Three Faces West

An American drama; A story about a Viennese surgeon and his daughter, refugees in a small North Dakota town. When the winds of the Dust Bowl threaten they are led away from doom by a farmer leader to Oregon whence he falls in love with the daughter but their future together is complicated by her past. This film's first half is tightly scripted, a contempory tale of 1930s hardship and hostile environments, a celebration of the pioneer spirit. Then comes a theme about migration and scenes become shallow as the character stories fall away, then tension with anti-Nazi propaganda, then a love triangle. This busy progression gave the film an over-engineered feel and perhaps inevitably it led toward a mediocre end. It has good production design and it is photographed handsomely. The cast performed adequately well too. John Wayne has vigour in his part while Sigrid Gurie manages with her poorly written part, but they lacked chemistry.

Beginning like 'The Wind' and ending as a more upbeat 'Grapes of Wrath', the original title sounds like a western, but it actually starts as a very contemporary tale of a pair of Austrian refugees arriving in America after fleeing the Anschluss.

Both the director and one of the scriptwriters - one of the Hollywood Ten, no less - were later blacklisted, so I hope they avoided discussing politics with John Wayne on the set.

Viennese surgeon Charles Coburn and daughter Sigrid Gurie arrive in America and are placed in a rural area of Oklahoma. They stay in a large old house with John Wayne and Spencer Charters. Pretty soon, despite Gurie's homesickness, they are involved in the social and political life in the area.

This is the famous Oklahoma dust bowl era when drought and poor cultivation practices brought about a drying up of once fertile farm land. Wayne and the other farmers do their best to save the land, but in the end except a government offer to homestead new farm land created by a dam built in Oregon, I presume on the Columbia River or one of its tributaries.

Gurie of course falls big time for the Duke. But she hears that Roland Varno who saved them from the Nazis and who she thought dead is still alive. Wayne of course leads a modern day wagon train to Oregon with automobiles instead of Conestoga wagons. He's got his own problems with Trevor Bardette, another farmer who's constantly trying to undermine his leadership.

23 years later John Wayne made McLintock which is more a serious statement of his conservative political and economic philosophy than one realizes. In Three Faces West we have him accepting a government program's help, albeit a self help type program. The film though is couched in terms good enough to satisfy any free marketeer.

One thing I could not understand. Roland Varno purportedly risked his life to save Gurie and Coburn from the Nazis. But when both of them meet up with Varno in San Francisco, he's now a big time Nazi supporter and wants to take them back to Vienna to aid in his new cause. They are taken aback and walk right out on him.

I'm somewhat taken aback myself. For the life of me I don't understand Varno's about face. The script gives us no explanation. It's a big hole in the plot.

Three Faces West also labors under the handicap of coming out in the same year as The Grapes of Wrath. A much better film about the dust bowl and its economic effects.

This is by no means a great movie, but not a terrible movie either. This really is an update of a frontier movie with some good ol' American spirit thrown in. This is basically the story of an Austrian doctor and his daughter who come to America seeking refugee from the Nazi's. Then end up in a small town who have farmed the land to death and who themselves are seeking new land to make their lives. John Wayne does his normal thing as the so called leader of the townsfolk dealing with conflict along the way, and also the inevitable love interest of the doctor's daughter. Plodding and really so much inferior to the similar 'Grapes of Wrath'. Not one for me to be watching again.

In a subdued and understated role, John Wayne is excellent.

Other commenters have placed the action in North Dakota and in Oklahoma, but I never heard a home stated. In fact, I thought the script specifically avoided mentioning one. (Maybe like the Simpsons' Springfield?)

The situation and the timing would seem to indicate Oklahoma, but in truth it really doesn't matter, and the film can be seen as somewhat of an allegory, as representative of the dilemma many poor farmers faced during the Dust Bowl and Depression days.

Regardless, it is worth saying again that John Wayne gave one of his best performances, that his character was a different one from what he so often played and he demonstrated that he was by gosh an actor!

The chief bad guy also stood out, and should have, being played as it was by the great Trevor Bardette.

The subplot, the almost thwarted love story, was poignant and timely, and there was a wonderful line spoken by the Wayne character: "We get all tangled up in other people's feelings and duties and obligations," a fact that gets so many people, and even nations, into trouble.

"Three Faces West" is a very good movie, with great direction, some superior camera angles, and possibly some great stock footage, as well as great acting, from Wayne to the atmosphere players.

All of that with an intelligent script makes it well worth watching.