Dr. Kildare - Die Heimkehr

I too enjoyed this entry into the world of neophyte doctor, Dr. Kildare.

It's nice to see his parents once again, as in several of the earlier films, playing such important roles in his life. Both his parents are fine, but his mother is simply adorable.

I was also surprised at Dr. Marsh's depiction. A "colored" man (the terminology of the time) who happens to be an amazing doctor and one who speaks standard English. I would imagine this scene was often cut in the South since it doesn't directly impact the main plot, but it was fascinating to see.

A nice addition to the Dr. Kildare series.

Dr. Kildare Goes Home finds Lew Ayres being furloughed from Blair General Hospital in order to help out his ailing country physician father Samuel S. Hinds. With few other practicing physicians in the area Ayres has his hands full.

But in a truly bizarre twist, Ayres also finds three fellow doctors doing other kinds of work because they can't get a practice started. That part of the film is truly dated unless they're people from a third world country in America today. But such is the case in 1940.

What to do, but Ayres hits on the idea of establishing a clinic in his home town of Parkersville with these three. Of course the town's resistant to the idea because they think if medicine is good, it has to be expensive. That notion is certainly not dated. Leading proponent of that idea is Gene Lockhart who always seems to be playing these naysayers against progress when he's not a villain.

Like it does in so many medical dramas today on the small screen, it all comes together. The Dr. Kildare series was the forerunner of all the TV medical dramas from Medic to Marcus Welby including the small screen adaption of Dr. Kildare.

Ayres and Laraine Day as nurse Mary Lamont move ever closer to the wedding day with crusty old Lionel Barrymore as Kildare's mentor Dr. Gillespie giving his blessing. An OK programmer from this series out of MGM.

A good entry in the Dr. Kildare series, with some aspects surprising me. First was the idea of a clinic to which people subscribe for medical care, paying ten cents a week. I had no inkling the medical insurance concept was around back in 1940. I wondered what the doctors of the era thought about that. Second, was the treatment of one of the black characters in the film, Dr. Marsh, played by Jack Carr. He is intelligent, articulate, and gets praise from Dr. Gillespie for an accurate diagnosis based on very little evidence. This was a very uncharacteristic treatment of blacks in 1940. It's a short scene that has little to do with the main plot, but it made me appreciate the film so much more.

I was casually watching this movie today when the action shifted to an emergency surgery performed in a private home. Dr Gillespie was in attendance as was Dr. Kildare. The surgeon has his back to the camera. When he turns around he is black. Gillespie then proceeds to praise the surgeon and the surgeon responds with some thoughtful words. To see a black American treated so thoughtfully and well was simply amazing at this time in Hollywood. I couldn't find the doctor in the list of cast members. And there was no mention of the scene in the trivia section of th IMDB. The scene must have added to the script perhaps by an event that caused the writers to add it , but I'm speculating.

The fifth in MGM's excellent series of medical dramas centered around Doctors Kildare and Gillespie (Lew Ayres, Lionel Barrymore). This time around Jimmy Kildare is faced with the decision of giving up his dream job working with Dr. Gillespie in order to help out his elderly father, who's being overworked as the only doctor covering two small towns.

One of the weaker entries in the series but still very enjoyable. Most of the film is spent in Kildare's hometown away from the busy goings-on of Blair General. There are lots of quaint little parts, like Gillespie prescribing having kids to save a marriage. But these sorts of things are part of what I love about this series and really classic films in general -- they're windows into the past. Great supporting cast, as was always the case with MGM. In addition to Nat Pendleton and the rest of the exceptional regulars backing up Ayres and Barrymore, there's Gene Lockhart, Donald Briggs, and fun bit parts for Arthur O'Connell and Milton Parsons. Not my favorite or even in my top five of the combined Kildare/Gillespie series, but solid and never dull.