Der Tod des alten Zirkuslöwen

1940's "Chad Hanna" was a colorful feast for the eyes, but far stronger on atmosphere than incident. We open in New York state, 1841, and the circus is coming to town. B. D. Bisbee (John Carradine) works as the advance agent for the Huguenine Circus, garnering attention wherever he goes, building up the audience to a fever pitch by emphasizing both male AND female acrobats...in tights! In the title role, Henry Fonda performs another expert character study, playing a Canastota stable boy who literally runs away to join the circus to escape a vengeful slave catcher whose daughter Caroline (Linda Darnell) later joins him, also a victim of her father's rage. Chad instantly falls for equestrienne Albany Yates (Dorothy Lamour), the star attraction for this one ring circus, but she soon spurns Huguenine for a rival circus that has an elephant. It's a shame that the filmmakers chose to showcase the dramatically anemic, predictably absurd romantic triangle over the more interesting circus life rarely depicted at that time. Fonda and Carradine are teamed for the fifth and last time, from "Jesse James," "Drums Along the Mohawk," "The Grapes of Wrath," and "The Return of Frank James." Carradine was no stranger to lovely Linda Darnell- "Brigham Young," "Blood and Sand," "Fallen Angel," and the 1958 WAGON TRAIN, "The Dora Gray Story." After such a powerful introduction, Carradine instantly fades into the background, disappearing completely after Chad and Caroline marry 54 minutes in. Sharp eyed viewers can catch canvasman Rondo Hatton at the 34 minute mark, looking quite menacing on the far right, one line of dialogue spoken in his own voice: "all right men, up to the next street!"

Henry Fonda is adequate but really nothing more in this story of a 19th century love triangle. He is a young and naive erstwhile stable-lad who joins the travelling circus community and pretty immediately falls for "Albany" (Dorothy Lamour). She is feisty and determined - she is the fearless horseback rider after all. Things become more complicated for him, though, when he takes a shine to an elephant and hops big tops. That's when he encounters "Caroline" (Linda Darnell) - a familiar face from his youth and from here on in this film slips, effortlessly, into the realms of romantic melodrama - and becomes really all rather predictable. There are a few characterful contributions from John Carradine's rabble-rousing ("Bisbee") and Jane Darwell as his long suffering wife, but after a lively start that demonstrates some of the considerable skills on display for a very appreciative public, this all just drifts into mediocrity and though kills ninety minutes without difficulty, is all pretty wordy and unremarkable. The photography captures something of the excitement of the arena when it is given a chance by Henry King, Otherwise - Hmmm!

Made in 1940 in Technicolor on the Twentieth-Century Fox lot in Hollywood, this film suffers from uninspired direction by old reliable staff director Henry King, a man who could direct almost anything efficiently, but rarely with much flair or enthusiasm. The visual possibilities of the one-ring circus travelling from town to town in Upstate New York, ideal atmosphere for a movie, are hardly exploited by King. Co-star Dorothy Lamour as the bad girl bareback rider is attractive, but seems miscast as a seductress, although she tries. Linda Darnell, then a teenager, is lovely and appealing as the good girl, and has some good believable boy-girl moments with Henry Fonda, then under Fox contract. He made this film the same year as GRAPES OF WRATH, and a year before Sturges' THE LADY EVE. As always he is perfectly natural, ideally cast as the innocent American boy, shy, romantic, full of feelings he tries to hide. The perfect film actor.

TRIVIA: his Daughter Jane was three years old when this film was made.

Attracted by the wonderful cast and early technicolor (apparently restored), I tuned into this vintage movie with great expectations. I was disappointed by the dull screenplay, slow and poorly connected scenes and general direction. But if you want to see the beautiful Dorothy Lamour and Linda Darnell, stappingly handsome Henry Fonda, all doing as much as they can with deficient direction and scripts, this is a film for you. The technicolor and visual clarity are excellent. But the story, despite its great potential, is told ploddingly and will probably let you down.

Refer to previous reviews for summaries of the plot itself.

Henry Fonda plays an "aw shucks" country boy who falls in love with Albany Yates (Dorothy Lamour) in the circus... before later marrying Caroline (Linda Darnell), who has also joined the circus.

The movie was okay, not great. I've enjoyed Fonda more in other roles (e.g. 12 Angry Men), and I've been appreciating Linda Darnell more as I see more movies that feature her, but here her role was weaker (or it was just a poorly written script). I liked the Technicolor and got a kick out of Jane Darwell's role as a feisty fat lady. In one scene she stands holding a rifle, making a man promise that he won't bother the circus team again. He does. She then hits him over the head with the rifle, knocking him out, then says, "Now I believe him!"

This is basically the price Henry Fonda had to pay to star in "Grapes of Wrath". He had to agree to be a contract player at Fox and he occasionally got stuck with this kind of role in this kind of film. But he did make the most of it like the trooper he was.