IMDb-BEWERTUNG
6,9/10
4309
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA hard-working white-collar girl from a middle-class family meets and falls in love with a young socialite, but she soon clashes with his family.A hard-working white-collar girl from a middle-class family meets and falls in love with a young socialite, but she soon clashes with his family.A hard-working white-collar girl from a middle-class family meets and falls in love with a young socialite, but she soon clashes with his family.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 4 Gewinne & 4 Nominierungen insgesamt
Eduardo Ciannelli
- Giono
- (as Edward Ciannelli)
K.T. Stevens
- Molly
- (as Katharine Stevens)
Spencer Charters
- Father
- (Gelöschte Szenen)
Fred Aldrich
- Man at Premiere
- (Nicht genannt)
- …
Empfohlene Bewertungen
Ginger Rogers gives a good performance as "Kitty Foyle", making it worth seeing even though the film is otherwise a mostly average production. The story is worthwhile, but much of it is rather ordinary material, and it is somewhat slow. The rest of the cast is good enough, but most of the time does not come close to Rogers's level. There is nothing wrong with any of it, but not much of it really stands out.
Kitty, the main character, must make a number of choices during the course of the story, and is forced to weigh her options and her priorities. Rogers is believable and generally effective in portraying Kitty's thoughts and personality. The others in her life are mostly likable, yet most of the time they do not come to life in the way that Kitty does. Fortunately, Ginger is able to carry the load.
Many of us would have loved to see more Astaire-Rogers musicals, but you can see why Ginger wanted a chance to perform more dramatic roles, to show what she could do. This movie as a whole is generally pleasant and always watchable, but nothing special, and a number of her musicals were certainly better films. Nevertheless, it did give her a chance to do something different, and she did it well.
Kitty, the main character, must make a number of choices during the course of the story, and is forced to weigh her options and her priorities. Rogers is believable and generally effective in portraying Kitty's thoughts and personality. The others in her life are mostly likable, yet most of the time they do not come to life in the way that Kitty does. Fortunately, Ginger is able to carry the load.
Many of us would have loved to see more Astaire-Rogers musicals, but you can see why Ginger wanted a chance to perform more dramatic roles, to show what she could do. This movie as a whole is generally pleasant and always watchable, but nothing special, and a number of her musicals were certainly better films. Nevertheless, it did give her a chance to do something different, and she did it well.
This must have been the year for the City of Brotherly Love. James Stewart wins his Academy Award for The Philadelphia Story and Ginger Rogers who he was going out with at some point, wins Best Actress for Kitty Foyle, a film also set in Philadelphia. Too bad neither the Athletics or the Phillies won the World Series that year, but neither of them came close.
Although Stage Door more than amply demonstrated Ginger Rogers's abilities at serious drama, this particular film cemented her as dramatic actress. Most of Ginger's films up to this point had been musicals, mostly with Fred Astaire. After Kitty Foyle she rarely did any musicals.
The story is told in flashback after Ginger engages in some dialog with her alter ego in the mirror. That one in the mirror is usually the one person you cannot fool. So the ego narrates the ups and downs of the life of Kitty Foyle.
Ginger's a working class Irish lass whose got two men going for her big time, young earnest doctor James Craig, and mainline millionaire heir Dennis Morgan. Morgan's family name is Stratton and no doubt the Strattons socialized with the Lords of The Philadelphia Story. But they're definitely not as fun a group.
Ginger's alter ego narration and her scene upon being told she suffered a miscarriage probably are what won her the Academy Award. She's very effective in those scenes and in her scene where her father, Ernest Cossart dies.
Kitty Foyle is good soap opera material, I'm surprised it's characters weren't used in one. It still holds up well after over 60 years.
As well as that other Philadelphia Story.
Although Stage Door more than amply demonstrated Ginger Rogers's abilities at serious drama, this particular film cemented her as dramatic actress. Most of Ginger's films up to this point had been musicals, mostly with Fred Astaire. After Kitty Foyle she rarely did any musicals.
