Flash Gordon Conquers the Universe

Universal's 46th sound-era film was the third and last of their serials...From the ALEX RAYMOND newspaper feature owned and copyrighted by King Features Syndicate...starring Buster Crabbe as "Flash Gordon." All featured loose adaptations of their Sunday comic page continuities but this one stayed pretty close to the long-running segment devoted to Prince Barin's Kingdom of Arboria and the Ice Kingdom of Frigia ruled by The Ice Queen, both on the planet Mongo.

This one takes off when the Earth is visited by a deadly epidemic known as the Plague of the Purple Death, easily diagnosed as it leaves a purple spot on the foreheads of its victims. Flash Gordon (Buster Crabbe), Dale Arden (Carol Hughes) and Dr. Zarkov (Frank Shannon) zoom out in Zarkov's rocket ship and make a straight-space bee-line for Mongo, where the ruthless ruler, Ming the Merciless (Charles Middleton) is spreading death dust in Earth's atmosphere as part of his plan to CONQUER THE UNIVERSE. Actually, he had two kingdoms on his own planet he didn't rule, but Ming had a severe case of the hots for Dale Arden from Day One, and he probably figured he could take care of the rebel kingdoms after he made the lured-back Dale his bride and, thusly inspired, take care of Arboria and Frigia in one fell swoop along with the remainder of the Universe. The man knew how to set priorities.

Upon arriving on Mongo, Flash, Dale and Zarkov visit their old friends Prince Barin (played by Roland Drew, and two Roland Drews weren't equal to Dick Alexander's Prince Barin) and his wife Aura (Shirley Dean, formerly of The Jones Family at TC-F), who was also Ming's daughter, who has been reformed by Barin's love and the realization that her father is one stark-mad, raving lunatic...and horny to boot.

The family touches and relationships between the primary characters---Flash may have had a little thing going on with Aura back in the early days of the strip when she was the total spoiled-rotten daughter and supporter of her father, and they were still exchanging Sunday glances for years even after she married Barin--- and the creation of a Queen Glenda of Frigia (Clarice Sherry) ruling over an Ice Kingdom (that one strike any chords with a 2005 film) show that Alex Raymond's plot-writing skills were on par with his top-flight illustration abilities. All of his comic strips, including "Jungle Jim" were aimed at adults, and the kids could figure it out later on their own. Some of us never did.

Glenda The Ice Queen, on Sundays for certain, also had an eye on General Lupi (William Royle), the commander-in-chief of her army, or he was until he ended up in one of Ming's dungeons, and wasn't doing much in the way of commanding when Flash & Company showed up. In fact, Ming's scientists have perfected the Purple Death Dust to the point where it only kills those with intelligence enough to pose a threat to Ming, while only making slaves out of the less intelligent. This, clearly, posed a threat for all the citizens of Earth with all the population doomed to become slaves, but Ming wasn't a man who liked to take chances, except where Dale Arden was concerned. Well, his stooge scientists tell him that this is what they have done, but Ming wants proof and they are about to experiment on General Lupi. Flash, of course, rescues him and this makes the thawed-out Ice Queen happy, and she grants Flash and Zarkov the right to mine Polarite, the antidote to the Purple Death Dust, in her kingdom. After a few incidents with avalanches and "annihilants" Flash mines enough Polarite to save the Earth, and he makes a quick day-trip back there and deposits the life-saving Polarite on top of Mt. McKinley. (Hey, settle down...it's stock footage McKinley and not a location site.) But, back on Mongo, things aren't going all that smooth and there are still many chapters to go. Somewhere toward the end, Zarkov defies Ming by informing him that his and Flash's mission is to not only save the world (Earth) but the Universe as well. Ming, always the one to indulge in tirades, even when things are going his way, scoffs: "The universe? I AM THE UNIVERSE!" Charles Middleton's eyes probably lit up when he saw that line in the script.

