Füge eine Handlung in deiner Sprache hinzuThere's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his li... Alles lesenThere's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his life difficult.There's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his life difficult.
- Regie
- Drehbuch
- Hauptbesetzung
Kathryn Crawford
- Helen Whitney
- (as Katherine Crawford)
Gale Storm
- Mary Phillips
- (as Gail Storm)
Lassie Lou Ahern
- Nightclub Performer
- (Nicht genannt)
Jack Chefe
- Apartment House Manager
- (Nicht genannt)
Donald Curtis
- Reporter
- (Nicht genannt)
Dorothy Granger
- Showgirl
- (Nicht genannt)
Lloyd Ingraham
- District Attorney Fowler
- (Nicht genannt)
Ralph Peters
- Reporter
- (Nicht genannt)
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A cadaverous H.B. Warner hovers on the fringes of this crime thriller which boasts better-than-average production values for a Poverty Row production but plods along at a dreary pace.
Saccharine Story of Sex-Trafficking behind a "Training" School for Show Business Female Wannabes.
Veiled with Double-Talk and Innuendo to Keep the Code-Police at Bay.
There's a Reference to even High-School Girls as Victims.
The Scantily-Clad "Girly" Scenes are Vapid, Hardly Titillating Dance Numbers with the Performers so Heavily Dressed as to be Ridiculous.
The Mystery Part isn't much of a Mystery.
It's a "Go-Through-The-Motions" Motion Picture.
With a Lead Female Reporter, Named "Page", (Astrid Allwyn) so Bright-Eyed and Giddy as to be Distracting.
Silent-Movie Star H. B. Warner Milks His Age as a Police Inspector that is the Butt of Many Barbs about Retiring.
Phillip Van Zandt is a Slimy King-Pin Named "King" and Steals His Scenes with His Dark Good Looks and Evil Persona.
Not a Bad Movie but it Lands with a Thud, sorta Like the Leading Man John Archer.
No Spark, the Film just Begs for Something, Anything to Light a Fire Under the Damp Dramatics.
Veiled with Double-Talk and Innuendo to Keep the Code-Police at Bay.
There's a Reference to even High-School Girls as Victims.
The Scantily-Clad "Girly" Scenes are Vapid, Hardly Titillating Dance Numbers with the Performers so Heavily Dressed as to be Ridiculous.
The Mystery Part isn't much of a Mystery.
It's a "Go-Through-The-Motions" Motion Picture.
With a Lead Female Reporter, Named "Page", (Astrid Allwyn) so Bright-Eyed and Giddy as to be Distracting.
Silent-Movie Star H. B. Warner Milks His Age as a Police Inspector that is the Butt of Many Barbs about Retiring.
Phillip Van Zandt is a Slimy King-Pin Named "King" and Steals His Scenes with His Dark Good Looks and Evil Persona.
Not a Bad Movie but it Lands with a Thud, sorta Like the Leading Man John Archer.
No Spark, the Film just Begs for Something, Anything to Light a Fire Under the Damp Dramatics.
This is a very low budget B picture which is saved from being a waste of time by surprisingly good acting. The film is 98% shot in a studio with the most basic possible sets. The film did provide an opportunity for Gale Storm, aged 19, to appear in her third feature film (she started in movies only the year before). She would later become famous in America and become something of a 'national treasure' in the hit television series MY LITTLE MARGIE (1952-1955), in which she played Little Margie. Since the series ran to 126 episodes, there was no one in America who had not seen her and taken her to their hearts by the time that was over. And from 1956 to 1960 she continued to ride on her wave of national popularity with her own series, THE GALE STORM SHOW. This film featured H. B. Warner, a well-known and solid performer of the old school, as a police captain, and an extremely lively and cheerful Astrid Allwyn, who does a very good job at holding the film together and keeping us interested. She plays very well against John Archer, as there is chemistry in their jokey romance. The film is a mystery, in that several young girls from the city have disappeared, and no one can trace them. Two have been found dead, so that there is obviously something sinister going on. Whodunnit and who is doing it? That's what everyone wants to know. But it is not easy to find out. A rainy afternoon film.
This is the story of a crime boss who has a front for either white slavery or prostitution. The words are never spoken. This would have been pretty hot stuff for the time. It involves an assistant district attorney, a female reporter, and a cop who just can't retire. All in all, the chemistry is pretty good. The reporter isn't as tiresome as they usually are. She seems to have some soul and some merit. The bad guy is also pretty well conceived and presents a formidable presence. It is pretty formulaic but keeps our attention throughout. The blackmail thing is believable for the most part and the elements of the crime story are nicely balanced. The one thing that troubles me is the aftermath, dealing with the reporter's father. I won't give anything away, so see what you think of the ending scene.
Girls are going missing and a DA and veteran cop team up to expose the rackets that are set up to lure young girls in to a life of shame.
This film is more a curiosity than anything. My guess it was cheaply made and ran on the exploitation circuit for years. The music isn't even stock music, but is supplied by an organ that pumps out bridges between scenes.
How best to describe this movie? Its the type of movie that insomniacs prayed not to find on the Late Late Show because it was just interesting enough to keep them awake while it un-spooled. It wasn't good enough to actually wake them up, but it wasn't bad enough to put them out, rather its a film of the twilight between asleep and awake.
I'm of a similar mind, its not bad, but its not good. Its the sort of thing that just is. If you should run across it on TV you might want to try it, but I can't suggest searching it out.
5 out of 10
This film is more a curiosity than anything. My guess it was cheaply made and ran on the exploitation circuit for years. The music isn't even stock music, but is supplied by an organ that pumps out bridges between scenes.
How best to describe this movie? Its the type of movie that insomniacs prayed not to find on the Late Late Show because it was just interesting enough to keep them awake while it un-spooled. It wasn't good enough to actually wake them up, but it wasn't bad enough to put them out, rather its a film of the twilight between asleep and awake.
I'm of a similar mind, its not bad, but its not good. Its the sort of thing that just is. If you should run across it on TV you might want to try it, but I can't suggest searching it out.
5 out of 10
Wusstest du schon
- WissenswertesThis film received its earliest documented telecast Saturday 5 August 1944 on New York City's pioneer television station WNBT (Channel 1). Post-WWII television viewers got their first look at on the East Coast Wednesday 29 December 1948 on WATV (Channel 13) (New York City), and on the West Coast Wednesday 4 May 1949 on KPIX (Channel 5) (San Francisco).
- Zitate
King Peterson: Do you mind if I smoke?
Assistant D.A. James J. Horton: I don't care if you burn.
- VerbindungenReferenced in Kalter Hauch (1972)
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- Laufzeit1 Stunde 14 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
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By what name was City of Missing Girls (1941) officially released in Canada in English?
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