Füge eine Handlung in deiner Sprache hinzuAn insurance company tasks with Carter and Beeswax to go to Panama where cargo ships are mysteriously exploding and sending their valuable cargoes to the bottom with all hands.An insurance company tasks with Carter and Beeswax to go to Panama where cargo ships are mysteriously exploding and sending their valuable cargoes to the bottom with all hands.An insurance company tasks with Carter and Beeswax to go to Panama where cargo ships are mysteriously exploding and sending their valuable cargoes to the bottom with all hands.
Matthew Boulton
- John Ramsell, Sr
- (as Mathew Boulton)
Thomas W. Ross
- Dr. Grisson
- (as Thomas Ross)
Hugh Beaumont
- Seaman
- (Nicht genannt)
Guy Bellis
- Pierson - Sir Edward's Aide
- (Nicht genannt)
Dick Botiller
- Taurez's Henchman
- (Nicht genannt)
John Burton
- Steve Donnigan of Scotland Yard
- (Nicht genannt)
Charles Coleman
- U.S. Agent Hilton
- (Nicht genannt)
Franco Corsaro
- Ysidro - Morris' Head Clerk
- (Nicht genannt)
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As B-films go, PHANTOM RAIDERS is just a slight cut above a serial cliffhanger, the kind that the poverty row studios churned out in the '30s and '40s. Surprisingly enough, this one comes from MGM and has a certain gloss.
It's fast moving, neatly developed and, except for some unnecessary comic interludes, provides a satisfying look at the pre-WWII era. Nick Carter (Pidgeon) is assigned to find out who is blowing up cargo ships in Panama for insurance money. We learn early on that the culprit is the cruel and cunning Joseph Schildkraut, always one step ahead of the authorities until the very end.
Donald Meek has a rather annoying role as a bee-keeper who happens to be Carter's sidekick. His unlikely role is a departure from his usual "meek" roles but it becomes tedious after some comic interludes in a mystery that tries to blend corny humor with suspense. Thankfully, the good supporting cast includes Florence Rice, John Carroll, Cecil Kellaway and Nat Pendleton.
Not bad, but easily a programmer you can afford to miss. Obviously made before Walter Pidgeon became a big name at Metro via being teamed with Greer Garson in a series of successful films.
It's fast moving, neatly developed and, except for some unnecessary comic interludes, provides a satisfying look at the pre-WWII era. Nick Carter (Pidgeon) is assigned to find out who is blowing up cargo ships in Panama for insurance money. We learn early on that the culprit is the cruel and cunning Joseph Schildkraut, always one step ahead of the authorities until the very end.
Donald Meek has a rather annoying role as a bee-keeper who happens to be Carter's sidekick. His unlikely role is a departure from his usual "meek" roles but it becomes tedious after some comic interludes in a mystery that tries to blend corny humor with suspense. Thankfully, the good supporting cast includes Florence Rice, John Carroll, Cecil Kellaway and Nat Pendleton.
Not bad, but easily a programmer you can afford to miss. Obviously made before Walter Pidgeon became a big name at Metro via being teamed with Greer Garson in a series of successful films.
Though he's the title character, Welter Pigeon plays a back seat to the villain. The villain is played smoothly by the superb Joseph Schildkraut. The rest of the cast is fun. Nat Pendleton is Schildkraut's bodyguard. Donald Meek is Pigeon's sidekick -- and a beekeeper, to boot. Florence Rice is very good in what looks like a sympathetic role, and is, though she's initially on the wrong side of the law.
What makes this stand out is its plot. We see this at the very start; so I'm giving nothing away: Schildkraut is blowing up ships at sea to collect on their insurance. It's shocking to think of such cold-blooded behavior. But to underline the heinous nature of his crime, we see the captain and some crew members chatting just before theirs is blown to bits.
This isn't the greatest of Jacques Tourneur movies. But his masterly touch is evident. Schildkraut is often photographed in profile and generally partially in shadow. He reminds one of a streamlined, custom-made sports car of the time. He is stylish -- and almost impossibly cruel.
What makes this stand out is its plot. We see this at the very start; so I'm giving nothing away: Schildkraut is blowing up ships at sea to collect on their insurance. It's shocking to think of such cold-blooded behavior. But to underline the heinous nature of his crime, we see the captain and some crew members chatting just before theirs is blown to bits.
This isn't the greatest of Jacques Tourneur movies. But his masterly touch is evident. Schildkraut is often photographed in profile and generally partially in shadow. He reminds one of a streamlined, custom-made sports car of the time. He is stylish -- and almost impossibly cruel.
