Boys of the City

Cheap sets. B-list performers and some typical-for-the-era (but nonetheless annoying) racial stereotypes fail to distinguish this tale of embezzlement and murder set at a creepy country mansion.

Leo Gorcey and the gang provide the comic relief, which -- except for the cigar scene -- is not particularly funny. Unless, that is, you get a kick out of things like watching Ernest "Sunshine Sammy" Morrison get pop-eyed over graveyards and spooks, or listening to him extol the virtues of a big slice of watermelon.

Though Minerva Urecal did a fairly good job as a sort of cut-rate Mrs. Danvers, I'd only recommend this one to rabid Gorcey fans and B-movie antiquarians.

En route to a boys camp for the summer, our favorite juvenile delinquents find themselves stranded overnight at a crooked judge's house. There they battle racketeers and the usual old dark house tropes. This is former Dead End Kid (and future leader of the gang) Leo Gorcey's first entry in the East Side Kids series (also the first for his brother David). As such it feels like much more of a proper start to the series than the first film did. Returning from the first one is Dave O'Brien as Knuckles, the reformed gangster acting as the boys' guardian. It's a forgettable movie in every way. At this point Gorcey hadn't yet developed his malapropism-spouting character and he doesn't have Huntz Hall, either, and he was always best with Huntz. Plus the Kids, regardless of which version, did this material better in several other pictures.

The pieces weren't quite all there yet (paging Huntz Hall!), but this erratic poverty row feature set the parameters for the long running Bowery Boys series. Additionally, the film was directed by Joseph H. Lewis, who did his best to add interesting camera angles and spooky lighting to this low budget affair. Unfortunately, TCM's print is in very rough condition and a lot of Lewis' work has been washed out by decades of mishandling. Nonetheless, this is well worth a look for fans of the noir director as well as those who enjoy the teenage antics of the East Side Kids.

If there's one regrettable element in Boys of the City, it's the appalling racism of screenwriter William Lively's script. One of the most commendable things about the later films in this series is the (generally) colour blind approach to Sammy Morrison's character, but in this effort, poor Sammy was burdened with jokes about spooks, watermelon, the ol' plantation, and his beloved Mammy. Still and all, he does a good job with the material and remains (after Gorcey and Hall) the most memorable of the series' characters.

Boys Of The City is the only film of the East Side Kids that had a continuity with the previous one in the series. It is the second film in the series and first one with former Dead End Kids Leo Gorcey and Bobby Jordan in the cast. When the Dead End Kids were turned loose from their Warner Brothers contract, Sam Katzman of Monogram started signing them and I'm sure on the cheap.

For whatever reason, I suspect box office, Katzman replaced a lot of the young actors in the first film when he found the better known Dead End kids at liberty. One character who was not replaced is Dave O'Brien who was cleared of the crime that put him on death row he repeats his character of Knuckles Dolan, brother of Bobby Jordan.

The kids are up to their usual mischief and O'Brien decides a little time in the country is what they need away from the big city streets. On the way up the car breaks down and O'Brien and the kids have to spend a night in an old house that looks just like something from some English murder mystery. It even has a Mrs. Danvers like housekeeper in Minerva Urecal.

It's owned as it happens by the judge who sent O'Brien to the death house in the first film. So when he winds up strangled O'Brien is accused of the crime. Of course the kids find out who did it.

I have to say the murderer was a surprise in this one. All the usual signs pointed to other characters, but for once Sam Katzman showed a bit of creativity here.

Boys Of The City is a good East Side Kids film and from Monogram, it's practically a classic.

The cigar scene at the country estate is worth it all! Full of belly laughs! Ernie "Sunshine Sammy" Morrison is at his classic comedic best. Frankie Burke, the young Cagney look-alike from "Angels with dirty faces" has a role as one of the boys and does a fine job...you'll notice he can move like cagney, as well as look, act and sound like him when you see him jumping over that sofa in the guest room! Many sight-gags and tongue-in-cheek humor in this film. The shame is its lack-luster title and description. This is one you have to see. One warning, however...there are racial overtones. But you must remember, this *was* 1940 and Mr. Morrison handles them with his precise, exceptional talent. All in all, this is a must-see film for classic buffs. For anyone looking for clean fun!