Too Many Girls

Great dancing by Ann Miller and some fellow; Langford looked kind of puffy; Desi was cute and so was Bracken. All the cast seemed energetic and there was good ensemble choreography. Wish it was in color! The surprise was Richard Carlson who looked really hunky in those days...Lucille Ball was great from the beginning...really a beautiful woman with plenty of comic talent!

Too Many Girls is an interesting film for the above reason and is worth the look also. But while a long way from the worst film musicals, it is not a particularly great film either. There are definitely things that do salvage it. Desi Arnaz is very charming in his role and gives it his all, though his singing can sound strained because of the register. The songs make for very pleasant listening, I Didn't Know What Time It Was is the best number and is a classic, though other than that none really are among Rodgers and Hart's best. Hal LeRoy beguiles with his dancing and toe-work, and you have to love the comedy comebacks of Eddie Bracken as well as the vocal talents of Frances Langford and the dancing of Ann Miller. The football footage is interesting too, the film does look nice if not quite audacious and look out for Van Johnson. Too Many Girls has all those good things but is for me a very flawed film. When there aren't any songs, much of the film is weak with draggy pacing, a pretty dispensable story and stilted dialogue. The direction and choreography are definitely competent- the Conga at the end is an absolute riot and anything danced by Ann Miller is fun enough- but are not particularly memorable and could have had more passion. Lucille Ball's Connie is too exaggerated, and while the singer providing her singing voice has a beautiful silky voice- much better than Ball's, whose I can't stand, especially in the dire Mame- it is one of those instances where you can actually tell it's not the actor/actress singing. And Richard Carlson is unbearably wooden here too. Overall, not a bad film, not a good one either, kind of a difficult one to judge actually because there is some entertainment value there are a lot of noticeable bad things too. 5/10 Bethany Cox

Some movies become important, not because of their subject or their cinematic relevance (or irrelevance in some cases), but because of other circumstances.

In this case, it's the film that brought together two of television's greatest personalities and business people: Lucille Ball and Desi Arnaz. Both were struggling actors trying to make their images a commodity in the Hollywood of the late Thirties and early Forties. Arnaz, however, was less an actor than a musician so he had material on which to fall back on. Ball, on the other hand, was today's Parker Posey -- you always saw her star in B-movies and rarely, if ever, in "major productions". Back then, though, such a thing was looked down upon and Ball in this vehicle didn't fare better: she remained rooted in the B's.

So with Ball and Arnaz coming together in 1940, it is reported that the sparks were loud and clear and despite their personality and racial differences, they were to begin an alliance which would legally last 20 years, but emotionally, a lifetime. Neither of them share scenes together other than the ones in which their characters happen to appear on screen simultaneously, which would have been great in order to capture what they were about to experience (much in the style of Hepburn and Tracy, and Bogart and Bacall), but that's okay. We know the history of Lucy and Desi and if anything, this movie is the catalyst for their union.

This film was made in 1940. We were just about to go to War with Japan & people had just barely survived the Great Depression. Most people wanted fun escapist movies. The music is great! Of course it's full of fluff. The audience preferred it that way! Ask your grandparents, they'll tell you what life was like in 1940. My grandmother had a job seating people at the Admiral theater in Seattle, Wa. Actually West Seattle, which at the time was considered a separate area from Seattle. She told us that the customers loved Musicals and Westerns. The perfect escape for a Saturday afternoon. The theater's were full for every show and only cost a dime. I think if we were to quit picking apart these films and just enjoy them for the the times they were created, we could learn a lot about life in the 40's. Try to see what we have in common with that era instead of looking for the differences. We are much too cynical and if we can't enjoy a silly film like Too many Girls, we haven't come as far as we think we have. Submitted by Little Blue

Lucille Ball (as Connie) is going to college. Her wealthy father is afraid she'll get into trouble, so he hires four football players to be her bodyguards. Not a very bright man, obviously! The bodyguards are: Desi Arnaz (as Manuelito), Eddie Bracken (as Jojo), Richard Carlson (as Clint), and Hal LeRoy (as Al). Ann Miller and Frances Langford are around to dance and sing.

It's a fair musical, with an "Indian" subplot (Huh?), and budget problems. You should know that Lucille Ball and Desi Arnaz are not paired up in (on-screen, anyway) this film (Ms. Ball is partnered with Mr. Carlson). This is a routinely presented film, with a few highlights. Unfortunately Mr. Le Roy and Ms. Miller do not have a real dance off/team-up together. Mr. Arnaz steals the show from his future wife with a charming performance - look for the scene where he plays "guess the lipstick"!

***** Too Many Girls (10/8/40) George Abbott ~ Lucille Ball, Richard Carlson, Desi Arnaz, Ann Miller