[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Früchte des Zorns

Originaltitel: The Grapes of Wrath
  • 1940
  • 12
  • 2 Std. 9 Min.
IMDb-BEWERTUNG
8,1/10
105.949
IHRE BEWERTUNG
BELIEBTHEIT
3.671
112
Henry Fonda, John Carradine, Jane Darwell, and Dorris Bowdon in Früchte des Zorns (1940)
Theatrical Trailer from 20th Century Fox
trailer wiedergeben2:22
1 Video
99+ Fotos
Period DramaTragedyDrama

Eine arme Familie im Mittleren Westen wird von ihrem Land vertrieben. Sie fahren nach Kalifornien, wo sie die Missgeschicke der Obdachlosen zur Zeit der Großen Depression miterleiden.Eine arme Familie im Mittleren Westen wird von ihrem Land vertrieben. Sie fahren nach Kalifornien, wo sie die Missgeschicke der Obdachlosen zur Zeit der Großen Depression miterleiden.Eine arme Familie im Mittleren Westen wird von ihrem Land vertrieben. Sie fahren nach Kalifornien, wo sie die Missgeschicke der Obdachlosen zur Zeit der Großen Depression miterleiden.

  • Regie
    • John Ford
  • Drehbuch
    • Nunnally Johnson
    • John Steinbeck
  • Hauptbesetzung
    • Henry Fonda
    • Jane Darwell
    • John Carradine
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,1/10
    105.949
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.671
    112
    • Regie
      • John Ford
    • Drehbuch
      • Nunnally Johnson
      • John Steinbeck
    • Hauptbesetzung
      • Henry Fonda
      • Jane Darwell
      • John Carradine
    • 465Benutzerrezensionen
    • 99Kritische Rezensionen
    • 96Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Am besten bewerteter Film #243
    • 2 Oscars gewonnen
      • 13 Gewinne & 6 Nominierungen insgesamt

    Videos1

    The Grapes of Wrath
    Trailer 2:22
    The Grapes of Wrath

    Fotos127

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 120
    Poster ansehen

    Topbesetzung99+

    Ändern
    Henry Fonda
    Henry Fonda
    • Tom Joad
    Jane Darwell
    Jane Darwell
    • Ma Joad
    John Carradine
    John Carradine
    • Casy
    Charley Grapewin
    Charley Grapewin
    • Grandpa
    Dorris Bowdon
    Dorris Bowdon
    • Rosasharn
    Russell Simpson
    Russell Simpson
    • Pa Joad
    O.Z. Whitehead
    O.Z. Whitehead
    • Al
    John Qualen
    John Qualen
    • Muley
    Eddie Quillan
    Eddie Quillan
    • Connie
    Zeffie Tilbury
    Zeffie Tilbury
    • Grandma
    Frank Sully
    Frank Sully
    • Noah
    Frank Darien
    Frank Darien
    • Uncle John
    Darryl Hickman
    Darryl Hickman
    • Winfield
    Shirley Mills
    Shirley Mills
    • Ruth Joad
    Roger Imhof
    Roger Imhof
    • Thomas
    Grant Mitchell
    Grant Mitchell
    • Caretaker
    Charles D. Brown
    • Wilkie
    John Arledge
    John Arledge
    • Davis
    • Regie
      • John Ford
    • Drehbuch
      • Nunnally Johnson
      • John Steinbeck
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen465

    8,1105.9K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Zusammenfassung

    Reviewers say 'The Grapes of Wrath' powerfully explores economic hardship, social injustice, and resilience during the Great Depression. It follows the Joad family's migration to California, highlighting poverty's impact on family dynamics and class exploitation. The film is lauded for its realistic portrayal, strong performances by Henry Fonda and Jane Darwell, and its relevance to modern social issues, though some find its tone overly bleak.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    1029055

    A marvellous production of Steinbeck's epic.

    Henry Fonda's portrayal of Tom Joad captures perfectly the humanity and compassion of the Steinbeck character, an ex-con who breaks his parole conditions by joining his family in their epic journey across the southern US to a "better life" in California.

    This is not the usual Hollywood fare. Tragedy and betrayal beset the Joad family from the outset. But it is nonetheless an uplifting movie. Spirit, compassion and tenderness mark them out. Fonda's role is particularly understated, and we see, as in Steinbeck's masterly epic, the maternally robust figure of Ma holding the family together.

    The performances all round are wonderful, and Ford's direction and sense of space under the big sky of the Midwest is breathtaking.

    This film is now largely a testament to the time in which it was set, but like the war movies that were soon to follow, a story that needed telling lest we forget.
    9evanston_dad

    Not the Book, But Beautiful in Its Own Right

    It's difficult on a first viewing of "The Grapes of Wrath" not to be somewhat disappointed with it. So much of Steinbeck's beautiful novel is left out of the film, and it's hard to see his story and characters wedged into the "gee whizz" style of film-making so prevalent at the time. But once you get beyond a comparison of the movie to the book, you begin to realize that John Ford created a beautiful piece of work of his own, and the film inspires a great deal of admiration, and deserves credit for its gutsiness at tackling a story that wouldn't have gone down smoothly with film executives at the time.

