Füge eine Handlung in deiner Sprache hinzuOn a Louisiana-bound ship, a nobleman planning a campaign for liberty encounters an heiress.On a Louisiana-bound ship, a nobleman planning a campaign for liberty encounters an heiress.On a Louisiana-bound ship, a nobleman planning a campaign for liberty encounters an heiress.
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This movie is lighthearted and a joy to be "lost in" for an evening. The music and singing perfectly complimented an intricate plot. The quality of Nelson Eddy's and Jeanette McDonald's is incredible, and they take you from the depths of sadness and loss to triumph and joyful reunion throughout the show. Nelson Eddy is as dashing and handsome as any leading man in the 21st century, and Jeanette McDonald's beauty is unrivaled. Both have central roles in a plot that twists and turns, and play them well, intelligently, believably. All the supporting cast is enthusiastic and funny, and add to the energy and drive of the story. The story is clean and innocent which was very refreshing. At the same time it is compelling, engaging and will remain in one's mind for days afterward. A wonderful surprise of a movie, one that I will keep in my movie library for years to come.
10ppage13
This movie is filled with wonderful songs. The voices of Jeanette and Nelson blend wonderfully. It is a joy to watch and listen to. I find myself singing along with them. It also has gentle humor in it. And Jeanette MacDonald is beautiful and radiant as always.
The main thing in a Nelson/Jeanette film is the songs and beautiful harmony the stars accomplish. "Wanting You" is so lovely, I replay it before I go on with the rest of the show.
Operettas are a specialized taste, and not for everyone. But for those who like them, this is a special treat. Nelson is very romantic in this film and of course, no one sings harmony better. Jeanette always does the melody and it is Nelsons great pacing and harmony that make the songs so beautiful.
The story of the Louisiana bayou country and the French settlers at the time of the French Revolution is just a way to get the cast in lovely costumes and settings. Nelsons "Give Me Some Men" is thrilling and his holding his long note for over a minute, just great. All in all, a fine entry in the pairing of Americas Sweethearts. 9/10
Operettas are a specialized taste, and not for everyone. But for those who like them, this is a special treat. Nelson is very romantic in this film and of course, no one sings harmony better. Jeanette always does the melody and it is Nelsons great pacing and harmony that make the songs so beautiful.
The story of the Louisiana bayou country and the French settlers at the time of the French Revolution is just a way to get the cast in lovely costumes and settings. Nelsons "Give Me Some Men" is thrilling and his holding his long note for over a minute, just great. All in all, a fine entry in the pairing of Americas Sweethearts. 9/10
Having performed in "New Moon" in summer stock, I watched the 1940 version of this Sigmund Romberg operetta with great interest. I confess I don't remember any of the story since I was in it 35 years ago in the midst of many other summer stock productions. But what I do remember is that "New Moon" needs great voices and opulent production values. Our production values consisted of a bunch of men standing outside the entrance to the barn, which was covered by a curtain, and yelling to indicate the fight on board ship.
The "New Moon" contains some of the most beautiful music ever written, including "Lover Come Back," "Wanting You," "One Kiss," the rousing "Stout-Hearted Men," and my favorite, "Softly, As in the Morning Sunrise." So who better to perform it than those songbirds of the silver screen, Nelson Eddy and Jeannette MacDonald.
The story has to do with dissidents from France, in the days of the revolution, who are sold as bond servants in Louisiana. They are led by Philippe, Duc de Villiers (Eddy), who has planned their escape back to France via a ship, the New Moon. Meanwhile, he's fallen for Marianne (Jeanette MacDonald), and she for him. When the bond servants make their escape, Marianne and her aunt (Mary Boland) accompany them back to France with women who are traveling to become brides. When the ship is attacked, the dissidents and the women find themselves in a new world.
In the film, the characters of Alexander and Julie are reduced to bit parts, though their song "Gorgeous Alexander" plays in the background. The roles of Robert and Philippe have been combined, giving Eddy both the lead baritone song and the tenor song "Softly." Several songs have been cut as well as dances.
However, the best-known songs are present; the songs cut, with the exception with "The Girl on the Prow," are ditties. Eddy is in magnificent voice. I'm not a huge fan of MacDonald's singing - it's a thin voice - but she's beautiful, a fine actress, and great with Eddy.
Someone mentioned that Eddy and MacDonald are more "mature" here - I actually didn't notice.
Yes, the dialogue is corny, but these operettas were about the music. If you want to hear some beautiful songs in a film starring one of the classic teams of film history, "New Moon" is for you.
The "New Moon" contains some of the most beautiful music ever written, including "Lover Come Back," "Wanting You," "One Kiss," the rousing "Stout-Hearted Men," and my favorite, "Softly, As in the Morning Sunrise." So who better to perform it than those songbirds of the silver screen, Nelson Eddy and Jeannette MacDonald.
The story has to do with dissidents from France, in the days of the revolution, who are sold as bond servants in Louisiana. They are led by Philippe, Duc de Villiers (Eddy), who has planned their escape back to France via a ship, the New Moon. Meanwhile, he's fallen for Marianne (Jeanette MacDonald), and she for him. When the bond servants make their escape, Marianne and her aunt (Mary Boland) accompany them back to France with women who are traveling to become brides. When the ship is attacked, the dissidents and the women find themselves in a new world.
In the film, the characters of Alexander and Julie are reduced to bit parts, though their song "Gorgeous Alexander" plays in the background. The roles of Robert and Philippe have been combined, giving Eddy both the lead baritone song and the tenor song "Softly." Several songs have been cut as well as dances.
However, the best-known songs are present; the songs cut, with the exception with "The Girl on the Prow," are ditties. Eddy is in magnificent voice. I'm not a huge fan of MacDonald's singing - it's a thin voice - but she's beautiful, a fine actress, and great with Eddy.
Someone mentioned that Eddy and MacDonald are more "mature" here - I actually didn't notice.
Yes, the dialogue is corny, but these operettas were about the music. If you want to hear some beautiful songs in a film starring one of the classic teams of film history, "New Moon" is for you.
New Moon is filled with great music and lyrics. Nelson Eddy's fine looks and body language will turn on the ladies in my opinion. Only in hindsight of the full collection of their movies I found this movie looking like a training ground for both actors. However their embraces and smiles at times told me they enjoyed each others company. For a while many thought of them as lovers outside the films. I have often commented to my wife in saying "How could you not fall in love with a leading lady like Jeanette MacDonald singing those wonderful songs." I would highly recommend "New Moon" and all other of their movies. My favorite is The Girl of the Golden West.
Wusstest du schon
- WissenswertesIn the film as originally shot, Buster Keaton appears in a comic relief supporting part as the prisoner "Lulu." This would have been his first official appearance in an MGM feature production since Louis B. Mayer fired him in February 1933. Several stills survive of Keaton in this role, in a scene with Jeanette MacDonald. Although Keaton's scenes were cut before the film was released, he is still visible in the background during several production numbers-particularly "Stouthearted Men."
- PatzerAfter the Governor's Ball, Marianne converses with her head servant. She addresses him as Guinot. His name is Guizot.
- Zitate
Charles Duc de Villiers: Anger makes you very charming, mademoiselle.
Marianne de Beaumanoir: Patronizing makes you very boring, monsieur.
- VerbindungenEdited into Moments in Music (1950)
- SoundtracksDance Your Cares Away
(1940) (uncredited)
Based on "Funny Little Sailor Man" (1928) (uncredited)
Music by Sigmund Romberg
New Lyricist unknown
Performed by unidentified singers
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- Laufzeit
- 1 Std. 45 Min.(105 min)
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- 1.37 : 1
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