Sky Murder

The most interesting and entertaining of the three films that opened up a little and went outdoors and included a heavy plot of spies and Nazis on the home front. There is that dreaded printing press that the subversives use to peddle their poison with fliers like "Don't be Doped by America".

There is also quite a bit of gun-play and this one is as serious as the series ever got. But it is not without the standard flaws. The Detective as a relentless womanizer (in all its overdone cringe inducement here), the almost ever present Beeswax his always irritating sidekick, the cute ditsy, dumb dame, and the German-American included so we can understand America's tolerance (but not after Pearl Harbor) for all Nationalities despite their governments evil ways. Did we really have to be reminded we are the good guys in such a heavy handed manner?

Sure we did, because repetition works, and this series was just another palatable picture used as a delivery device to a yet to be convinced public that we are about to join the fight against fascism. A noble cause. That is also the best that could be said about the Nick Carter Series.

This is yet another experiment in the all important detective genre — before the genre settled into the few riverbeds we work with today. The experiment failed, which is why you don't find this celebrated. Its actually a very bad entertainment. Very bad indeed and after this Nick Carter would end.

Its only interesting if you study how the notion of film detection and noir evolved, and what branches died out... or if you are interested in how national identity is defined in film (or reflected if you are a gnostic).

This one tries to punch up the franchise with pretty girls, six of them who are apparently prostitutes though the relationship is so softpeddled, they are mentioned as "dancers." They are protected by a dumb blond who is so dumb it defies even movie logic.

One of these is a German girl who is reluctantly recruited into a German conspiracy against the US, a "fifth column." When she is condemned in front of members of the "cell," one decent man gets up to protest that he joined to make the world better. He is immediately beset by thugs and beaten to death. There is mention of concentration camps. The US hadn't yet entered the war, but it was ready.

There's a mystery of sorts here, how someone is stabbed in a sealed cabin on an airplane. But it is so contrived, so needlessly elaborate its funny, like the genteel whores that subliminally stand for American values.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

When I heard "Nick Carter," I was expecting a dark, noir-ish hard boiled detective story, along the lines of Sam Spade or Philip Marlowe. "Sky Murder" is anything but.

I thought the first few scenes of the movie were so bad, I was going to give it a 3 and turn it off. (No movie can score higher than a 3 with me if I can't stand it till the end.)

For some reason, though, and it wasn't any sudden change in plot or acting, I kept with it. It was more than three quarters of the way through, more than 45 minutes into the film, that I suddenly realized this is a rollicking adventure story aimed at eight-year-old boys, with no pretensions of being anything but a good time. It is a comic book come to life, sort of like the old Superman TV show from the fifties.

Once I realized that, the movie became much more enjoyable.

I don't know if an eight-year-old would enjoy it today, though. It's not full of fast action, has no gunfire, and of course it has no CG.

So, without modern kid appeal, and, as other reviewers have shown, it doesn't hold much for adult viewers, I'm afraid this well-done and entertaining film is probably destined for obscurity.

Unaccountably, MGM's excellent Nick Carter movies became the shortest series of detective films on record. The Carter films took the middle ground somewhere between the serial-like Brass Bancroft pictures and the sophisticated semi-comedy mysteries like the Thin Man films. The Carter series were fast-paced with quite a bit of action, but with some hilarious humor too. Bartholomew the Bee Man was the most unique of all detective sidekicks--quite loony, but very helpful at the same time. The interaction between Donald Meek's Bartholomew and Walter Pidgeon's self-assured Nick Carter was the best part of the series, which had several other things going for it too.

This final Carter film is a lot of fun, with Nick (unwillingly, at first) taking on a ring of Fifth Columnists (since this was filmed before the US entered the war, we're not told the villains are Nazis, but it's pretty clear anyway). Of course, the helpful and persistent Bartholomew is at his side--much to Nick's irritation. To further complicate things--and to make them still funnier--Joyce Compton is along for the ride too, as a delightfully brainless "detective" named Christine Cross. The plot gives us a new twist on the locked-room murder mystery: this time, a murder takes place in a locked airplane compartment! Karen Verne plays a German refugee suspected of the mysterious murder, and it's up to Nick to clear her--and protect her from the real killers, who are out to remove her at all costs. As in the first Carter film (NICK CARTER, MASTER DETECTIVE) there's a mastermind whose identity is not revealed right away, and an assortment of sinister henchmen. While trying to figure out the mystery (the who-dun-it isn't hard, but the "how dun it" certainly is) look for some great supporting players, including Chill Wills, Grady Sutton, Edward Ashley, and Tom Conway, soon to become a well-known film detective himself--the Falcon.

Be sure to check out this movie and the other Carter movies, NICK CARTER MASTER DETECTIVE and PHANTOM RAIDERS. All three are shown on TCM from time to time, and I highly recommend them.

Walter Pidgeon returns for a third appearance as suave-yet-rugged detective Nick Carter in this fast-paced spy picture.

Set very much on the eve of America's entrance into WWII, the plot involves American traitors distributing flyers about a new regime and Nick Carter's (initially reluctant) efforts to track down and put them out of business. Spies, patriotism, murder – it's a neat little movie featuring a solid cast and efficient script.

Donald Meek offers able assistance and mild comic relief as Bartholomew the Bee Man. Put in charge of escorting a group of ladies off of a plane, he gets a little overzealous: "The first one that makes a break dies like a dog!" he barks. (Of course, they trample him and give him a bump on the head.)

Other capable cast members include Tom Conway as a shady character; Kaaren Verne as an earnest immigrant pressured to betray her new country; and Joyce Compton as would-be detective Chris Cross.

Walter Pidgeon looks like he's enjoying himself as the dashing lead character who spouts like dialog like, "Well, this is swell. Seven beautiful girls and every one of them a murder suspect."

There's not much substance, really, but it's a pleasant mix of adventure, mystery and comedy.