IMDb-BEWERTUNG
6,8/10
1961
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young woman from a family of prostitutes falls in love with a hard-working man, but after he finds out the truth about her background, their romance becomes jeopardized.A young woman from a family of prostitutes falls in love with a hard-working man, but after he finds out the truth about her background, their romance becomes jeopardized.A young woman from a family of prostitutes falls in love with a hard-working man, but after he finds out the truth about her background, their romance becomes jeopardized.
- Für 1 Oscar nominiert
- 4 Gewinne & 1 Nominierung insgesamt
Ernie Adams
- Man in Bluebell
- (Nicht genannt)
Bobby Barber
- Benny - Man in Diner
- (Nicht genannt)
Louise Beavers
- Woman Talking to Police
- (Nicht genannt)
Ray Cooke
- Man Clueing in Ed
- (Nicht genannt)
Herbert Corthell
- Herb - Man Getting Gas
- (Nicht genannt)
Jacqueline Dalya
- Dalya - Carmelita's Friend
- (Nicht genannt)
Edgar Dearing
- Motorcycle Policeman
- (Nicht genannt)
Charline Flanders
- Girl
- (Nicht genannt)
Jack Gardner
- Jake's Friend in Diner
- (Nicht genannt)
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this version(the only one I have seen) takes place in the fishing industry of Monterey California. It not only takes place in the famous stomping grounds of John Steinbeck but is as interesting as many of his stories such as Cannery Row and Tortilla Flat. Like a good Steinbeck story it about the poor and the very poor. The lower working class that struggles to survive and the even less fortunate. Ginger Rogers' family is made up of the even less fortunate.A kind mother who sells herself to keep a roof over their head and at the same time takes care of an alcoholic husband. Well acted by real troopers of the early thirties and well worth watching. Snappy dialogue and some wonderful shots of Montereys' scenic coast are an added plus. The Blue Bell Cafe is mentioned often in this film and was an actual popular establishment in the town of Monterey.
This is one of Gregory La Cava's last pictures and doesn't seem to be very well known. Film critic Andrew Sarris didn't seem to think much of it in his book The American Cinema, and rates it as one of his lower pictures. I never would of watched this movie before until i discovered how great Ginger Rogers was and now i want to watch all her films. Rogers plays a poor girl who lives in the slums with a drunk father, a prostitute for a mother and some other relatives. Rogers has no interest in guys until she meets Joel McCrea at a restaurant and they wind up married. She lies about her family to him and it causes some problems between them. Ginger Rogers is good as usual and Joel McCrea is very good as the husband.
It was fun seeing Virginia McMath a.k.a.Ginger Rogers at age 29. As I watched this film on Turner Classic Movies I saw a resemblance and body language very much like Doris Day's. Bubbly!! I found the film interesting because here Hollywood was, back in 1940, handling the theme of prostitution which is handled quite differently today. I'd say in 1940 it was done tastefully compared to the trash we see today.
Joel McCrea was the same mild mannered, easy going type that made him famous while the film was stolen by meddlesome witchy Queenie Vassar playing Ginger's maternal grandmother and Miles Mander playing Ginger's highly intelligent has-been drunk father once well acquainted with Greek philosophy.
Joel McCrea was the same mild mannered, easy going type that made him famous while the film was stolen by meddlesome witchy Queenie Vassar playing Ginger's maternal grandmother and Miles Mander playing Ginger's highly intelligent has-been drunk father once well acquainted with Greek philosophy.
After Ginger Rogers scored so well in a serious drama like Stage Door, the brass there were less reluctant to give her substantial parts. Ginger gives a great performance in Primrose Path, a good lead into what would be her Oscar winner with Kitty Foyle that same year.
The play by Robert Buckner and Walter Hart is based on a most steamy novel February Hill by Victoria Lincoln. February Hill was apparently the God's Little Acre of its day, it's steamy sex scenes had to be toned down considerably for the stage and even more so for the Code driven cinema of 1940. The novel and play were set in my area of the country, Buffalo and later out near Lake Canandaigua which is a considerable distance away.
In toning down the sex the screenwriters also switched the location to Northern California and with that making Primrose Path look a whole lot like John Steinbeck's work and characters. But no matter how you slice it, no denying that Ginger's white trash family make their living with prostitution, a low class version of Leslie Caron's family in Gigi.
Ginger thinks there's something better out there and her mother Marjorie Rambeau encourages her in that. She meets up with a nice, low key owner of a gas station and greasy spoon restaurant down the road in Joel McCrea. He's better than some of the low life men who her mother and grandmother would you believe consort with. He's also a lot better package than her own father, the alcoholic Miles Mander.
Primrose Path doesn't age well for today, it's a case of the Code seriously compromising the nature of the material. If it were remade today we'd see a more frank version. The players do fine with their roles and Marjorie Rambeau got an Oscar nomination for Best Supporting Actress, but lost to Jane Darwell for The Grapes Of Wrath.
Try and think of who you might cast in a remake today of Primrose Path. I could see Brendan Fraser in Joel McCrea's part myself.
The play by Robert Buckner and Walter Hart is based on a most steamy novel February Hill by Victoria Lincoln. February Hill was apparently the God's Little Acre of its day, it's steamy sex scenes had to be toned down considerably for the stage and even more so for the Code driven cinema of 1940. The novel and play were set in my area of the country, Buffalo and later out near Lake Canandaigua which is a considerable distance away.
In toning down the sex the screenwriters also switched the location to Northern California and with that making Primrose Path look a whole lot like John Steinbeck's work and characters. But no matter how you slice it, no denying that Ginger's white trash family make their living with prostitution, a low class version of Leslie Caron's family in Gigi.
Ginger thinks there's something better out there and her mother Marjorie Rambeau encourages her in that. She meets up with a nice, low key owner of a gas station and greasy spoon restaurant down the road in Joel McCrea. He's better than some of the low life men who her mother and grandmother would you believe consort with. He's also a lot better package than her own father, the alcoholic Miles Mander.
Primrose Path doesn't age well for today, it's a case of the Code seriously compromising the nature of the material. If it were remade today we'd see a more frank version. The players do fine with their roles and Marjorie Rambeau got an Oscar nomination for Best Supporting Actress, but lost to Jane Darwell for The Grapes Of Wrath.
Try and think of who you might cast in a remake today of Primrose Path. I could see Brendan Fraser in Joel McCrea's part myself.
Joel McCrea & Ginger Rogers star in this tale of a romance from across the tracks. Rogers lives in a ramshackle home populated by a ramshackle family who's matriarch is a lady of the night & the patriarch is a souse. When she meets McCrea, who is a go-getter working at a gas station slash hash-house, she thinks her financial woes are over & soon marries him but when the truth of Rogers' family come to bear, McCrea feels trapped & betrayed & acts accordingly (at least he thinks so). Mixing humor, pathos & romance in what could've been an unsavory package, this film finds the right note for the telling.
Wusstest du schon
- WissenswertesGinger Rogers dyed her hair brunette for this film, but kept it secret until it was released.
- PatzerWhen the "Portugee" (Portuguese) girl steps out of the cantina to call Ed back inside, she threatens to cut his ears off in Spanish, not Portuguese.
- Crazy CreditsShown during opening credits: We live, not as we wish to - - but as we can. --Menander, 300 B.C.
- VerbindungenReferenced in Choose Me: Sag ja (1984)
- SoundtracksJarabe Tapatío
Written by Jesús González Rubio
[Danced to in Blue Bell Cafe]
Top-Auswahl
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Details
Box Office
- Budget
- 702.000 $ (geschätzt)
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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