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Adam hatte vier Söhne

Originaltitel: Adam Had Four Sons
  • 1941
  • Approved
  • 1 Std. 21 Min.
IMDb-BEWERTUNG
6,6/10
1468
IHRE BEWERTUNG
Ingrid Bergman, Susan Hayward, Warner Baxter, Richard Denning, Johnny Downs, Robert Shaw, and Charles Lind in Adam hatte vier Söhne (1941)
Zeitraum: DramaDrama

Füge eine Handlung in deiner Sprache hinzuA governess becomes the center of a wealthy family after her employer's wife dies.A governess becomes the center of a wealthy family after her employer's wife dies.A governess becomes the center of a wealthy family after her employer's wife dies.

  • Regie
    • Gregory Ratoff
  • Drehbuch
    • William Hurlbut
    • Michael Blankfort
    • Charles Bonner
  • Hauptbesetzung
    • Ingrid Bergman
    • Warner Baxter
    • Susan Hayward
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    1468
    IHRE BEWERTUNG
    • Regie
      • Gregory Ratoff
    • Drehbuch
      • William Hurlbut
      • Michael Blankfort
      • Charles Bonner
    • Hauptbesetzung
      • Ingrid Bergman
      • Warner Baxter
      • Susan Hayward
    • 38Benutzerrezensionen
    • 9Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos22

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 15
    Poster ansehen

    Topbesetzung22

    Ändern
    Ingrid Bergman
    Ingrid Bergman
    • Emilie Gallatin
    Warner Baxter
    Warner Baxter
    • Adam Stoddard
    Susan Hayward
    Susan Hayward
    • Hester Stoddard
    Fay Wray
    Fay Wray
    • Molly Stoddard
    Richard Denning
    Richard Denning
    • Jack Stoddard (older)
    Johnny Downs
    Johnny Downs
    • David Stoddard (older)
    Robert Shaw
    Robert Shaw
    • Chris Stoddard (older)
    Charles Lind
    • Phillip Stoddard (older)
    Billy Ray
    • Jack Stoddard (younger)
    Steven Muller
    • David Stoddard (younger)
    Wallace Chadwell
    • Chris Stoddard (younger)
    Bobby Walberg
    • Phillip Stoddard (younger)
    Helen Westley
    Helen Westley
    • Cousin Philippa
    June Lockhart
    June Lockhart
    • Vance
    Pietro Sosso
    • Otto
    Gilbert Emery
    Gilbert Emery
    • Dr. Lane
    Renie Riano
    Renie Riano
    • Photographer
    Clarence Muse
    Clarence Muse
    • Sam
    • Regie
      • Gregory Ratoff
    • Drehbuch
      • William Hurlbut
      • Michael Blankfort
      • Charles Bonner
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen38

    6,61.4K
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    Empfohlene Bewertungen

    7jjnxn-1

    Susan perks this up

    Somewhat stolid drama is immeasurably boosted by a terrific performance by Susan Hayward on her way up. This was really the first role that allowed her any kind of showcase and she takes full advantage as the grasping cat that's up to no good. From here on she started a steady if not meteoric rise to the very top but even at this early stage she demonstrates the fiery star quality that took her there.

    This second American outing for Ingrid Bergman is obviously designed as a star vehicle for her but except when pitted against Susan's shrew she is only required to show pallid goodness, not the best star making material. She only had to work her way through one more indifferent picture, Rage in Heaven, before hitting her stride as the cheap Ivy in Dr. Jekyll and Mr. Hyde and of course following that up with the luminous Ilsa in Casablanca and on to immortality.

    As far as the rest of the film goes it's standard hokum with Warner Baxter stiff as the head of the household and the sons all lacking in personality. Fay Wray isn't given anything to do in her tiny amount of screen time but June Lockhart is all sweet faced and dewy youthfulness, at least making her nothing part stand out by her vivacity.
    10mulhernmary

    My Great Uncle wrote the book.

    This is about about my family. My Grandfather is one of the four sons. This is not about Teddy Roosevelt or any other family. My mom considerd the Nanny as her Grandmother. This movie has some fiction in it too. But this is about the Bonner family.
    9desol-2

    Better then i thought it would be

    I only watched this film because Ingrid Bergman was in it. And because I Knew that Bergman wasn't fond of it, and that general opinion was so so, I expected it to not be up to much but I ended up being pleasantly surprised by how good a film it is. The performances are all good especially Bergman (of Course), Baxter and Heyward and the film cruises along at quick pace with no scenes dragging. If I have a problem with the film it's that it's a bit short at an 80 mins but apparently it was originally 108 mins, if this is true then it's shocking that over 25 mins were cut out. I'd like to know if it's possible to put the footage back in or if it has been destroyed. If it isn't destroyed then in the video age it should be released on video in it's original length. 9/10
    8talisencrw

    A good melodrama with nice work by a young Bergman, and a strong supporting cast!

