Füge eine Handlung in deiner Sprache hinzuA hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real kill... Alles lesenA hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real killer.A hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real killer.
Fred Kelsey
- Dickens
- (as Fred A. Kelsey)
Luis Alberni
- Nicolo Pappakontous
- (Nicht genannt)
Don Beddoe
- Police Doctor
- (Nicht genannt)
Richard Fiske
- Detective Jackson
- (Nicht genannt)
Roger Gray
- Air Pump Operator
- (Nicht genannt)
Shemp Howard
- Joe - a Pickpocket
- (Nicht genannt)
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This movie is a B-detective series film. This means that as a "B" movie, it was the second and usually lesser film on a double-feature bill. This didn't mean that B meant it was a bad film, but it was certainly given a smaller budget and had lesser pretensions and expectations from the studio. Many B-films were detective series films and they provided great but also relatively predictable entertainment (much like a movie version of a TV show like MURDER SHE WROTE or even LAW AND ORDER). Common to all these films were goofy or evil supporting characters, a very fast pace, a relatively short length (55-70 minutes) and a certain familiarity with the main characters. Some notable examples are the Sherlock Holmes, Charlie Chan, Falcon or Saint series films.
The Lone Wolf is in many ways particularly like The Saint or Falcon films because the lead (Warren William) plays a reformed thief and gentleman who is smooth with the ladies. While he's very easy to like and is obviously a force for good, the police never seem to understand he's helping them. AND, because of this, the cops are pretty dumb! This is the trademark of all these films.
In this case, William is very ably assisted by Eric Blore (who is hilarious as his butler in this third Lone Wolf film). Unlike the last of the Warren William Lone Wolf films (The Lone Wolf Strikes), this one has a very good plot and actually has some entertaining twists and turns. Plus, like the first of the series (The Lone Wolf Spy Hunt), the supporting actors in general are excellent. A very good example of the series.
The Lone Wolf is in many ways particularly like The Saint or Falcon films because the lead (Warren William) plays a reformed thief and gentleman who is smooth with the ladies. While he's very easy to like and is obviously a force for good, the police never seem to understand he's helping them. AND, because of this, the cops are pretty dumb! This is the trademark of all these films.
In this case, William is very ably assisted by Eric Blore (who is hilarious as his butler in this third Lone Wolf film). Unlike the last of the Warren William Lone Wolf films (The Lone Wolf Strikes), this one has a very good plot and actually has some entertaining twists and turns. Plus, like the first of the series (The Lone Wolf Spy Hunt), the supporting actors in general are excellent. A very good example of the series.
I confess that I did not know this character and that this film was my first encounter with the Lone Wolf, the nickname of the fictional character Michael Lanyard, a jewel thief turned private detective, in a series of novels written by Louis Joseph Vance (1879-1933). No less than 24 films were produced about the Lone Wolf, between 1917 and 1949. Warren William would play the character in nine of them, between 1939 and 1943, probably accompanied by his faithful servant Jamison, played by Eric Blore.
It's a typical television private eye series, avant la lettre, more "The Thin Man" than "Charlie Chan", where a traditional "who done it" script crosses with a situation comedy, usually led by Eric Blore, the comedian on duty, in this case accompanied by Fred Kelsey, the incompetent police assistant, always fooled by the Lone Wolf.
Pure entertainment, but fun, interesting and with the seal of the good old days. I became curious to see more episodes of the series.
It's a typical television private eye series, avant la lettre, more "The Thin Man" than "Charlie Chan", where a traditional "who done it" script crosses with a situation comedy, usually led by Eric Blore, the comedian on duty, in this case accompanied by Fred Kelsey, the incompetent police assistant, always fooled by the Lone Wolf.
Pure entertainment, but fun, interesting and with the seal of the good old days. I became curious to see more episodes of the series.
I'd never heard of the Lone Wolf before watching this one but I ended up enjoying it a great deal. Much of that comes down to the unexpected comedy which makes this film a humorous treat. In particular, the witty interplay between the Wolf and his British manservant adds plenty of laughs to the proceedings. The film starts off with an involved little set up which sees an innocent woman getting framed for murder, and when the Lone Wolf gets drawn in when he vows to clear her name in any way he can. The plot twists and turns come thick and fast here and they never forget the laughs either. I'll watch more.
Enjoyable Lone Wolf film with plenty of twists in the plot and a hero who is suave and cunning. The witty one liners from the characters melds well with the snappy pace.
The Lone Wolf comes to the aid of Joan Bradley, a young woman who gets herself embroiled in a case of murder and robbery.
Gentleman thief turned Private Detective Michael Lanyard is once again on the case, ably supported by Jamison.
A pretty good installment, a solid if unremarkable plot, but as a whodunnit, it worked quite well. This did actually remind me a little of The Lone Wolf Strikes, a case that also involves a jewellery theft.
It's quite well paced, it's full of twists and turns, and you are made to wait to learn exactly who the killer is.
Jean Muir is very good as Joan Bradley, but it's Eric Blore who steals the show as Jamison, he is absolutely hilarious throughout, his quick wit and one liners are a total joy, his delivery is flawless.
A pleasing mystery, one I enjoyed.
7/10.
Gentleman thief turned Private Detective Michael Lanyard is once again on the case, ably supported by Jamison.
A pretty good installment, a solid if unremarkable plot, but as a whodunnit, it worked quite well. This did actually remind me a little of The Lone Wolf Strikes, a case that also involves a jewellery theft.
It's quite well paced, it's full of twists and turns, and you are made to wait to learn exactly who the killer is.
Jean Muir is very good as Joan Bradley, but it's Eric Blore who steals the show as Jamison, he is absolutely hilarious throughout, his quick wit and one liners are a total joy, his delivery is flawless.
A pleasing mystery, one I enjoyed.
7/10.
Wusstest du schon
- WissenswertesThe car Lanyard and Jamison drive at the beginning of the film is a 1937 Packard Super 8 convertible coupe.
- Zitate
Clay Beaudine: She's very lovely--you always knew how to pick 'em.
Michael Lanyard: Thanks for the compliment.
- VerbindungenFollowed by The Lone Wolf Keeps a Date (1940)
- SoundtracksBelieve Me If All Those Endearing Young Charms
(1808) (uncredited)
Music traditional
Lyrics by Thomas Moore
Sung a cappella by Eric Blore
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- Laufzeit1 Stunde 11 Minuten
- Farbe
- Seitenverhältnis
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By what name was The Lone Wolf Meets a Lady (1940) officially released in Canada in English?
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