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Citizen Kane

  • 1941
  • 12
  • 1 Std. 59 Min.
IMDb-BEWERTUNG
8,3/10
484.887
IHRE BEWERTUNG
BELIEBTHEIT
1.532
12
Citizen Kane (1941)
Watch the trailer for the Orson Welles classic Citizen Kane.
trailer wiedergeben3:46
9 Videos
99+ Fotos
Eine TragödieEpischZeitraum: DramaDramaMystery

Nach dem Tod eines Zeitungs- und Verlagsmagnaten reißen sich Reporter darum, die Bedeutung der letzten Worte des Verstorbenen zu entschlüsseln.Nach dem Tod eines Zeitungs- und Verlagsmagnaten reißen sich Reporter darum, die Bedeutung der letzten Worte des Verstorbenen zu entschlüsseln.Nach dem Tod eines Zeitungs- und Verlagsmagnaten reißen sich Reporter darum, die Bedeutung der letzten Worte des Verstorbenen zu entschlüsseln.

  • Regie
    • Orson Welles
  • Drehbuch
    • Herman J. Mankiewicz
    • Orson Welles
    • John Houseman
  • Hauptbesetzung
    • Orson Welles
    • Joseph Cotten
    • Dorothy Comingore
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,3/10
    484.887
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.532
    12
    • Regie
      • Orson Welles
    • Drehbuch
      • Herman J. Mankiewicz
      • Orson Welles
      • John Houseman
    • Hauptbesetzung
      • Orson Welles
      • Joseph Cotten
      • Dorothy Comingore
    • 1.7KBenutzerrezensionen
    • 227Kritische Rezensionen
    • 100Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Am besten bewerteter Film #108
    • 1 Oscar gewonnen
      • 16 Gewinne & 13 Nominierungen insgesamt

    Videos9

    Citizen Kane: Trailer
    Trailer 3:46
    Citizen Kane: Trailer
    All About Filmmaker Amanda Kim
    Clip 2:33
    All About Filmmaker Amanda Kim
    All About Filmmaker Amanda Kim
    Clip 2:33
    All About Filmmaker Amanda Kim
    'Mank' Disputes Who Wrote 'Citizen Kane'
    Clip 3:00
    'Mank' Disputes Who Wrote 'Citizen Kane'
    6 Movie & TV Podcasts When You Need a Binge Break
    Clip 4:16
    6 Movie & TV Podcasts When You Need a Binge Break
    Citizen Kane: Kane For Governor
    Clip 2:28
    Citizen Kane: Kane For Governor
    Citizen Kane: Kane Marries
    Clip 2:06
    Citizen Kane: Kane Marries

    Fotos191

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 185
    Poster ansehen

    Topbesetzung99+

    Ändern
    Orson Welles
    Orson Welles
    • Kane
    Joseph Cotten
    Joseph Cotten
    • Jedediah Leland…
    Dorothy Comingore
    Dorothy Comingore
    • Susan Alexander Kane
    Agnes Moorehead
    Agnes Moorehead
    • Mary Kane
    Ruth Warrick
    Ruth Warrick
    • Emily Monroe Norton Kane
    Ray Collins
    Ray Collins
    • James W. Gettys
    Erskine Sanford
    Erskine Sanford
    • Herbert Carter…
    Everett Sloane
    Everett Sloane
    • Mr. Bernstein
    William Alland
    William Alland
    • Jerry Thompson
    Paul Stewart
    Paul Stewart
    • Raymond
    George Coulouris
    George Coulouris
    • Walter Parks Thatcher
    Fortunio Bonanova
    Fortunio Bonanova
    • Matiste
    Gus Schilling
    Gus Schilling
    • The Headwaiter…
    Philip Van Zandt
    Philip Van Zandt
    • Mr. Rawlston
    Georgia Backus
    Georgia Backus
    • Miss Anderson
    Harry Shannon
    Harry Shannon
    • Kane's Father
    Sonny Bupp
    Sonny Bupp
    • Kane III
    Buddy Swan
    • Kane - Age Eight
    • Regie
      • Orson Welles
    • Drehbuch
      • Herman J. Mankiewicz
      • Orson Welles
      • John Houseman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1.7K

    8,3484.8K
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    Zusammenfassung

    Reviewers say 'Citizen Kane' is lauded for its technical innovations and Orson Welles' direction and performance. Its exploration of power, memory, and happiness is widely appreciated. However, some critics find its acting style dated and storytelling fragmented. The film's production controversy and real-life inspirations add intrigue. It remains a significant topic in discussions about cinematic artistry and cultural impact.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    9Xstal

    The Man Who Would Be King...