The other two entries in the Nick Carter detective series focused on spies or Fifth Columnists; this one is about an evil insurance scam whereby cargo ships, with their crews, are blown up. Llewelyn's of London, the insurer of the ships, hires Carter to investigate. Joseph Schildkraut as the suave but vicious gangster leader behind the bombings easily outshines the rather uninspiring performance of Walter Pidgeon as Nick Carter. The most striking scene in the whole movie is the brief scene showing the crew of the cargo ship amiably chatting with one another moments before their ship is blown up. An incredible scene. As with the other two entries in the series, this one has an excellent supporting cast with Florence Rice, John Carroll, Nat Pendleton, Cecil Kellaway, and Schildkraut. Donald Meek is on hand as Carter's sidekick, the wacky Mr. Bartholomew. It's a matter of taste whether one finds the Bartholomew character annoying or welcome comedic relief. Either way, he certainly is a memorable character. I think this is the best of the Nick Carter movies and certainly worth a watch, but the series itself is not as good or entertaining as many another B detective series.
Phantom Raiders was the second (the first being 1939 Nick Carter - Master Detective) and the last film directed by Jacques Tourneur about the adventures of a popular detective Nick Carter whose character was created still in the end of the 19th century and who served as a protagonist of several films before this one during the silent era. Here yet again Walter Pigeon plays the main part of invincible detective and is joined once more by his peculiar assistant Bartholomew known as the Bee-man (hilariously played by Donald Meek). They were destined to reunite only once again the same year as Phantom Raiders to film Sky Murder but this time under the direction of George Seitz.
In Phantom Raiders Nick Carter answers the duty call while on vacation and is sent to Panama to investigate the mysterious sinking of several cargo ships near the Panama coast where he is joined by his eccentric assistant Bartholomew who as usually provides sometimes a valuable help and on other occasions creates havoc though always remaining handy. Soon they discover that a nightclub owner Al Taurez is involved, but very soon our heroes discover to their disappointment that he's a bit tougher then appears to be at first sight. A little weaker than its predecessor - Nick Carter-Master Detective, The Phantom Raiders is still a decent viewing experience. 6/10
In Phantom Raiders Nick Carter answers the duty call while on vacation and is sent to Panama to investigate the mysterious sinking of several cargo ships near the Panama coast where he is joined by his eccentric assistant Bartholomew who as usually provides sometimes a valuable help and on other occasions creates havoc though always remaining handy. Soon they discover that a nightclub owner Al Taurez is involved, but very soon our heroes discover to their disappointment that he's a bit tougher then appears to be at first sight. A little weaker than its predecessor - Nick Carter-Master Detective, The Phantom Raiders is still a decent viewing experience. 6/10
If you're a fan of the old private dick movies from the 30s & 40s then I'll bet you a wooden nickel that you're gonna like this one. It has plenty of cliche's, but remember, when this film was new a lot of the plot devices were not quite so hackneyed. The use of lighting and shadow is nicely done noir, all in glorious black & white of course. Walter Pidgeon is fine as Nick Carter. This is apparently his second time playing the streetsmart, wry humored, skirt chasing gumshoe. The rest of the cast is just fine too. It's not Bogart, Astor, Greenstreet, & Lorre; but it was released a year before that film, against which all in this genre are inevitably compared to. I really liked Nat Pendleton as tough guy "Gunboat". To sum it up, I love the corny humor and tidy endings of the films from this era. That old timey slang really cracks me up too. Say you birds, give dis picture show an even break and don't take it too seriously... I wouldn't kid ya, I'm on da level here.
Wusstest du schon
- WissenswertesSecond of three "Nick Carter" films from MGM released 1939-40. The other two are Nick Carter, Master Detective (1939) and Sky Murder (1940).
- PatzerAt the beginning of the film a bet is made in pesos. The monetary unit in Panama is the Balboa, not the peso.
- Zitate
Nick Carter: Nice work, Beeswax. How does it feel to be crazy?
Bartholomew: I didn't notice any difference.
- Crazy CreditsNo screen credit is given to Ormond G. Smith and John R. Coryell, who created the character of Nick Carter for pulp magazines.
- VerbindungenFollowed by Sky Murder (1940)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Nick Carter in Panama
- Drehorte
- Canal Zone, Panama(exterior location shots)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 217.000 $ (geschätzt)
- Laufzeit
- 1 Std. 10 Min.(70 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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