Rhythm on the River

While a pleasant enough musical, what stuck with me about this movie was the unexpected comedic chemistry between Basil Rathbone, as the has-been composer, and Oscar Levant as his assistant. Playing a high strung, distracted artistic type (a far cry from his more familiar roles as either menacing villains or the coolly logical Sherlock Holmes), Rathbone's character looks like he couldn't find his way out of bed without help. And that help is Starbuck, played with his usual droll humor by Oscar Levant. Upon hiring Crosby's character as his ghost song writer, Rathbone introduces him to Starbuck by saying, "He does all my thinking for me.", to which Levant responds, "Ah, it's only a part-time job." Of course this goes right past (or over) Rathbone, who's too busy fretting about where his next hit song will come from. As another reviewer said, who knew Rathbone could be so funny! Too bad he didn't have more opportunities to display his comedic talent.

Poor Basil Rathbone, an egotistical composer who's lost his muse. He's been faking it for some time, buying his lyrics and his music from various sources. Trouble is that two of the sources (Bing Crosby music) and (Mary Martin words) happen to meet and fall in love. And then they discover what they've been doing. Complications ensue, but all is righted at the end.

Crosby and Martin sing terrifically. Mary had signed a Paramount contract and also at the same time doubled as a regular on Crosby's Kraft Music Hall Radio Show. For reasons I don't understand, movie audiences didn't take to her, so she went back to Broadway and did One Touch of Venus in 1944 and stayed there.

Basil Rathbone in one of the few times he played comedy does it very well. His ego is constantly being deflated by sidekick Oscar Levant and again I'm surprised they didn't do more films together.

As in most of Crosby's Paramount vehicles, no big production numbers, but I agree with the previous reviewer about the title tune being done as an impromptu jam session in a pawn shop. Good job by all.

A surprisingly original plot and great entertainment.

After you've seen this, you can't say that Bing Crosby didn't do his best--in this film and in" Birth of the Blues"--to give credit where credit is due for the origins of truly American music. Here he is teamed with Mary Martin, who starred in "South Pacific" when it played on Broadway. Crosby did a lot to popularize a smooth white, if you will, form of jazz that has helped it endure to this day and to claim its proper place in the canon. His version of the title song is a classic. --Musicals on the Silver Screen, American Library Association, 2013

Fans of Hot Jazz should note that the movie features the great Wingy Manone as part of the band that Bing hires to back him. Specifically there's a terrific number in a pawn shop that features the band blowing hot and Bing singing and drumming (!), harkening back to his "Rhythm Boys" days with Paul Whiteman. Don't miss it!

A film starring Bing Crosby, Mary Martin and Basil Rathbone, with a screenplay co-written by Billy Wilder and directed by Victor Schertzinger promised so much. The good news is that it delivers on all the goods.

There are better film musicals out there than 'Rhythm on the River', ones with songs that are so easy to remember, timeless and have become standards or had truly lavish production values and choreography to die for. Not saying that 'Rhythm on the River' didn't have those things, just that other film musicals did even better in that regard. There actually is not anything wrong with the film, and it was a great hit on release and the appeal is entirely justified.

'Rhythm on the River' is a handsome-looking film, beautifully photographed and while the costumes and sets are not exactly spectacular they are hardly cheap either. While none of them are standards as such, the songs are pleasantly good and in the case of the best of them pretty exquisite. Wasn't entirely crazy on "Tiger Rag", but certainly really dig the title song and especially the sublime "Only Forever".

Schertzinger's direction is more than amiable, and the script is very engaging and witty especially with the chemistry between Rathbone and Oscar Levant. The story is somewhat thin and predictable, but this doesn't really matter when there is so much fun and charm and the chemistry between the performers is so good, not just the endearing one between Crosby and Martin but even more so between Rathbone and Levant.

All the acting is fine. Crosby is relaxed and charming and as ever sings an absolute dream. While Martin proves that it is a mystery as to why she didn't make it bigger in films as she is clearly enjoying herself, radiates and has a beautiful voice. Rathbone has a comedic character that is quite a departure compared to his usual roles, and he is a joy, in fact he's never been funnier and one wishes that he showed his comedic chops more because he proves that he certainly has them. Levant is suitably amusing.

On the whole, fun and charming film and not hard to see why it was a hit. 9/10 Bethany Cox