The Man with Nine Lives

As a science fiction and shudder story buff, I thought this was the best of Karloff's Columbia "B" pictures. The "Black Room" (1935), "Behind the Mask" (1932), "The Devil Commands" (1941) (Probably my second favorite), "The Man They Could Not Hang" (1939) (Probably a close third favorite), and "Before I Hang" (1940). In terms of special effects and plot outline, this one keeps you on the edge of your seat to the very end.

The laboratory scenes in the proximity of a large underground glacier are unique. The chemistry lab including the "heavily concentrated poisons" is hair-raising indeed. With the right combination of lighting and shadow, as Karloff prepares the chemical experiments, the scenes within the underground laboratory are extremely eerie.

The maddest doctor of them all was clearly Boris Karloff.

Worth watching many times.

It's not exactly a major shock that Boris Karloff plays a mad scientist in this film, though it is very unusual the way he plays this role. Instead of the evil twisted genius set on making monsters or ruling the world, Karloff's goals are incredibly noble. And, when he later kills, you really understand with and could possibly condone why he did this. The moral implications of the film are astounding! As for the rest of the film, the writing for this sort of B-movie is very good, the acting fine and production values work out well (proving you don't need a huge budget to make a good film). About the only negatives at all are the ending (I would have just ended the film a minute or two earlier without the unnecessary final scene) and a mistake in the film about how deep the lab was under the earth. In the beginning, they count 191 steps to the bottom of the shaft to the lab, but later, it's just a homemade ladder about 12 feet long. Regardless, it didn't harm the film in any serious way and the film is a very good 'mad scientist' flick that actually is good entertainment and well thought-out.

"The Man with Nine Lives" is my second favourite Boris Karloff movie from "Columbia" after "The Devil Commands."

The man himself doesn't make his first appearance until about 25 minutes into the film but it hardly matters as he makes up for it.

The film strives for a more claustrophobic look and succeeds brilliantly.

The number of characters aren't many but that's the idea of it.

Karloff always had the knack of emoting both sympathy as well as menace.

The rather modest budget is obvious in places but this film is still worth the viewing.

It's an unusually intelligent storyline for a horror flick. In short, what are the ethical limits to scientific experimentation, even in finding a cure for cancer. Using what is now called "cryogenics", Dr. Kravaal (Karloff) crowds those limits while experimenting with a cancer cure on a remote island. Unfortunately, the promising experiments require live subjects who may not be so lucky. Dr. Mason (Pryor), one of the men trapped on the island with Kravaal, is torn by Kravaal's challenge to conventional ethics. So he's the one we sympathize with as we struggle with the same dilemma-- just how much can be sacrificed in finding a cure.

By no means does Karloff ham up his role. Instead he's perfect as a dedicated and distinguished medical scientist, more obsessed than evil. Except for actor Brown's overdone Adams, the rest of the cast also manages conflicted roles. Credit Columbia for the riveting sets-- for example, the cabin about to be eaten by dead plants, the many dingy underground scenes that really do look subterranean, the laboratory that really looks worked in. All in all, it's an unusually well mounted flick for its subject matter. If there's a problem, it's with the absence of a clear bad guy to heighten a sense of horror amid the dark surroundings. I don't get a sense of menace common to the genre. Instead, the 74-minutes is more like a "think piece", which all in all, may be more worthwhile than a good scare.

This little known gem from 1940 is impressive for a few reasons: first, it stands head and shoulders above most of the B movies of the era, largely due to a good script and a great performance from Boris Karloff. Also, while made in the midst of the Universal horror period, it demonstrates some of the best elements of that genre, however it also pre-figures the oncoming decade of sci-fi flicks of the 50s, but with a more intelligent, and mysterious, plot than most of the B sci-fi films that followed. It also incorporates some noir elements such as shadowy images, gun play, etc. The Man with Nine Lives is also known under the alternative title Behind the Door (which is actually more accurate).