Die Bande der Fünf

A fast paced and often light-hearted film that purports to tell the story of the infamous Dalton gang, "When the Daltons Rode" boasts a fine cast of stalwart western actors under the sure direction of veteran George Marshall. Tod Jackson, a lawyer, stops in Kansas en route to Oklahoma to visit his childhood friends, the Dalton family. Convinced to stay long enough for a good visit, Jackson is smitten with the local telegraph operator and becomes involved in the Daltons' problems with a corrupt land-development company. The exciting action swings from a humorous melee in a courtroom to a wild shootout on the streets to robberies aboard speeding trains, although the film climaxes in a too-tidy finale.

Western icon Randolph Scott has top billing as Jackson, but he is often off screen, and Broderick Crawford, Brian Donlevy, George Bancroft, and Andy Devine all have nearly equal roles. A romantic-triangle subplot features Kay Francis, and Mary Gordon plays Ma Dalton, matriarch to the unruly Dalton brood. Devine is the comedy relief, and he has some good moments, although both he and Crawford ostensibly perform stunts that neither of the beefy actors could convincingly accomplish. However, the film's stunt team should take a bow for their outstanding work with a slide under a racing stagecoach, with leaps from rocky cliffs onto moving rail cars, and with jumps from a speeding train while on horseback. A behind-the-camera asset is Hal Mohr's fine black-and-white cinematography, which beautifully captures the action and the western landscapes.

If your Saturday matinees featured posses and gunfights, brawls and chases, laconic cowboys and pretty school marms, "When the Daltons Rode" will bring back fond memories of popcorn, Milk Duds, and 25-cent movie tickets. Lots of action, a smidgen of humor, and a touch of romance, Marshall's film may not be among the classic or even best-remembered westerns, but all the elements of a solid oater are present and in top form for an entertaining afternoon at the movies.

In a strange role for Randolph Scott in a western, he never wears or fires a gun in When The Daltons Rode. In fact he's not even a Dalton brother just a family friend who falls for Kay Francis and she for him. But Kay's the girlfriend of Broderick Crawford one of the Dalton Brothers.

And it's especially strange that for a western that gets a lot of action into its 81 minute running time that Randolph Scott is no part of it.

The Daltons are played by Crawford, Brian Donlevy, Stu Erwin, and Frank Albertson. Though the plot is taken purportedly from the book authored by Emmet Dalton, it seems to have been more lifted from the 20th Century Fox film Jesse James. The Daltons together with their mother own a farm near Coffeyville, Kansas. A land holding company fronted by Harvey Stephens but really controlled by George Bancroft is after the Dalton farm to sell it to the railroad for a right of way. When a surveyor is killed accidentally Erwin, Donlevy, and Albertson are arrested. When it looks like the case is not going their way, despite Randolph Scott's defense of them, they break loose and turn outlaw. The rest of the film is almost a non-stop action view of their outlaw exploits until the legendary showdown in Coffeyville.

George Marshall keeps the action at one lively pace and the comic relief is supplied by, would you believe an amorous Andy Devine playing a Dalton friend and fellow outlaw.

But Randolph Scott in a suit, who'd have believed it.

The Dalton brother -- Broderick Crawford, Brian Donlevy, Frank Albertson and the murdered Stu Erwin go from peaceful farmers to desperate outlaws.

There's much to admire in this movie, from the way in which the first 20 or so minutes are lighthearted and often funny, making the fix the brothers get into tinged with a certain sense of tragedy. Kay Francis seems like luxury casting, as does George Bancroft as the banker, but undoubtedly that was a canny move, trying to replicate the major studio minor stars who had made such a hit of Marshall's DESTRY RIDES AGAIN the year before. Thus the top billing for Randolph Scott, even though the movie, as shown, centers far more on Broderick Crawford, the hot-tempered lama of the brothers who starts off engaged to Miss Francis and winds up... well....

The big sequence about two thirds of the way through, where they escape from the law -- thanks to quick thinking by Andy Devine! -- and wind up robbing a train on the way out is very well done, with lots of good trick riding. Who knew there were such towering mountains in Oklahoma, or such rushing, swollen rivers. Who knew it was even called Oklahoma all the time in the 1890s, instead of The Indian Territories (an appellation I have seen in print as current into the 1930)?

In the end, it' a big, brawling A Western that owes a lot to other recent A westerns. If it wasn't as big a hit for Universal as DESTRY RIDES AGAIN, it's very entertaining on its own sentimental terms.

Another new DVD release from the vaults of Universal that's about as action-packed as JESSE JAMES (1939), which also came out around the same time. This too, carries the same western myth that Hollywood has about certain outlaws. If society had only treated them fairly, then they wouldn't have become outlaws in the first place.

The Daltons have been railroaded off of their farm and turned into outlaws by greedy land speculators who manipulate the law to suit their own ends. So begins the chase out of the courthouse, through the woods and onto a moving train in order to make good their escape. It even has some good Yakima Canutt stunt work involving a stagecoach robbery.

Randolph Scott and his love interest Kay Francis really are on the sidelines as those who are siding with the Daltons in spirit, even though they aren't out robbing bank and trains with them. They're really are only supporting players here even though they headline in the credits.

The real star is Broderick Crawford who despite his New York Bronx accent, really shines here as the lead Dalton, even scene-stealing away from Brian Donlevy who takes a back seat. This movie is Crawford's show, no question about it.

Director George Marshall has done better with oaters like DESTRY RIDES AGAIN (1939) and Texas (1941), but this film is no slouch, either. There's not a lot of deep plot characterizations but if you want 40s action that moves along pretty nicely, then you can't go wrong here.

6½ out of 10

It is just shoddy handling that has made this splendid entertainment drop out of sight. It should have gone on accumulating admirers down the years.Director George Marshall missed out on attention too, though this film, DESTRY RIDES AGAIN and his succession of Glenn Ford films have a consistent, light handling that shows he was one of the best people in this field. Let's throw in the fact that Broderick Crawford has his biggest pre ALL THE KING'S MEN role. He gets as much screen time as top billed players Scott and Francis and acts them off the screen. He's terrific, in a straight role, as the chief Dalton Brother.

The film has the standard ingredients - shoot ups, chases, western timber town atmosphere, over-laid with the usual plot elements about the wrongly persecuted family. What isn't expected is the expert pacing, emphasis and the humor - the lynch mob bursting into the jail to find the whole gang waiting for them, guns drawn, is classic. The film also has one of the best filmings of the Yak Canutt routine of falling under the runaway coach horses. A class act.