Half a Sinner

That opening scene with the impish little boy writing punishment sentences on the blackboard is a charming hoot. The whole time he's muttering he will NOT be a good boy despite what he's writing. Monitoring him, teacher Anne (Angel) looks dowdy, I guess like a school teacher's supposed to look. She's been leading a respectable but repressed life, content it appears with the romantic margins. Then, one day, she drops her homely eye-lasses and goes shopping-- new dresses, stylish hats, flattering cosmetics-- and the make-over is complete. The conversion from gray moth to striking butterfly is also complete. But does she know what comes with the good looks that catch a man's eye. From now on it's a pack of trouble.

Lively little madcap from Universal, thanks to the two leads, Angel and King. Their chemistry works as they try to outwit gang of crooks whose corpse-bearing car they've unfortunately stolen. Now both the crooks and cops are after them. Maybe Anne was better off making little boys write on blackboards. But then this is Hollywood and we know how such antics end, especially for such an attractive twosome. All in all, it's a fun way to spend an hour, maybe not Hepburn and Grant, but with their own B-movie brand of charm.

As school winds down Anne Gladden (Heather Angel), a single teacher, decides to throw caution to the wind, gets herself all dolled up and heads out to the park. There she is accosted by a rude gentleman and in order to get away takes his car and drives off. She is unaware that the car is stolen and that there is a dead body in the back seat under an overcoat. The coat belongs to the boss of the gangsters and he's not happy that the evidence that could put him away for a long time is now out and about on a joy ride. Soon Anne is not only being chased by the cops and the gangsters but she's managed to pick up a nice man as well.

Suspenseful and silly this is a very enjoyable romp as the ever lovely Heather Angel tries very hard to get out of trouble and hang on to her man. Clearly a program picture this fun film manages to be considerably more especially when Constance Collier as Mrs Brenckenridge shows up and runs rough shod over everyone and everything. The woman is a pip.

I really liked this a great deal. This is one to keep an eye out for since its an hour of your time well spent.

Prim and proper schoolteacher Anne Gladden (Heather Angel) is a paragon of virtue and discipline. One day, Anne realizes that she's 25 years old and fears she'll die a dull "old maid".

So, ditching her spectacles, Anne buys some flashy new clothes and sets out on an adventure. Within seconds, she gets mixed up with gangsters, auto theft, murder, and a police manhunt!

In the middle of all this, romance blooms between Anne and a man in need of a ride. It's too bad that Anne and her new boyfriend have no idea what they've been carrying around in the car's back seat!

The chase is on!

HALF A SINNER is a fast-moving, zany comedy full of wacky situations, kooky characters, and Snappy dialogue.

Highly entertaining...

Comedy noir would seem to be a contradiction in terms, but there are in fact movies in this vein that deserve serious attention, particularly The Ladykillers (1951). A much lesser entry, however, is Universal's 1940 release, Half a Sinner, in which a none-too-flatteringly photographed and costumed Heather Angel is pursued not only by comic cops and comic crooks but by smiling bland man, John King. The second last of over 400 films (many of them shorts) directed by comedy giant, Al Christie, this Trouble with Harry/Midnight Manhunt effort is somewhat repetitious but pleasant enough to talk during and even come late for. The players do what they can with their something-borrowed (cf. the overcoat device in Manhattan Melodrama), something-thin material, but only Clem Bevans, Tom Dugan, William B. Davidson and ever-reliable Constance Collier really shine.

Spring fever hits school teacher Heather Angel hard. She buys a nice frock and silk stockings, and walks to the park. She's enjoying herself until gangster Henry Brandon tries to pick her up. She sees his gun, panics, knocks him down, and steals his car. She doesn't notice the stiff in the back, but Brandon's boss wants the body dumped and his overcoat returned, so off they go. The appearance of John 'Dusty' King in the car puts them off. Hardly surprising given that he confesses to Miss Angel that he's a hardened criminal.

It's directed by Al Christie, who'd been in the motion picture racket since 1909. He mostly produced and directed for his own company with brother Charles, particularly short comedies. The coming of sound had made those less profitable, so he did this one for Universal, using some of their contract stars, and some people he'd known for a long time. The script is good enough, but the leads seem to be speaking their lines too fast for any impact, and some of the characters (like Clem Bevans) look interesting, and then disappear. Most of the real fun is delivered in the second half by Constance Collier, as a snooty busybody who takes a shine to the youngsters. The result is an okay little film that takes only an hour.