Wagon Train

Other reviewers have rehearsed the plot of Edward Killy's RKO B-Movie from 1940, so there is no need to tread over familiar ground. What is perhaps more intriguing is the way the film rehearses several themes characteristic of the western, which might tell us something about the way America viewed itself at that time. The film is awash with movement: the wagon train traveling across the plains, accompanied by riders; the perpetual threat of the bad guys wanting to stop the train; coupled with the subplot about a community's livelihood being threatened should vital food supplies not arrive. This draws attention to the idea of the pioneer spirit; the fact that, as a young country, the United States is perpetually looking to expand itself; it is never satisfied with staying n one place. WAGON TRAIN also embodies racial attitudes characteristic of that time: all the characters are Euros, save for one Mexican (Julian Rivero) who assumes a peripheral role as he is s seen entering the general store trying to buy some beans for his family. He cannot afford the exorbitant price; and hence throws them back in the seller's face. Native Americans are represented as savage; they destroy one settlement; and it is only because of our hero Zack Sibley's (Tim Holt's) cleverness that they allow him and his followers to pass through their territory unscathed. By contrast the 'good' white Euros are represented as strong yet fair, believing in the importance of group identity as a means to survive in an inhospitable landscape. The film packs a lot into its sixty-minute running time; comedy, adventure, even two songs (with music by Paul Sawtell). Not particularly memorable, perhaps, but an interesting historical document.

First of all there's a rolling Wild West context setting explanation before the picture begins and straight after that one character gives another a lengthy explanation of hero Tim Holt's past and character. After all that you don't need a crystal ball to see which way the picture will go and how it will climax and end, even down to some of the lesser details.

Baddies try to blacken Holt's good name and his food supply business, attempt to kill him and raid his wagon train to corner the market for themselves. It turns out Holt was after one of them anyway… Apart from the clumsy opening reveal it's all routine, competently handled fodder – plus a few nice songs, nice scenery nicely photographed, nice action, but you could seldom fault Holt in any of these oaters. It's an serenely enjoyable hour – if you like b Western films with a bit of atmosphere; if you know you don't and decide to watch it anyway kiss the hour goodbye!

As RKO's B picture cowboy hero, Tim Holt was really coming into his own when he did Wagon Train. In fact the film has a nice A picture look to it.

Villain of this film is veteran western actor Cliff Clark who had Tim's father killed. Clark is a skinflint merchant of the worst kind. He has gunmen on his payroll to make sure he sells the only food supplies for miles around for the ranchers and farmers. When Tim's father protested Clark had him killed.

The father was a rival merchant and former partner. Now Tim is taking a wagon train through with intentions of starting his own business again. He has to deal with Clark's outlaws and hostile Indians.

Holt was always a no nonsense western hero and in the tradition of the time as established by Hopalong Cassidy and the Three Mesquiteers has two sidekicks, Emmett Lynn and Ray Whitley.

The post World War II Holt usually had no romances as his sidekick then was Chito Rafferty. Here Martha O'Driscoll is the leading lady and their scenes look real.

RKO spent a bundle for location shooting instead of stock footage and it showed. Wagon Train is a nicely packaged Tim Holt western.

The scenery and the camera-work of the scenery in this film are spectacular. The lost art of outdoor western camera work is remarkably well featured in this b-western and is worth watching. "Majestic" is the only word that can describe some of the scenes.

Tim Holt is stalwart and believable as a wagon train leader, Martha O'Driscoll is incredibly pretty, young and fetching in the role of an eastern girl gone west. All of the cast does a fine job.

Wagons and a stagecoach are expertly handled (another lost art?) in the Utah country, not just on graded back lot roads.

Authentic-looking in many ways, fast paced, this film is a winner.

I was amazed at the films excellent quality having been developed in 1940 when cinema production was in its early stages. Although only 59 minutes in length, Wagon Train utilizes every minute to wow its audience with action, adventure, comedy and romance. Tim Holt was just coming into his own as a bona fide film star of the time and he was competing for screen time with the likes of Roy Rogers and Gene Autry. I have always enjoyed the western genre and Tim Holt is a bona fide cowboy who shines bright on the big screen.

Wagon Train is a western that all can enjoy if you are a fan of the western genre. Decades later when color is added, and more sophisticated cameras and lenses, the westerns of the 1970s starring the likes of John Wayne, Clint Eastwood and Charles Bronson may have pushed films like this one, the 1940 Wagon Train to the back of the TV film shelves, but thank God for television stations such as TCM who will periodically honor the great western stars such as Tim Holt and allow us to watch such a film classic.

I give Wagon Train a solid 8 out of 10 rating. It may be a bit dusty, grainy and in black and white but for a near 80 year old film, it remains a classic in my books and is worth watching at least twice in one's lifetime.