(Those of you who don't know how this one ends might want to move on to something else, now)....as they fly back to the safety of Arboria and then back to Earth, Prince Barin tells Flash: "By destroying Ming, you have saved the universe." and Flash replies..."In his mad ambition, Ming declared that HE WAS the universe." And Zarkov says, "Then, since you are the conquerer of Ming, I shall radio your father: Flash Gordon conquers the universe!"

And Dale, not knowing an exit line when she hears one adds..."And saves the Earth."

We thought he saved the Earth several chapters back when he deposited the Polarite atop of Mt. McKinley. Oh, that's correct...Ming later came up with Solarite.

Hey, the dialogue and character's alone overcome any "so-called" 1940's cheesy special effects. Nine out of ten...only because of the covered-up belly buttons in this one.

The success of the 2 prior Flash Gordon serials and the continued and ever expanding popularity of the Newspaper Comic Strip no doubt were the prime movers behind the filming of the third installment. Universal Pictures had done well with the production of many other titles belonging to Hearst's King Features, so they were given the go ahead for the new project.

Buster Crabbe was brought back for his powerful, faithful characterization. This was after he had time out to portray rival Spaceman* in the title role of BUCK ROGERS (Universal 1939).Also returning were Charles B. Middleton (Emperor Ming) and Frank Shannon (the good Dr. Zarkov).

Replacement for Miss Jean Rogers was Carol Hughes, a dark haired beauty of a starlet, who had a lot of success in the '30's and '40 in many supporting roles and Female leads, mostly in 'B' Films.

Prince Barin(Roland Drew) and Princess Aura(Shirley Deane)** were also played by newcomers to the roles. But it wasn't just a difference of actors, for their appearance as well as the overall look of the Planet Mongo, was now radically different.We'll try to explain, at least offering some theory.

The surface of Mongo now looked more like medieval western and northern Europe. Barin's domain, the Kingdom of Arboria was like one, giant Sherwood Forest. Baron, himself, and his soldiers often sported the green costuming of a Robin Hood and his Mery Men.They were armed with long bows and swords in addition to their ray guns.The frozen land to the north was called Frigia and was the Domain of one Queen Fria. The Queen looked very much like popular Sweedish Ice Skating Champion turned Movie Star, Sonja Hejne. The Queen also had a very Scandanavian sounding accent.

All of these changes would seem extremely puzzling to any modern day viewer, 'for back in the day', everybody read the comic page and knew the story lines. It was the comic strip,in the news print,that caused all the changes. Creator, Alex Raymond, had made gradual changes in the design and artwork. This equaled a sort of evolution from a setting that looked like a of combination Romanesque,Chinese, Egyptian and Art Decco to a very modern, western-styled decor*** and costuming. Now Ming had secret police, slave labor camps and spies. We also hear Ming referred to as 'Dictator' Ming. In short, the comic page and serial now mirrored developments in Western Europe and the rest of the World in that period of time between World Wars.

The story line in this FLASH GORDON CONQUERS THE UNIVERSE is most action filled and loaded with a load of new developments. Robot attackers, invisibility screened rockets, a new race of 'Rock Men' and incendiary projectiles were all featured prominently in the see-saw action. There is a sort of back and forth series of battles in which combatants from either side are captured and subsequently rescued or ransomed.

Maybe I'm being a little too critical here, as we must remember that these Serials were meant to be seen a chapter a week, not all at once in one or two sittings.

There is one point thus far overlooked in this review, and that is the general look of the production. The Robin Hood type sets were as good as there were around. The cinematography is as beautiful as any in a serial, ever.

As a kid growing up in Chicago one could identify with this last of the FLASH GORDON Trilogy. Afterall, our area is annually transformed into a veritable Frigia for at least 6 to 8 weeks every December, January and February.

NOTE: * Flash and Buck were not and could not be rivals as Buck Rogers's adventures are set 1n the 25th Century. They were real competitors in the market place,for "Box Office"(more newspaper subscribers),if you will.

