Füge eine Handlung in deiner Sprache hinzuMan about town and first class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend ... Alles lesenMan about town and first class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend with her parents, Lord and Lady Melrose. A necklace presents an irresistible temptation, b... Alles lesenMan about town and first class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend with her parents, Lord and Lady Melrose. A necklace presents an irresistible temptation, but also in attendance is Scotland Yard's finest, finally on the trail.
- Auszeichnungen
- 1 wins total
- Lady Melrose
- (as Dame May Whitty)
- Art Gallery Attendant
- (Nicht genannt)
- Art Gallery Attendant
- (Nicht genannt)
- Bingham's Secretary
- (Nicht genannt)
- Villager
- (Nicht genannt)
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David Niven probably carried more films on his personal charm than any other player I know. Even more than Ronald Colman did, because Colman had the advantage of getting better scripts.
This remake that Sam Goldwyn did of his own film had little change in it from the Colman version. David Niven is the debonair cricket player who has a nice sideline as a cat burglar. He's so good, he leaves taunting notes for Scotland Yard, particularly at Inspector Dudley Digges who's in charge of trying to catch him.
The last job he does is for his friend Douglas Walton who has embezzled some mess company funds to gamble with and there's an audit come due. Raffles is a pal good and true and offers to help though Walton does not know about his sideline.
Olivia DeHavilland is Walton's sister who has little to do but sit around and look beautiful. She had hoped that on the strength of her performance in Gone With the Wind, Warner Brothers would giver her more substantial material. That was not to be even on a loan out to Sam Goldwyn.
Despite it being lightweight stuff, Raffles is a key film for David Niven. He was at last given first billing in a film. But as soon as the film was done, he was back to Great Britain to serve in the Armed Forces. Niven made two films in uniform, Spitfire and The Way Ahead, and also saw some combat. He wouldn't see Hollywood again for many years.
Raffles is nice entertainment, but it helps to be a fan of David Niven.
The inspector and his colleagues have just been discussing the baffling case of "the Amateur Cracksman," a clever thief who leaves a signed note at the scene of each crime. Little do the Scotland Yard men realize that Raffles and the Amateur Cracksman are one and the same--celebrity by day, burglar by night.
David Niven is excellent as Raffles, that adventurous character who decides to hang up his secret life, finds it necessary to do one last job, and feels the pressure build as his cover is slowly chipped away. Pensive, charming, sly, quick-thinking....it's a great role for Niven.
Olivia de Havilland is fine as the socialite who loves the dashing Raffles but begins to wonder about his puzzling behavior. (However, her top billing just under Niven does not reflect her actual role in the picture; the two main roles belong to Niven and Digges.)
Dudley Digges is lots of fun as the steadfast inspector who doesn't miss much. He follows his suspects down to one of those large country houses where Dame May Whitty's jewels are a temptation to more than one would-be crook.
The plot is really nothing much but it's certainly entertaining watching these characters watch each other.
Bonus: Laurel and Hardy fans will enjoy seeing the great James Finlayson as a cab driver. And a note: Apparently the first televised cricket match was in 1938. Not sure if Scotland Yard offices really had TV yet.
One interesting thing about this film - which made me realize that I had seen it years before - is the early television in the inspector's office at the beginning of the movie.
I regret not seeing the Ronald Colman version. In this one, Niven is charming, handsome, and debonair as a man who seems to steal as a lark and then somehow returns the merchandise, to the frustration of the police. At the film's start, he steals a valuable painting, sends it to his favorite retired actress, and has her return it for the reward money. But when he tries to steal a necklace to help a friend replace money he gambled away before an audit takes place, he runs into another crook attempting to do the same thing, and complications arise.
There are some suspenseful moments toward the end of the movie, but all in all, it goes by too quickly, and the character of Raffles isn't sufficiently developed. It's almost as if the movie starts in the middle and ends before it's really over. De Havilland is absolutely beautiful, even if a couple of her hats are outrageous. She's really just doing an average ingénue role here. "Raffles" debuted in the U.S. just before "Gone With the Wind," and she probably made it right afterward.
Entertaining but disappointing.
David Niven stars as the title character, a wealthy and famous cricket player who moonlights as a burglar. There are several stealth scenes, and even though we know we shouldn't be rooting for the criminal, the fact that he's a compulsive thief rather than a desperate one makes us root for him instead of the police. Those scenes are quite suspenseful, so don't be surprised if you find yourself holding your breath until The Niv is home safe and sound.