    There's a man who had the world within his grip, he was the captain and director of his ship, built an empire through the news, no one challenged or refused, but such ego is quite blind to slips and trips. It all began when a young child was pulled away, from normality, from sanity, from his play; to become manipulator, fabricator, a dictator; and every day, people would pay, for what he'd spray. Without distractions he may well have been crowned king, taking everything and more that he could win, but the heart can override, lead to diatribe, broadside, and a palace becomes a prison, and he's locked in.
    7gobosox

    See it for what it is

    OK look, let me settle something between those who love and hate this film. A lot of people hail this film because it is technically brilliant and ground breaking. Director Orson Welles did a lot of things visually that no one had ever done before. Nearly every film maker was in some way influenced by this movie. This movie also had a great impact in its time. The title character was based on media giant William Randolph Hearst. He was that generations Donald Trump. He opposed this film so much he did everything in its power to stop its release and almost succeeded. Lastly this film contains some of the strongest and most common themes in literature; Life versus death. It is for these reasons why this film is so revered.

    On the contrary people who hate this film mainly complain that it is boring. Which is a legitimate complaint. The story is slow compared to today's standards, and there is no real Hearst character alive today in which to relate. So yes, the story on the surface is outdated. However, this does not make it a bad movie. It was not made as a Matrix/Star Wars type of movie which can be enjoyed even at surface level. This is not pure entertainment. Remember there is more to film than storytelling. This film was designed to be cinematically beautiful and to tell a basic story of love and redemption. There is much more to the story than the thinly veiled attack on Hearst, one just needs to look deeper. Look at Shakespeare or Hawthorne for example, their literary works are universally loved. Yet, many people blow them off because they refuse to look past the outdated language into the beautiful prose and simple ubiquitous themes. Just because something is outdated does not mean it lacks worth in today's world.

    My advice to those who did not like it the first time or have not seen it yet is simple. Watch it again for what it is. Do not expect to be on the edge of your seat for two hours. Watch it for the cinematography that alone makes this film among the best (I don't agree with AFI's number one ranking but I think it still ranks high). Look deeper into the story and try to connect with it on some level. At the very least appreciate how influential this film was and where the industry would be without it. If you can do this, then maybe some of the naysayers will change their minds. Again, you do not have to love Citizen Kane, but at least respect it for what it is.
    meggs212

    an example of a unique and well done movie

    The movie Citizen Kane was loosely based on the life of William Randolph Hearst. The movie begins with the death of Charles Foster Kane, who was the editor of the New York Journal. He says the name rosebud and drops a crystal ball, which falls to the ground a shatters. News clips are shown about the different occurrences in Kane's life depicting how Kane acquired his fortune. Throughout the whole movie reporters are trying to figure out what the word rosebud meant and why it was the last word he said before he died. The reporters find people who knew Kane throughout his life trying to get information from them that would put some sense to Kane saying `rosebud' as his last word. Many of the stories told by the people interviewed show the audience a lot about his life through flashbacks. One of the opening scenes is that of Kane's mansion called Xanadu. It has a sign that says `no trespassing' that is hung from the outside gate. The shot is very dark and gloomy, hinting that maybe Kane's life was the same way. He was a very power-hungry man that went from being at the top to rock bottom. Many other movies have definitely taken note to style and effects of this movie. The camera work, lighting, acting a music contributed to making Citizen Kane one of the best American movies of all time. Orson Welles deserves all the credit that he receives from this movie. He was the leading character, producer and director; basically a one man show that still many of us appreciate. I thought that this movie was well done. It had so much symbolism that made the movie unique, although if you didn't know what was symbolic during the different scenes it would be hard to follow, but most of the symbolism is easily recognized. One of the best symbolic scenes that also foreshadows is when Kane is at the top of the stairs and he is told that he lost his position and as he walks down the stairs the camera is shooting from at the top and it looks like a spiral showing that Kane's life and career are out of control. Citizen Kane was very dramatic and all who took part in the movie played their roles well. The characters seemed very real and believable making this movie very memorable. This film has features that every movie should try to incorporate; symbolism, great actors, interesting storyline, excellent camera shots, lighting and sound techniques. I think everyone should see this movie at least once in their life time because it is one of the greatest American movies of all time.
    10eagandersongil

    It may not even be the best in history, but it sure is the most revolutionary.

