Das große Los

Joyous dose of whimsy from writer-director Preston Sturges, a filmmaker who always managed to wring both sentiment and cynicism from a fairy tale premise. Dick Powell plays a working-class guy under the impression he's just won $25K in a coffee-slogan contest. Based on a play Sturges wrote in 1931 (titled "A Cup of Coffee"), the film is brief at 70mns but sharp as a tack, and a wonderful stroll through Hollywood's Golden Era. Powell is terrific, and Ellen Drew is equally good as his sweetheart. A gem from Paramount, one which received not a single nomination from any awards branch. ***1/2 from ****

This may be my favorite Preston Sturges film. It's as well written and well crafted as anything he made after it. Sturges had a knack for creating unique characters and throwing them into even more unique situations.

Jimmy MacDonald is absolutely determined to make money the easy way; by winning a contest. A few of his coworkers, aware of his desperation to win an upcoming contest, decide to send him a telegram in order to make him believe he's won the recent contest, along with the enormous cash reward. What begins as a cruel little joke (to find out how Jimmy would react to winning) becomes something much bigger. It wouldn't make sense for me to explain the plot any further; much of the enjoyment in watching the film comes from how it unpredictably unfolds.

"Christmas in July" is rather unusual in comparison to some of Sturges other movies, namely his two most famous films, "The Lady Eve" and "The Palm Beach Story". It contains more pathos and less sexual innuendos, but it never becomes cheap, manipulative melodrama. It's also quite short in comparison to his other movies, but it's all the better for it.

On the surface this effort from the brilliant Preston Sturges looks like a standard sugar coated feel good movie, but strip away the outer skin and you get a delightful collage of comedy, romance, satire, drama, and nudge nudge observations about hunger of wealth and all the spin offs that wealth creates.

I don't deem it unfair to state that the films core plot of frivolity may not be to everyone's taste, but to me personally it ticks all the boxes for a joyride with more at its heart. The pace of the film is more in keeping with screwball comedies of the great era, but that is not to say that the film doesn't shift down a gear for poignant reflection, because it does, but ultimately the film is full of hilarity from many quarters, that is acted out accordingly from a sparky cast, and of course directed by a deity .

A joyous winner that prods you in the ribs and gives a cheeky wink along the way. 9/10

A clerk making $22 per week dreams of winning the $25,000 grand prize in a coffee company's slogan contest. Sturges' second directorial effort is not only a sweet and simple comedy but also fast-paced and efficient, wrapping up in just over an hour. As the ambitious but earnest sloganeer, Powell basically plays the role of the straight man, surrounded by loony characters, including Walburn as the flustered owner of Maxford House, not to be confused with Maxwell House, and Sturges regular Demarest as one of the judges of the contest. Despite the short running time and the emphasis on comedy, Sturges manages to make the characters human.

"Christmas in July" (Paramount, 1940), the second feature entirely written, produced and directed by Preston Sturges, following his initial success of "The Great McGinty" (1940), ranks the director's most mellow comedies, compared to his future efforts as "Miracle on Morgan's Creek" 1944). In spite of his reputation for his wild and crazy plots, along with his familiar assortment of bizarre characters, "Christmas in July" could understandably be mistaken for a Frank Capra film, a theme not so much on how a good fortune changes the common man, but how much the common man unselfishly changes the lives for the good of others.

The plot is relatively simple: James MacDonald (Dick Powell) and his fiancé, Betty Casey (Ellen Drew), sit on the rooftop of their New York City apartment building listening to the radio where the name of the contest winner for the best slogan is to be announced. Wondering about the delay, Maxford (Raymond Walburn), president of Maxford House Coffee Company, heads over to the room where he finds the jury (consisting of Sturges stock players of Dewey Robinson, Arthur Hoyt, James Conlin and Robert Warwick), headed by its foreman, Bildocker (William Demarest), unable to decide upon the winner. With time running out, Maxford has the very nervous Donald Hartman (Franklin Pangborn) go on air to postpone the name of the winner until further notice. Because he had entered many contests in the past, Jimmy is confident that his slogan,"If you can't sleep, it isn't the coffee; it's the bunk." to be a sure winner. The following morning, Jimmy reports to his office clerical job to find a telegram on his desk naming him as winner of the Maxford contest. Overly excited, Jimmy stands on top of his desk where he makes his announcement to his fellow co-workers. Not only does Mr. Waterbury (Harry Hayden), his supervisor, grants him time off to collect his $25,000 prize, but he is immediately promoted to vice-president under Mr. Baxter (Ernest Truex) as a reward for his good fortune. After Jimmy collects the check from Maxford, who's unaware and confused why he hasn't been informed of the jury's decision, Jimmy takes Betty to Schidel's Department Storewhere where he buys her an engagement ring, and using the rest of the check to purchase gifts for everybody in his neighborhood. The Christmas in July celebration comes an abrupt end when Maxford, realizing his error after finding Bildocker still unable to come up with the decision, to arrive at the scene, accompanied by Mr. Schnidel (Alexander Carr) of the department store, to take back everything, including the check, and expose Jimmy as a fraud. A neighborhood riot ensues before Jimmy and Betty are confronted by three of their co-workers, Tom (Michael Morris), Dick (Rod Cameron) and Harry (Harry Rosenthal) who confess to what was originally intended as a practical joke. Now that reality has set in, what's Jimmy to do? Will he be working a lot of overtime hours to pay for his purchases? Will Maxford sponsor more contests? Will the judges get to come up with the winner before next Christmas?

A Christmas story that's not necessarily about Christmas nor the 4th of July for that matter, but how it is more blessed to give than to receive every day of the year, not just on Christmas. While "Christmas in July" is at best when poking fun of the current trend of radio contests, the story simmers down only when centering upon the poverty-stricken couple Jimmy and Betty, yet, in true Preston Sturges tradition, throws in surprises here and there to hold interest and keep his audience laughing and completely satisfied in how everything is resolved. As much as Sturges could have selected good-natured actors as Gary Cooper, James Stewart or Henry Fonda in the leads, Dick Powell, former crooner of Warner Brothers musicals from the 1930s, making his Paramount debut, turns out to be a fine choice, particularly at this point of renewing his screen image. Aside from the plot it development of its leading characters, Jimmy being an average guy, engaged to a nice girl, living with his widowed mother (Georgia Caine) in a tenement apartment whose ambition is to succeed, Sturges also does a remarkable job with his assortment of neighbors of different ethnic background gathered together in the neighborhood sequence to appear very much true to life. He adds a touch of sentimentality with a memorable bit as Jimmy awards Sophie (Sheila Sheldon), a wheelchair bound girl, with an expensive doll she can call her own. Surprised as well as speechless, she looks up to Jimmy before hugging the gift like a new born baby, which is enough thanks any giver can ever receive. And thanks to Sturges for such a fine motion picture leaving us with something to think about, "If you can't sleep, it isn't the coffee; it's the bunk."

This seldom revived comedy gem that says it in 67 minutes made it to video cassette in 1985 at a high price of $59.95, followed by several cable television presentations, such as the Disney Channel (1991- 1996) and Turner Classic Movies where it premiered in 2002. It's 2006 availability on DVD will assure renewed interest for both movie and the comedy films of Preston Sturges. (***1/2)