NOTE: ** The evolution of this Royal Couple also was effected by the 1938 Waener Brothres' Film, THE ADVENTURES OF ROBIN HOOD, as Barin's appearance morphed from looking like a Power Lifter in Roman garb to a sort of 'Road Show' Errol Flynn. Aura changed from a scantily clothed nymphomaniac to a perfect picture of nobility.

NOTE*** 'Western'as in Western Civilization, not Country & Western.

There were many very fine heroes and villains of the serials, but clearly, Buster Crabbe as Flash Gordon, and Charles Middleton as Ming the Merciless were the tops in their respective fields. These fine performers, plus the return of our old friend Frank Shannon as Dr. Zarkhov, help make this an entertaining and appealing serial.

This is the most polished and opulent of the Flash Gordon serials, although it lacks the passion and visceral excitement of the 1st serial. Also, it lacks the performers who originated the roles of Dale Arden, Prince Barrin, and Princess Aura. The actors who replaced Barrin and Aura are at least adequate, although they lack the physical charisma of the originals, and we feel especially the loss of Priscilla Lawson's raw sensuality. However, the gal who replaced the wonderful Jean Rogers as Dale is not sufficient to the role, and in one chapter when she was pleading for Flash to save her, I kind of wished Flash had just left her.

This serial is not as sexy as the 1st Flash Gordon (which somehow seemed to have been sneaked completely past the Hayes Office), but while the actresses all appear to be wearing bras, there are thankfully a few bare midriffs here and there, and we have the welcome addition of a genuine femme fetalle, in the person of the wicked Sonia, played by Anne Gwynne.

While the 1st serials were characterized to a large extent by activities involving the various diverse peoples and monsters of Planet Mongo and Mars, the Lion Men, the Shark Men, the Hawk Men, the Clay People, Azura Queen of Magic, the Forest People, dragons, octosacs, beast men, etc., this serial is more preoccupied with technology and warfare. There are chapters wholly concerned with strategic materials, incendiary bombs, robot bombs, torture of political prisoners, poison gas, and there are more aerial dogfights than in the previous Flash Gordons.

Also, Ming is referred to as Dictator Ming, rather than Emperor Ming. Others have already mentioned this, but I agree with the hypothesis that this serial reflects the fact that by 1940 much of the world was at war and that many in the US had the idea that the US would inevitably be drawn into the conflict. In 1939, the Germans invaded Poland, and by the time this serial drew to a close on its first run, the Nazis had also invaded France. There is perhaps a bit of unconscious insight into the geopolitical future in the fact that Flash, whose initial mission was to stop Ming from becoming Conqueror of the Universe, ends his mission when he is declared to be the Conqueror of the Universe.

This is entertaining to fans of serials, of B-Movies, of old comic strips, and other aficionados of old school and low budget cinema. It is not as powerful as the 1st Flash serial, and suffers from being a little longer than it should be, and having a little too much back and forth. Also, the directors seemed to have no concept of how to insert a few close-ups into a fight scene to juice up the action. Nonetheless, many viewers would, like me, find it pleasurable to waste 20 minutes here and there with these old friends.

The heroic theme music strikes up, the chapter number and the 'story so far' prologue scroll up the screen and into the distance, and we are thrust into a new adventure where our hero and his companion, now disguised as Imperial Guards, having entered the stronghold of their enemy by spaceship, are about to rescue the beautiful Princess from his evil clutches! Elsewhere in the complex our hero's elderly mentor, dressed in his hooded wizard-like robes, also works to thwart the villain's dastardly plans…

Sound familiar?

Yes. Of course it does, for this is FLASH GORDON CONQUERS THE UNIVERSE (actually clunkily titled in all the opening credits as FLASH GORDON SPACE SOLDIERS CONQUER THE UNIVERSE) and is, of course, along with FLASH GORDON ('36) and FLASH GORDON'S TRIP TO MARS ('38), the inspiration for Mr. Lucas's other famous space opera, the name of which escapes me for the moment. We even have Imperial Spaceships bombarding our heroes on an Ice Planet (imaginatively called 'Frigia') and a battle on a Forest Moon ('Arboria' – Wow! Who dreams up all this stuff?), where friendly Prince Barin and his 'Merry Men' are bow and arrow wielding precursors to the Ewoks of Endor. There are many other elements too that eventually made their way into George's epic saga, but you'll have to watch it to see how many you can spot.

