of hospital staff and patients.

Two more deaths occur before Bellamy, girl Friday Margaret Lindsay and Inspector Queen played always by Charley Grapewin figure it all out.

There's more comedy in this Ellery Queen mystery than in any of the others I've seen, a lot of it involving Paul Hurst trying to break out of the hospital with the 'help' of his chief gunman Tom Dugan. Bellamy and Lindsay get a few laughs as well with her sneaking into the hospital disguised as a nurse.

Ellery Queen And The Murder Ring was a good farewell for Ralph Bellamy in the series.

Augusta Stack was almost killed in a deliberate traffic accident. As a result, she's in the hospital...where Ellery Queen (Ralph Bellamy) is working undercover. She was shaken up and her leg broken...but oddly she died in surgery! Soon, other bodies start piling up and when the cops and Queen investigate, they find lots of people who had reason to kill the old woman...and perhaps the rest. Can Ellery solve the crimes before his lady friend, Nikki (Margaret Lindsay) gets herself killed while snooping into the case as well?

During the 1930s and 40s, a zillion B-murder mysteries were made in Hollywood. They all had a lot of similarities and cliches (such as in this one where Nikki essentially confronts the murderer while having no backup nor a weapon with which to defend herself!). But it is an enjoyable film...worth seeing if you like the genre and a bit better made than usual.

By the way, unlike many sleuths (such as Charlie Chan), tons of different actors played Ellery Queen and none came to own the role or appear in more than a few films. It's a shame Bellamy didn't do more of these films...he was pretty good here.

While in his first appearances as 'Ellery Queen', Ralph Bellamy had been very serious (almost too serious, compared to Donald Cook and Eddie Quillan, who had played the character before him), in his last film for the series he (and all the cast with him) shows his comical side for once. And surprisingly enough, this makes a fine mix with a - literally - deadly serious murder case, providing lots of corpses, greedy relatives, shady doctors, and at the same time dumb cops, even dumber crooks, and of course more funny quarrels with his assistant Nikki than ever before.

The plot, in fact, IS a classic 'whodunit', with many twists and surprises, and a challenge for every mystery fan - at least for those who've got a good sense of humor, too... So, if you don't take murder too seriously, this movie will provide you real good entertainment, varying from quite suspenseful and even creepy sections to moments of pure comedy!

Ralph Bellamy made his fourth and final appearance as literary sleuth Ellery Queen in Columbia's Ellery Queen and the Murder Ring. On this occasion, Ellery and his police-inspector father (Charley Grapewin) are summoned to a private hospital by its owner, philanthropist Mrs. Stack (Blanche Yurka). There've been some very weird goings-on at the hospital as of late, and Mrs. Stack wants to get to the bottom of things.

An ok-ish Ellery Queen where comedy features heavily, overriding the mystery and detecting; Margaret Lindsey and Ralph Bellamy carries things along, but it's just passable. George Zucco also stars, playing a menacing doctor.

The English actress wasn't very well known in America despite having appeared in several films, including the worthy 'Charlie Chan in London' entry in that series, where Barrie ably plays a socialite.

In this film her character doesn't become significant until near the end but when she steps forward she offers the only real dramatic merit in this enjoyable but otherwise pedestrian '40s romp.