The story is told in flashback after Ginger engages in some dialog with her alter ego in the mirror. That one in the mirror is usually the one person you cannot fool. So the ego narrates the ups and downs of the life of Kitty Foyle.
Ginger's a working class Irish lass whose got two men going for her big time, young earnest doctor James Craig, and mainline millionaire heir Dennis Morgan. Morgan's family name is Stratton and no doubt the Strattons socialized with the Lords of The Philadelphia Story. But they're definitely not as fun a group.
Ginger's alter ego narration and her scene upon being told she suffered a miscarriage probably are what won her the Academy Award. She's very effective in those scenes and in her scene where her father, Ernest Cossart dies.
Kitty Foyle is good soap opera material, I'm surprised it's characters weren't used in one. It still holds up well after over 60 years.
As well as that other Philadelphia Story.
A vastly underrated actress outside the realm of song & dance, Ginger Rogers finally scored w/a best actress Oscar for her performance here. Rogers plays a working class perfume hawker torn between the blue blooded beau from back home in Philly & a struggling doctor she meets in New York. A good role in a flawed film, I chuck this one to the director since the script is on point from Dalton Trumbo (Spartacus/The Brave One) but the strength of Rogers turn is let down on an over reliance on flashbacks.
10Ariana-6
A wonderful story of a young woman caught between two worlds, what she wants and what she needs. This has got to be one of the best stories of all time. Ginger Rogers gives an outstanding performance of a young woman from the wrong side of the tracks that stands up to society and makes her way on her own.
It is incredibly forward thinking for the time period and yet it deals with struggles that seem to be timeless.
I give it as many stars as can be given.
Ariana Eirlys
It is incredibly forward thinking for the time period and yet it deals with struggles that seem to be timeless.
I give it as many stars as can be given.
Ariana Eirlys
Enjoyed this film starring Ginger Rogers, (Katherine "Kitty" Foyle) playing the role of a young girl who works for a magazine in Philadelphia and was hired by a man during the great depression. This man was Wyn Strafford, (Dennis Morgan) who is very good looking and started to fall in love with her. Kitty loses her job and finds other work selling cosmetics and perfumes and this couple do not see each other for over a year until Kitty meets up with Wyn Strafford who comes from a very wealthy family and they get married. Things quickly change in their lives and because Kitty was a girl who came from a rather poor Irish family this created a problem for the stiff shirts of Philadelphia. There are many flashbacks in this story and there is a great deal to this film which will hold your interest right to the very end. Excellent film and a wonderful old film to enjoy with old songs from the past.
Wusstest du schon
- WissenswertesAmong the many letters that Ginger Rogers received for her work in the film, this was the one that she treasured the most: "Hello Cutie-- Saw 'Kitty' last night and must write this note to say 'That's it!' Yes, yes, a thousand times yes! You were superb, Ginge--it was such a solid performance--the kind one seldom sees on stage or screen and it should bring you the highest honors anyone can win!! Hope to see you soon, As ever your, Fred."
- PatzerWhen Kitty and Wyn are in a speakeasy, the 1932 election returns are being broadcast over the radio. The announcer says that FDR has won Pennsylvania; Hoover won Pennsylvania in the election.
- Zitate
Kitty Foyle: Boy or Girl?
Dr. Mark Eisen: Boy. Almost lost the little fella. (Looks around the poor apartment) Mighta been better if he hadn't pulled through.
Kitty Foyle: Don't say that, Mark. It's always better to pull through.
- VerbindungenFeatured in Hollywood the Golden Years: The RKO Story: A Woman's Lot (1987)
- SoundtracksI Want a Girl (Just Like the Girl That Married Dear Old Dad)
(1911) (uncredited)
Music by Harry von Tilzer
Lyrics by William Dillon (as Will Dillon)
Played and sung in the first prologue scene Strummed on a banjo by Tyler Brooke
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Espejismo de amor
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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