Dumbo, der fliegende Elefant

Dumbo for me is a mini- masterpiece, with beautiful animation, an inspiring message and the sweetest elephant on screen. Dumbo is an elephant born with big ears, but who cares? True beauty comes from within. Dumbo's mother was like Bambi's mother, wise and memorable, and like Dumbo, misunderstood. The song "Baby of Mine" is so sad, that I always cry when I see this film because of it, Casey Jnr is very rousing and having a good laugh during "Seen an Elephant Fly". In regard to the crows, I saw nothing racist about them, they are stereotypical yes in a sense but in a positive way. Timothy the mouse is also memorable, a bit like Dumbo's conscience in a sense. For me, the highlight was Dumbo's dream, with the elephants dancing(a bit unrealistic but very imaginative), with ballet-like incidental music towards the end. I found the song "Elephants on Parade" catchy and I love how trippy the whole sequence is. In conclusion, I rejoiced when Dumbo conquered his fears, when it looked impossible. Great idea, Disney, about the flying elephant, although Don Bluth used a similar idea 50 years later for Pebble and the Penguin. A beautiful film, 10/10 Bethany Cox

All the other elephants shun Dumbo for his gigantic ears, and his mother has been locked up for protecting him, so he's all alone in the world... until Timothy Q Mouse shows up.

A beautiful piece of work. At just 60 mins, it is short and sweet. But it also contains some of Disney's best visual poetry. Dumbo's not saying a single word means his entire character is created through the physical. The entire opening sequence, till the gossipy elephants start talking, plays out without words, and its like the best silent movies. Simply beautiful.

Mrs Jumbo rearing up and destroying the big top to protect Dumbo from taunting kids is an incredible scene. Dumbo's mother spends the movie imprisoned in a carriage labelled "mad elephant" - and surely one of the most beautiful, heartbreaking scenes i've ever seen plays out when Dumbo and his mother have contact only by touching trunks, through the bars in the window of her cell. A beautiful sequence begins: the beautiful song "Baby Mine" plays as she cradles him in her trunk, and when Dumbo leaves she can't see him, and she stretches her trunk as far as she can out the window to try and reach him, and... oh, its too much!

The pink elephants sequence is as close to trippy Disney ever got - and its brilliant. One of the best, most inventive sequences in animation history. Great song, too.

Some terrific songs: Look Out for Mr Stork, Casey Junior (the train song), Pink Elephants, When I see an elephant fly and Baby Mine.

10/10. Timothy Q Mouse is a great character, the animation is so concise and perfect, great songs, the message that if you believe you can overcome your handicaps you will so inspiring and beautiful, and the movie so short and sweet it will forever retain its appeal.

One of Disney's best known and loved films. About a baby elephant born in the tough world of the circus who is ridiculed and shut out because of his large ears. Comforted by his mother until she attacks a trainer and is penned up in a jaillike wagon, Dumbo eventually learns that he can fly and becomes a star. A great film that deals with discrimination, self esteem, the importance of family and friendship. Features a great score which it won an oscar for and a nomination for song, the beautiful "Baby Mine" . The pink elephants scene is a classic. Wonderfully done, arguably Disney's best on a scale of one to ten...10

As a kid, I would watch over and over several Disney features: Pinnochio, Peter Pan, Bambi, Alice in Wonderland, Lady and the Tramp, and Dumbo. When I come back to those films now, I recognize that they are all marvelous films and gave Walt Disney much deserved success. It's truly sad how far Disney has fallen. All kids' flicks now are awful. I revisited Dumbo, by the way, on the same night that I first watched Harry Potter and the Sorcerer's Stone, destined to be one of the most successful films of all time. It is execrable, and it is simply pathetic how bad films like it are nowadays. I say, bring your kids back to Dumbo, Pinnochio, Bambi, and the like. They may not be as harmless as the kind of movie Disney and others shove out today. You shouldn't be afraid of your children showing emotion. I can remember more than anything being profoundly affected by the "Baby Mine" number from Dumbo, where he visits his imprisoned mother. Films like these will mould your children's emotional stability instead of keeping them at a safe distance and selling them toys.

Disney had spent vastly more money than he'd planned on "Pinnochio" and "Fantasia", and got little of it back. "Dumbo", next off the rank, was made cheaply, quickly, without fuss. The result is simple but handsome. However handsome "Dumbo" looks, the animation is not very detailed, character design is hardly adventurous, the colours are few but bright, and in an hour it's over. It needn't be more than this, though: the story is far from complicated. It is, I'll admit, a story that has made me cry more than once; and in this instance I don't feel that I've been cheated into crying, because there really is something poignant and heartbreaking about this ugly duckling variant.

Like Hans Andersen, Disney has to pad the outfit a bit to make it fill the space available; yet, with the exception of the introductory bit with the storks, it doesn't feel like padding. In fact the most gratuitous piece of padding is the most necessary. I refer to the pink elephants sequence: a masterpiece of extended unreality (caused by such a tiny quantity of champagne!) which dazzles and sizzles and all but soars out of the screen. It's the sting in Dumbo's tail, and nothing produced since can match its verve.