The acting is dreadful, the costumes ridiculous, the 'special effects' laughable and the plot (using the term very loosely) has holes in it big enough to fly an Imperial Battle Cruiser through - but enough about STAR WARS (ah, that was it!). Seriously though, FLASH GORDON may be ropey but I challenge anyone to fault their enthusiasm and the whole is weirdly compelling and great fun.

Shamelessly grabbing any spare backlot sets, props, sound effects and costumes available, a trend the much later STAR TREK original series, and others, continued, we are treated to such sights as Imperial officer's uniforms that appear to have been delivered by mail order direct from Ruritania; Prince Barin's 'treemen' clad in medieval castellated Lincoln Green (we assume) skirts and tights straight out of THE ADVENTURES OF ROBIN HOOD ('38), and backstreets of Mongo that could have equally been trod, and no doubt were, by both Errol Flynn and Frankenstein's Monster. Even the music is stock, the most noticeable being Franz Waxman's 'Birth of the Bride' from his score to BRIDE OF FRANKENSTEIN ('35), which is plundered repeatedly. Fin-accessorised bullet shaped spaceships buzz around (again to a FRANKENSTEIN laboratory's electrical hum) with sparks falling downwards and smoke drifting up (an amazing thing the vacuum of space), and, no matter the destination, they always land, spirally, in the same scenic valley.

All 'dynamic' twelve chapters are presented in this boxed set with irresistible titles like 'The Purple Death', 'The Palace of Terror', 'Freezing Torture', 'The Destroying Ray' and 'Walking Bombs' (these particularly are a hoot), complete with the necessary cliff-hanger endings and opening and closing credits for each, but sadly, and a bad oversight, there are no special features. I know that perhaps this is difficult given the age of the material, but some accompanying old movie newsreels, as on the DVD release of THE DAY THE EARTH STOOD STILL, might have put it into some kind of historical perspective.

In this age of CGI effects where anything is possible, it's nice to look back and see where it all began, and I've no doubt that in 1940 it was equally as enthralling as any SFX blockbuster claims to be today.

Get some beers in, some friends around and have some fun as FLASH GORDON CONQUERS THE UNIVERSE!

Trivia Note: Although FGCTU was Buster Crabbe's final appearance as Flash in the old Universal serials, he did make one final cameo appearance as the character in season one of the 1979 TV series BUCK ROGERS IN THE 25TH CENTURY which starred Gil Gerard as Buck, a character Crabbe had also played 40 years earlier in 1939. In the two-part episode 'Planet of the Slave Girls' (a typical old Gordon/Rogers chapter title in itself) Crabbe appeared as 'Brigadier Gordon', a former space fighter pilot called out of retirement, and there's a pointed piece of dialogue toward the end of the episode where the new Buck (Gerard) is, in fact, talking to the old (Crabbe):

Buck: That's pretty good shooting. Gordon: Son, I've been doing this since before you were born. Buck (the character of course thinking he was born five centuries earlier): You think so? Gordon: Colonel, I know so.

Only four years later Clarence Linden 'Buster' Crabbe had passed away, making this a nice and timely touch in an otherwise unmemorable series.

I'm sure that even when this came out a lot of the stuff in this serial seemed pretty silly. But if you watch it, especially if you watch it as it was meant to be watched, one chapter at a time with a break in between, you'll probably find yourself getting into the cliff hangers, and occasionally dazzled by the occasionally sumptuous production values (huge pile of writhing dancing girls, snow mountain photography) and the sometimes ingenious special effects (those mud men always make me jump).

The rest of the time, sit back & laugh.

They must have known that they were stretching the premise when they made this, the third and last Flash Gordon serial, but the plot pretty much hangs together if you choose to pay attention to it (which can be hard, a lot of explanations are pretty rushed), and the performances are mostly good.