IMDb-BEWERTUNG
5,7/10
693
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.
- Regie
- Drehbuch
- Hauptbesetzung
Irene Coleman
- Barmaid
- (Gelöschte Szenen)
Empfohlene Bewertungen
Another reviewer used the word "trite" to characterize the plot of this film. Amen to that! As for the film as a whole? How about lame? Really lame!
Since this was a 1940s Warner Brothers production featuring several of that studio's stalwart players, I had high hopes when I saw it for the first, and almost certainly ONLY, time. But, really, this is a silly story that is hardly ever funny and simply makes everyone involved look foolish. (Butterfly McQueen absolutely sobs her way through this movie. Makes you wish someone had taken her apron and gagged her with it!)
I love the WB product of the 1940s, but this is really a let down. Don't expect anything like "Christmas in Connecticut"!
Since this was a 1940s Warner Brothers production featuring several of that studio's stalwart players, I had high hopes when I saw it for the first, and almost certainly ONLY, time. But, really, this is a silly story that is hardly ever funny and simply makes everyone involved look foolish. (Butterfly McQueen absolutely sobs her way through this movie. Makes you wish someone had taken her apron and gagged her with it!)
I love the WB product of the 1940s, but this is really a let down. Don't expect anything like "Christmas in Connecticut"!
Richard Mayberry is a world traveling newspaper reporter, who plays around with lots of women, excepting his own wife, who has to stay at home. He's in Lisbon, trying to mess around with lady reporter Irene Malcolm, and she's all for it: but she's like him to leave his wife first.
Meanwhile, his wife Sue has meet "Mr. Wright," literally, and she's about to divorce her husband. Lot of fluffy misunderstandings, misappointments and misdeals follow, as Richard tries to either make his wife jealous with Irene, or tries to foist Irene off on Owen Wright.
You have to watch it to find out what happens, but there is certainly a fair amount of screwball comedy along the way to finding out!
Meanwhile, his wife Sue has meet "Mr. Wright," literally, and she's about to divorce her husband. Lot of fluffy misunderstandings, misappointments and misdeals follow, as Richard tries to either make his wife jealous with Irene, or tries to foist Irene off on Owen Wright.
You have to watch it to find out what happens, but there is certainly a fair amount of screwball comedy along the way to finding out!
This is a late and modest entry into the screwball comedy genre. As such, all the performers are frenetic, histrionic, and act in broad, bold strokes. Performers falling into water is a running joke. There is no dry humor in this film. Unfortunately, no good lines either; it has a script of shtick patched together from older and better comedies.
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
For me the brightest spots of this movie are Rita Hayworth and Dennis Morgan. The love triangle, which also includes Merle Oberon, is complicated by interference from Ralph Bellamy and others (at times it's difficult to be sure whose side Rita is on.) Standing by are Hattie McDaniel and Butterfly McQueen, who are rooting for Morgan all the way. The backdrop of the newspaper business - as well as the presence of Ralph Bellamy - reminds one slightly of "His Girl Friday." Not a terrifically funny comedy, but worthwhile, especially for fans of any of the cast members.
I absolutely loved this story!Rita Hayworth,Merle Oberon and Dennis Morgan are energetic and entertaining throughout this whole film.Ralph Bellamy doesn't get the girl,but he's great anyway.Merle Oberon once commented that she thought this movie "was a real dud..I hate it!"She conceded that her children did like it.I thought it was wonderful and I love when Dennis ties Merle's foot to something on the pier and after struggling to get away...can't budge!She falls over into the water and catches a cold...which leads to Morgan and Bellamy arguing over who gets Merle.You'll have to watch this film to find out what happens!
Wusstest du schon
- WissenswertesWarner Bros. technicians duplicated a Boeing 314 Clipper in order to match studio shots with those filmed on location at Lisbon and LaGuardia airports. Boeing built only 12 of these airplanes from 1938 to 1941.
- PatzerWhen Rickey goes into the hotel bathroom and closes the door, the key is on his side but yet he's locked in from the other side. When he leaves the bathroom, the key is back on the other side.
- Zitate
Owen Wright: You certainly are intuitive.
Sue Mayberry: You certainly are transparent.
- VerbindungenFeatured in Of Black America: Black History: Lost, Stolen or Strayed (1968)
- SoundtracksHungarian Dance No. 6
(1869) (uncredited)
Written by Johannes Brahms
Played by the orchestra at the Lisbon Cafe
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Details
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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