IMDb-BEWERTUNG
6,1/10
1629
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.The manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.The manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
Kay Kyser Band
- Kay Kyser's Band
- (as Kay Kyser's Band)
M.A. Bogue
- Ish Kabibble
- (as Ish Kabibble)
Mary Bovard
- Mary
- (Nicht genannt)
Jeff Corey
- Mr. Corey
- (Nicht genannt)
Louise Currie
- Marion
- (Nicht genannt)
Bess Flowers
- Lady in Taxi
- (Nicht genannt)
Lyman Gandee
- Member of Kay Kyser Band
- (Nicht genannt)
Empfohlene Bewertungen
I liked this movie, I have seen it at least 5 times so far. Let's be fair to the movie,it is not Gone With The Wind, it is a B movie, but a really cute one. Kay Kaiser is always Great.
This movie has a GREAT gimmick called the Sonovox. It is similar to the electronic voice box of today, but with much better fidelity. Two small very high powered speakers are held against the upper throat, and you just mouth the words, the speakers provide the voice. Peter Frampton used a variation of this for one of his songs.
There is a wonderful demonstration of the Sonovox at the end of the movie.
Also the big band numbers are great. The two main singers "Handsome" Harry Babbitt and "Gorgeous" Ginny Simms have very fine voices and sing very fine songs in the movie. Yes "The Bad Humor Man" is silly but "WHO CARES"?
The three "horror" stars are great too, Bela Lugosi steals the show, Peter Lorre smokes up a storm, and Boris Karloff is oddly restrained. If you like Big Band music and Old Movies, I think you will like this one.
This movie has a GREAT gimmick called the Sonovox. It is similar to the electronic voice box of today, but with much better fidelity. Two small very high powered speakers are held against the upper throat, and you just mouth the words, the speakers provide the voice. Peter Frampton used a variation of this for one of his songs.
There is a wonderful demonstration of the Sonovox at the end of the movie.
Also the big band numbers are great. The two main singers "Handsome" Harry Babbitt and "Gorgeous" Ginny Simms have very fine voices and sing very fine songs in the movie. Yes "The Bad Humor Man" is silly but "WHO CARES"?
The three "horror" stars are great too, Bela Lugosi steals the show, Peter Lorre smokes up a storm, and Boris Karloff is oddly restrained. If you like Big Band music and Old Movies, I think you will like this one.
Despite the emphasis on music, via Kay Kyser & the College of Knowledge, this is a true Old Dark House film. There's a very large, spooky old mansion, a thunderstorm, secret passageways, comedy, mystery, attempts at murder, a butler (who, oddly enough, is never a suspect), creepy characters, etc. In the "creepy characters" category, they don't get any creepier than Boris, Bela, & Peter (in his first film in the horror genre). Boris plays, well, Boris, & he doesn't have quite enough to do here. But his presence alone adds weight to the film. Bela is quite creepy as a "Prince" who conducts seances. Peter (who looks very spooky here & is even thinner than in earlier movies) is very good as always; just watching him roll those big round eyes is worth the price of admission. For my taste, there's too much emphasis on Kay Kyser (who is the "star" of this film), who's good but becomes distracting after a while. Kyser fans will enjoy his role, as he gets to display all of his many talents here. Ginny Simms (a vocalist in the Kyser band) is lovely in a supporting role. This film is a real treat to Boris, Bela & Peter fans. I didn't know of its existence until very recently, & I was quite pleased to see these guys at this stage in their careers in a movie I had never seen before. I rate it 7/10.
Mystery, horror, music, slapstick, suspense - you name it - is all here. And with the all-time greatest horror actors - Lugosi, Karloff and Lorre. All we needed was Chaney with the Larry Talbot character and it would've put the icing on the cake. Who cares about the musical numbers and the singing? It all tied in to the storyline. Kay Kyser is at his best, I think, as the bumbling bandleader who gets all tangled up in this mess of a mystery. With the comic help of Ish Kabibble (who does look like a cross between Jim Carrey and Moe Howard, more the latter) this film manages to deliver chills, suspense and many, many laughs. Peter Lorre alone could've carried the suspense factor but with the other masters added it proved to be a classic.