    Of course the most controversial parts of the book are left out (like its final image, for example), but Ford still managed to work around the constraints forced upon him to fashion a hard-biting film. Henry Fonda is perfect casting for Tom Joad--never have his otherworldly eyes been used to greater effect. And Jane Darwell is pitch-perfect as Ma Joad--she captures the tough-as-nails dignity that the character has in the novel. The whole movie is lit by expert cinematographer Gregg Toland, who uses shadow and reflection to cast a ghostly pall over everything. Indeed, much of what Ford wasn't able to include in the film as words he communicates instead through images, and isn't that what a good book-to-film adaptation should do? One of those films that feels ahead of its time.

    Grade: A
    tfrizzell

    The First Great Film of a Great Decade for the Cinema.

    "The Grapes of Wrath" was a huge novel so it only made sense to turn it into a feature motion picture. The result is one of the greatest films ever produced. Oscar-nominee Henry Fonda, his mother Jane Darwell (Oscar-winning) and their family have had it in the Dust Bowl. Thus they decide to leave the midwest of our nation's Great Depression and go to California. The film is an intensely dramatic affair that is first-rate in all cinematic departments. John Ford won his second Best Director Oscar with this movie and the landscape of the late-1920s and early-1930s has never been captured more fully. Excellent film-making. 5 stars out of 5.
    10bkoganbing

    Economic Dislocation

    John Ford's film of John Steinbeck's novel has deservedly a classic film mirroring the views of both men and the times the book was written and filmed. Ford won his second Oscar for Best Director and Jane Darwell was the Best Supporting Actress of 1940.

    For most of America the Depression started with the stock market crash of 1929. But for the farmers it really began at the end of World War I. Those were good years for agriculture, the war in Europe was a boom for agriculture. But when farm prices dropped after the Armistice, a whole lot of family farms went belly up. Lots of people left the farms for the big city and industry jobs. The Depression years unhappily coincided with some of the worst drought ever seen in America.

    This is what many families like the Joads were facing in 1939 when the book was written. The banks had foreclosed on land that had withered to dust in any event. Folks like the Joads picked up and moved elsewhere, like California on a rumor of prosperity and jobs.

    America was still changing from an agricultural to an industrial society back then. That causes a lot of trouble for people unskilled in any industrial job training. As a country we're going through something similar today in many areas. We're moving from an industrial to an information based economy. Industry jobs are being lost to other nations and older and poorer workers are suffering for it. It's progress I guess, but it takes its toll.

    Some factory worker who has lost his job for any number of reasons can identify to some degree with the Joads, especially if they've lost a home they owned. For the Joads it was worse because they made their living off the land for many generations, identifying with it in a way that industrial workers could not.

    Henry Fonda got his first Oscar nomination for Tom Joad. To get the part which he knew he was so right for, he signed a studio contract with 20th Century Fox. That caused him many problems later on, but those are stories for another film review.

    Tom Joad is a midwest country kid, a whole lot like Fonda himself. Part of the story of The Grapes of Wrath is Tom himself trying to figure out why these economic forces are crushing him and his family and the way of life he's known. In the end when he leaves the Joad family and hits the open road, he's not got all the answers, but he's asking the questions. Tom hasn't figured it out, but a lot of people with many letters after their names haven't either. He only knows that he's got to get in the fight for economic justice.

    Jane Darwell was in films from the earliest silent films to Mary Poppins in 1965. This became her career part and the mother role of all time. She's what holds the Joad family together in good times and bad. That's what moms do and get little recognition for it. Except in this case by the Motion Picture Academy.

    John Carradine has his career part in this also. Another John Ford favorite, Carradine plays Casy the defrocked preacher who as he tells it disgraced himself with a female parishioner. After that preaching the gospel didn't seem quite right. When Fonda meets Carradine after Fonda's been released from prison, Carradine is asking a lot of questions about what is man's place in the metaphysical scheme of things. He's developing what we would now call situational ethics. Carradine's questions are on a higher plane, but he certainly inspires Fonda to ask for some answers himself.

    The Grapes of Wrath illustrates that at least government can give first aid in a crisis. After being in privately run agricultural camps where they're treated like less than dirt, the Joads happen upon a camp run by the Department of Agriculture where at least they're treated like humans. As it turns out, the Secretary of Agriculture was one Henry A. Wallace who was running for Vice President that year with Franklin D. Roosevelt. I'll bet any number of people saw The Grapes of Wrath and saw a message of support for FDR and the New Deal.

    Given some of the problems of the American economy today, The Grapes of Wrath though it appears dated isn't really all that much a relic of our past. It's both a timeless book and a timeless classic film.
    Snow Leopard

    Fine Cast & Production

    This classic adaptation of "The Grapes of Wrath" features a fine cast as well as a skillful production headed by director John Ford. Henry Fonda and Jane Darwell are well-remembered for their roles, which are among the defining roles in their careers. The only limitations that it has come from the original novel, with its heartfelt but sometimes contrived story.

    Besides Fonda and Darwell, the supporting cast features plenty of good supporting players, including Charley Grapewin and John Carradine. All of them make their characters come alive believably. They also fit together well and complement one another's performances, which accentuates the themes involved in the struggles of the Joad family.