    This was a good early melodrama--the first of Ratoff's films I have seen (at least to my knowledge) and American films starring Ingrid Bergman, one of my favourite actresses (three earlier Swedish films she's in, that I found in an inexpensive boxed set by Kino Lorber, is delightful). This boasted a strong supporting cast too, as Bergman's Emilie does everything she can to provide support for the family she loves working for so dearly.

    It was short and sweet, and is good value for the cinephile if you like the 30's-and-40's style of filmmaking, and enjoy melodramas. Other fine directors who are great at this style are John Stahl, Douglas Sirk, and, more recently, Rainer Werner Fassbinder and Todd Haynes.

    At this stage of her career, Bergman isn't as fun to watch, at least for me, as similar actresses of her era, such as Bette Davis, Greta Garbo or Joan Crawford. I prefer Bergman's work after she risked everything to marry Roberto Rossellini. I believe the great difficulties she had to endure gave her a much deeper palette of possible behaviours for her to choose from. I significantly feel that if a thespian can survive trauma, it's the best thing in the world for their craft. What doesn't kill you makes you stronger--and I would definitely posit it makes one a much better actor as well.
    ferbs54

    Some Early Performances To Relish

    "Adam Had Four Sons" (1941) is a perfect movie for folks who enjoy watching stars performing early in their careers. In this film, there are four such performances to draw the viewer's attention. The story here concerns the quaint Connecticut household headed by Warner Baxter and Fay Wray in 1907, and the French governess (Ingrid Bergman, in her second American film) who is brought in to care for their four young boys. Years later, trouble brews when one of the boys brings home a new wife, Susan Hayward, "the Brooklyn Bombshell," in one of her earliest screen roles. Hayward wastes no time in becoming drunken, bitchy and flirtatious, especially with the hunky eldest brother, Richard Denning, in one of HIS earlier roles. Need I even mention that a Grade A confrontation looms between the protective governess and the interloping bad girl? This is actually a very warm little movie, with nice performances by all; an involving, over-the-years type of story; and handsome production values. The three lead actresses look as beautiful as one could wish for, especially Hayward. Honestly...has there EVER been an actress with such a combination of drop-dead good looks and sheer acting ability? Not for me, anyway. But in this picture, our sympathies are completely with Bergman, and she is just radiant and lovely in her sweet role. The contrast between the two is quite striking here; what a shame that these wonderful actresses never worked together again. Anyway, I really did enjoy this movie and do recommend it to all IMDb viewers. Oh, I almost forgot. A 16-year-old June Lockhart also appears in this film; yet another early performance to relish!

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      About this film, Ingrid Bergman said "It wasn't a very good picture. But as long as a part makes sense, and the character is a human being, I will try because I can't do artificial people on the screen. Nothing done with such a character can make it real to audiences." With Ratoff's permission, Bergman introduced changes to her character that turned Emilie from a cardboard saint to a humanized woman, such as adding the scenes in which she did gymnastics and played basketball with the boys. Bergman would humanize her Sister Benedict in The Bells of St. Mary's (1945) with some similar athletic character development.
    • Patzer
      Emilie returns to the U.S.A from France on a British cruise ship during WWI. Due to the danger posed by German U-boats, especially after the sinking of the Lusitania, cruise ships passages in the Atlantic were ceased until the war's end.
    • Zitate

      Cousin Philippa: It's too light. I like darkness; because, my deeds are evil.

    • Crazy Credits
      The movie begins when a photograph in the opening credits comes to life.
    • Verbindungen
      Featured in The Break-Up Artist (2009)

    Top-Auswahl

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    FAQ15

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    Details

    Ändern
    • Erscheinungsdatum
      • September 1946 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Adam Had Four Sons
    • Drehorte
      • Palms Railway Station, Palms, Kalifornien, USA(Opening train station scene, as Stoneville.)
    • Produktionsfirma
      • Columbia Pictures
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    Box Office

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    • Budget
      • 488.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 21 Min.(81 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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