It's wonderful how the storyline was meshed into that of a musical. That was brilliant writing. The story centers around the typical 40s mystery/horror genre - old mansion, creepy happenings, things flying around in the dark, people stuck because the bridge washed out, and music to shake in your boots by. I can certainly recommend that you check this out if you're a fan of slapstick because the horror line will definitely keep you watching. Great stuff!
It's wonderful how the storyline was meshed into that of a musical. That was brilliant writing. The story centers around the typical 40s mystery/horror genre - old mansion, creepy happenings, things flying around in the dark, people stuck because the bridge washed out, and music to shake in your boots by. I can certainly recommend that you check this out if you're a fan of slapstick because the horror line will definitely keep you watching. Great stuff!
In a previous post I expressed my opinion (heavily influenced by the Maltin guide) that this movie sucked. Subsequent viewings have radically changed my mind. This is a NICE little picture!
It's one of those so-corny-it's-hep 1940s comedy-horror farces that came into fashion with "The Ghost Breakers" and reached its full flowering with "Abbott and Costello Meet Frankenstein." Here, Kay Kyser and his Kollege provide rather more palatable comedy relief than Bob Hope or Bud and Lou, as well as some first-class musical interludes. Horror fans may regret that Lugosi and Karloff are not given quite as much screen time as Ish Kabibble, but will be pleased to find they are both handled with warmth, delicacy and a certain gravitas befitting such grand gentlemen of the cinema. As for the top-billed "bad humor man" Peter Lorre, in no other film has his exotic decadence been showcased so deliciously.
It's one of those so-corny-it's-hep 1940s comedy-horror farces that came into fashion with "The Ghost Breakers" and reached its full flowering with "Abbott and Costello Meet Frankenstein." Here, Kay Kyser and his Kollege provide rather more palatable comedy relief than Bob Hope or Bud and Lou, as well as some first-class musical interludes. Horror fans may regret that Lugosi and Karloff are not given quite as much screen time as Ish Kabibble, but will be pleased to find they are both handled with warmth, delicacy and a certain gravitas befitting such grand gentlemen of the cinema. As for the top-billed "bad humor man" Peter Lorre, in no other film has his exotic decadence been showcased so deliciously.
It's funny how many 'reviewers' didn't 'get' YOU'LL FIND OUT. Kay Kyser was a huge star (as big as Karloff, Lugosi, and Lorre) in the late 30s thru the 40s, and his top-rated radio show spawned 7 feature films, playing himself every time except one, so to brand him as 'silly' means you're uninformed, bub! Corny, yes, but that was the cornerstone of his appeal. THAT'S WHAT RADIO COMEDY WAS LIKE THEN. Judging Kyser by today's standards is like criticizing a Jack Benny radio show because he was 'stingy'!! THAT'S THE HUMOR, FOLKS!!! I find the most criticism comes from those who watched YFO because Boris, Bela and Peter appeared together in it. Well, guys, the news for you here is, it was without a doubt a KAY KYSER VEHICLE, complete with his name above the title and everything, so don't expect friggin' FRANKENSTEIN MEETS DRACULA. The music was wonderfully appropriate, with all song lyrics by Johnny Mercer, and an academy award nomination for the song, I'D KNOW YOU ANYWHERE, so any detractors should be suitably chagrined.
Wusstest du schon
- WissenswertesFilmed August 8-October 11 1940, the 7th of 8 features to star Boris Karloff and Bela Lugosi, and the only time that fellow Hungarians Lugosi and Peter Lorre ever shared the screen.
- Zitate
'Prof. Karl Fenninger': [Rhetorically] Why do I have to waste my time outwitting morons?
- Crazy Credits"The College of Musical Knowledge" is an on-screen opening acting credit, but its members are the studio audience, since Kay Kyser refers to them as "students."
- VerbindungenFeatured in TJ and the All Night Theatre: You'll Find Out (1980)
- Soundtracks(I've Grown So Lonely) Thinking of You
(1926) (uncredited)
(Kay Kyser's theme song)
Music by Walter Donaldson
Lyrics by Paul Ash
Played during the opening credits and at Kyser's radio show
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El rey del pánico
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 353.000 $ (geschätzt)
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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