Forty Little Mothers

I fell in love with Eddie Cantor. He was so good, NowI want to watch all of his movies. I also enjoyed seeing life in that time period. It was a different world.

Funny that nobody mentions that "Fourty Little Mothers" is a remake of Hugo Haas' and Jan Alfréd Holmans's 1937 Czech film "Devcata, nedejte se!", which is, in its turn, a remake of (or it's highly inspired by) 1936 French film "Le Mioche", directed by Léonid Moguy. I am familiar just with "Devcata", and, in my opinion, this is a far more brilliant and deeply moving movie. Maybe it can be found on commercial circuits, I don't know: in a very famous online platform, "Devcata, nedejte se!" can be found and watched, for free. But only in Czech, and without captions. This is not a particular handicap: as in most good works of cinematic art you will be able to catch (almost) all of its meaning even if you don't know the language.

Eddie Cantor's facial expressions make the movie. It starts slow and then draws you in. The cast is well done from the obnoxious teenage girls to the stereotype school matrons.

In most of his roles, Eddie Cantor mostly did his stage performance, clapping his hands and rolling his eyes, but in "Forty Little Mothers," he had a role completely out of character.

And he was great! I tuned in to Turner Classic Movies (July, 2010) expecting a bit of fluff, a chance to rest from my Internet labors, and was I happily surprised.

Besides Cantor, one of my favorite screen females, Bonita Granville, was there, as were many talented if not entirely well-known actors and actresses.

There was some good writing, even if the story presentation itself was a bit uneven.

All in all, "Forty Little Mothers" is a sweet, well-done movie that I highly recommend.

Forty Little Mothers Has Eddie Cantor first saving Rita Johnson from committing suicide and then taking her baby when he mistakenly thinks someone abandoned it. It was a boy baby and that was a new experience for the man who founded Girls Town, USA.

This is a more dramatic Eddie than was previously seen on screen. He's a meek and gentle history professor, not the schnook he was normally cast as. He's replaced a heartthrob history professor at the college which insists on its faculty boarding at the school and they don't allow kids there. So says President Judith Anderson.

Cantor was cast with a whole bunch of young MGM starlets as the students and was reunited with Busby Berkeley who directs this film. He had done the musical numbers on several Cantor films for Sam Goldwyn earlier in the decade. Cantor only sings one song in the film, Little Curly Hair in a High Chair which had good success.

The woman have some Berkeley like moments serving as the baby's forty little mothers once the ice is broken with Cantor. But no real dance numbers as Berkeley was so well known for.

Look for Nydia Westman who plays Judith Anderson's assistant. She's quite funny, maybe the best thing in this film.

The story is nice though it does get a bit maudlin at times. Probably Eddie Cantor had he gotten something like Ed Wynn got later on in The Great Man or The Diary of Anne Frank, Cantor might have made his bones as a dramatic actor.