    For all that the Steinbeck novel is so revered, and for all that his story is an often compelling depiction of its characters, with whom many in the era could identify, it would have been better if it had not been so heavy-handed. Even given that the times were bad, more balance in the characters outside of the family, and in the Joads' experiences, would have made it an even better story. Certainly, this is barely even noticeable when compared with the stories in many present-day movies and novels, which often dispense with any attempts at plausibility.

    And that does not stop this adaptation from being a worthwhile and often moving film. Ford clearly appreciated the potential in the material, and he and the cast work together to make each character count, and to give meaning to each scene.

    Mehr wie diese

    Lohn der Angst
    8,1
    Lohn der Angst
    Die Faust im Nacken
    8,1
    Die Faust im Nacken
    Sein oder Nichtsein
    8,1
    Sein oder Nichtsein
    Der General
    8,1
    Der General
    Mr. Smith geht nach Washington
    8,1
    Mr. Smith geht nach Washington
    Schlacht um Algier
    8,1
    Schlacht um Algier
    Die Reise nach Tokio
    8,1
    Die Reise nach Tokio
    Wilde Erdbeeren
    8,1
    Wilde Erdbeeren
    Das siebente Siegel
    8,1
    Das siebente Siegel
    An ihrer Stelle
    6,3
    An ihrer Stelle
    Die besten Jahre unseres Lebens
    8,1
    Die besten Jahre unseres Lebens
    Sherlock Holmes Jr.
    8,2
    Sherlock Holmes Jr.

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Prior to filming, producer Darryl F. Zanuck sent undercover investigators out to the migrant camps to see if John Steinbeck had exaggerated about the squalor and unfair treatment meted out there. He was horrified to discover that Steinbeck had actually downplayed what went on in the camps.
    • Patzer
      The character, Noah (Frank Sully), after he's seen playing with his boat in the river, simply drops out of the story without any explanation, and does not appear again. In the book there is a brief reference to him going off on his own, but no explanation, whatever, is given in the film for his departure.
    • Zitate

      Tom Joad: I been thinking about us, too, about our people living like pigs and good rich land layin' fallow. Or maybe one guy with a million acres and a hundred thousand farmers starvin'. And I been wonderin' if all our folks got together and yelled...

      Ma Joad: Oh, Tommy, they'd drag you out and cut you down just like they done to Casy.

      Tom Joad: They'd drag me anyways. Sooner or later they'd get me for one thing if not for another. Until then...

      Ma Joad: Tommy, you're not aimin' to kill nobody.

      Tom Joad: No, Ma, not that. That ain't it. It's just, well as long as I'm an outlaw anyways... maybe I can do somethin'... maybe I can just find out somethin', just scrounge around and maybe find out what it is that's wrong and see if they ain't somethin' that can be done about it. I ain't thought it out all clear, Ma. I can't. I don't know enough.

      Ma Joad: How am I gonna know about ya, Tommy? Why they could kill ya and I'd never know. They could hurt ya. How am I gonna know?

      Tom Joad: Well, maybe it's like Casy says. A fellow ain't got a soul of his own, just little piece of a big soul, the one big soul that belongs to everybody, then...

      Ma Joad: Then what, Tom?

      Tom Joad: Then it don't matter. I'll be all around in the dark - I'll be everywhere. Wherever you can look - wherever there's a fight, so hungry people can eat, I'll be there. Wherever there's a cop beatin' up a guy, I'll be there. I'll be in the way guys yell when they're mad. I'll be in the way kids laugh when they're hungry and they know supper's ready, and when the people are eatin' the stuff they raise and livin' in the houses they build - I'll be there, too.

      Ma Joad: I don't understand it, Tom.

      Tom Joad: Me, neither, Ma, but - just somethin' I been thinkin' about.

    • Alternative Versionen
      International distributions (e.g. UK) have a short ~30 second prologue at the beginning to explain the historical context to the story to touch on the socio-economic problems in the US which arose during the Great Depression and the concurrent Dust Bowl.
    • Verbindungen
      Edited into John Ford - Der Mann, der Amerika erfand (2019)
    • Soundtracks
      Red River Valley
      (uncredited)

      Traditional

      Played during the opening credits and often in the score

      Sung by Henry Fonda at the dance

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ

    • How long is The Grapes of Wrath?
      Powered by Alexa
    • Near the end of the film, Tom's employer shows the workers a flyer talking about "Red agitators" and Tom asks about the meaning of the message -- what's the message?
    • What is 'The Grapes of Wrath' about?
    • What is an "Okie"?

    Details

    Ändern
    • Erscheinungsdatum
      • 27. März 1953 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Las viñas de la ira
    • Drehorte
      • Santa Rosa, New Mexico, USA(service station, diner, bridge, train sequence)
    • Produktionsfirma
      • Twentieth Century Fox
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 800.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 7.304 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 9 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Henry Fonda, John Carradine, Jane Darwell, and Dorris Bowdon in Früchte des Zorns (1940)
    Oberste Lücke
    What is the Hindi language plot outline for Früchte des Zorns (1940)?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.