There are lots of twists and turns in this movie, so I'll skimp on the plot overview so nothing will be ruined for you. It's much better if you experience it during the moment. This is a quick-paced, clever, romantic, classy, overlooked old movie that, had it been released in 1938 or 1940, might have become a classic. Check it out if you like heist movies, or if you like leading men with double lives and lots of secrets. You might get a new celebrity boyfriend from this movie!
Today, we're in an era of Hollywood studios remaking films which aren't yet twenty years old. Well, this one certainly kicks them to the curb. This is a remake of a nine-year old film from the same country, same studio, same director and same script. And, as David Niven replaces Ronald Colman, it could even have the same moustache too. But, this isn't a criticism. For one thing, in 1939, they didn't have DVDs (imagine!), so it had been nearly a decade since people had seen the first film. Also, this has David Niven. Also, this has David Niven. Also, this has ... well, it does.
Niven was born to play the role and it's a shame that he didn't make a bigger splash with it. This could easily have been a series, like the Universal set of Sherlock Holmes films with Basil Rathbone. Of course, the war happened and Niven, quite honourably, left Hollywood to fight. And maybe the idea would have been redundant, as this was the same year in which the Saint movies started (George Sanders, by the way, did his best to avoid the draft). With his easy charm and suavity, Niven is the best thing about this version. The plot is solid and - though set in a house for most of its run-time - features much of the cosily exciting wandering-around-the-house-at-night stuff that I love so much. It heads towards farce, at points, but you won't read me complaining about that, as it's all so lightly amusing and even quickens the pulse at times. Dame May Whitty (she of The Lady Vanishes - surely one of the best films in the history of moving pictures) plays the dowager-type part of Lady Melrose and there's some mild comedy to be enjoyed with her oafish aristocratic husband who is straight out of a Blandings novel.
The whole thing about giving Raffles a love-interest is non-canonical, as that never happened in the original stories by E.W. Hornung (brother-in-law of Arthur Conan Doyle). In fact, Raffles himself is softer here than he is supposed to be and Bunny's suicide pledge is only alluded to, while it was properly depicted in the story which inspired it. At this point, the character had enjoyed a renaissance of sorts in the British pulp magazine The Thriller, with stories written by Barry Perowne, in which the character was updated to the '30s. This film is also set in those times (though, confusingly, there's a scene in a Victorian hansom cab) and there's even a television, before the invention was really popular.
Unfortunately, this spirited film is marred by a hasty ending which, jarringly, tries to include a daring escape, a Golden Age of Hollywood romantic ending and the obligatory reminder that crime does not pay.
The character would again find success in a 1977 television series for ITV with Anthony Valentine in the role. A one-off adaptation, titled The Gentleman Thief, was aired in 2001 and starred Nigel Havers. It was a role he was surely also born to play but, unfortunately, was not followed up on, and hasn't even had a DVD release. Considering the original books are still in print and remain classics of the genre, it would be great to see them adapted again at some point.
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- WissenswertesDavid Niven was due to join the British Army but was given a 21-day grace period to finish his scenes for the movie. The production crew worked double time and filmed Niven's scenes first to comply with his obligation to start his military service.
- PatzerA Scot would not pronounce "vase" as VAYZ. The pronunciation in the UK - even in 1939 - is "VARZ". (57 minutes in, in Raffles' flat).
- Zitate
Raffles: Tell me, Barraclough, why have you never been married? Surely there must have been some woman in your life.
Barraclough: There was. Two of them, to be exact. Twenty-three years ago.
Raffles: And neither of them became Mrs. Barraclough?
Barraclough: No sir. Perhaps that was because I knew them both at the same time, sir. It didn't seem to work out.
- VerbindungenFeatured in Hinter den Kulissen von Scotland Yard (1971)
- SoundtracksFantaisie-Impromptu in C Sharp Minor, Op.66
(1834) (uncredited)
Written by Frédéric Chopin
Played by an unidentified pianist at the party
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Caballero y ladrón
- Drehorte
- Produktionsfirma
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Box Office
- Bruttoertrag in den USA und Kanada
- 86.600 $
- Laufzeit
- 1 Std. 12 Min.(72 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1