    Citizen Kane is a film with epic characteristics, and was at least 30 years ahead of his time, let's start by spectacular Gregg Toland photography, which for me is one of the top 5 best film photography, all the camera angles, metaphors, editing, close-ups, the use of natural and artificial light, mounts scenarios are something inexplicable (Remember Kane's speech), J. Mankiewicz script is great, using flashbacks (something new in time) and the timeline in your favor, I really can not say if this film was the first film to use these narrative resources, I think not, but it sure was one of the first to use a magnificent way, the soundtrack it is accurate, and the performances are very good, especially the Orson Welles doing a magnificent job, as director and actor, worth a reference scenes "Post credit" which explains that all the actors are new, cool also speak the name the cinematographer Gregg Toland is credited alongside Orson, Citizen Kane marked the history of cinema as we know it, so you go to see the movie today will notice that most of the "things" are very common nowadays and did not understand why the film is so prestigious, but remember that citizen kane invented this pile of "things."
    Cowman

    CITIZEN KANE may let some people down, but it's still worth seeing.

    It's a difficult undertaking for someone of my generation to watch a film like CITIZEN KANE. Not because it's "too old" or "too boring", but because it has been hailed--almost universally--as the single best motion picture ever made. And while the anticipation of seeing a film with such overwhelming acclaim may be quite exhilarating, actually watching it is ultimately an intimidating and somewhat disappointing experience.

    This isn't to say that I thought CITIZEN KANE was a bad film; in fact, I thought everything about it was downright brilliant. From the enchanting performances right down to the meticulously planned camera movements and clever lighting tricks, there isn't a single element of CITIZEN KANE that isn't a stunning achievement in all areas of filmmaking.

    CITIZEN KANE's storyline is deceptively simple. Even though the plot unfolds by jumping in and out of nonlinear flashbacks, it is surprisingly easy to keep track of. The straightforwardness and relatively fast pace of the story are what make it seem intimidating. Because everything moves smoothly along without any standstill, it feels like we are being fooled-like there is something much greater that we just can't seem to grasp. As a first-time viewer, I knew from its reputation that there must be *something* that separates this movie from all the others; something buried within its simple plotline that everybody else has seen, but that I just could not seem to get a handle on. And then, during those final frames, that something was revealed, and it all began to make sense. To me, it was these moments of confusion and uncertainty followed by a sense of enlightenment and appreciation that made watching CITIZEN KANE such a meaningful experience.

    But no matter how great of a movie CITIZEN KANE really is, it can never live up to one's expectations. Although I do feel that it is deserving of its acclamation, the constant exposure to its six decades worth of hype and praise will invariably set most modern viewers' standards at a height that is virtually unreachable--even if it really *is* the best movie of all time.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The camera looks up at Charles Foster Kane and his best friend Jedediah Leland and down at weaker characters like Susan Alexander Kane. This was a technique that Orson Welles borrowed from John Ford who had used it two years previously on Höllenfahrt nach Santa Fé (1939). Welles privately watched the movie about forty times while making this film.
    • Patzer
      During the picnic scene towards the end, Welles had to shoot against a back-projection because a location shoot was too costly and time-consuming. The stock footage used for the exterior was taken from King Kong und die weiße Frau (1933), hence on closer inspection the four birds that fly by are in fact very definite pterodactyls. RKO told Welles to take the pterodactyls out of the shot, but he liked them, and decided to keep them.
    • Zitate

      Mr. Bernstein: Old age. It's the only disease, Mr. Thompson, that you don't look forward to being cured of.

    • Crazy Credits
      In a very rare move the director's credit is shown on the same card as the cinematographer's. This was Orson Welles's personal decision to show his thanks to cinematographer Gregg Toland for his enormous contributions to the film, meaning equal rights.
    • Alternative Versionen
      The Italian-language version cut an overwhelming number of scenes, leading to "complete" versions of the film to be circa half of the time in English and only the remaining half in Italian.
    • Verbindungen
      Featured in Der Filmvorführer (1970)
    • Soundtracks
      It Can't Be Love
      (uncredited)

      Written by Charlie Barnet and Haven Johnson

      Arranged by The King Cole Trio

      Performed by Raymond Tate, Buddy Collette, Buddy Banks, CeePee Johnson, and Alton Redd

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    Details

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    • Erscheinungsdatum
      • 29. Juni 1962 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Facebook
    • Sprachen
      • Englisch
      • Italienisch
    • Auch bekannt als
      • El ciudadano Kane
    • Drehorte
      • Busch Gardens - S. Grove Avenue, Pasadena, Kalifornien, USA(Xanadu Grounds, demolished)
    • Produktionsfirmen
      • RKO Radio Pictures
      • Mercury Productions
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    Box Office

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    • Budget
      • 839.727 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 1.627.530 $
    • Weltweiter Bruttoertrag
      • 1.711.106 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 59 Min.(119 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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