IMDb-BEWERTUNG
7,1/10
8064
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuHenpecked Egbert Sousé has comic adventures as a substitute film director and unlikely bank guard.Henpecked Egbert Sousé has comic adventures as a substitute film director and unlikely bank guard.Henpecked Egbert Sousé has comic adventures as a substitute film director and unlikely bank guard.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
Dick Purcell
- Mackley Q. Greene
- (as Richard Purcell)
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'The Bank Dick' is a wonderful piece of comedy from W.C. Fields. He plays the town loser, who is given a job as a bank security guard when it appears that he helped stop a bank robbery. Fields' scenes with Franklin Pangborn as the bank examiner are the highlight of the film. The climactic chase sequence, with Fields mentioning points of interest as he is chased by the police, is also hilarious. Only a sequence early in the film, in which Fields pretends to be a Hollywood film director, fails to delight. Overall, a comedy classic!
W.C. Fields uses his expert timing and his large collection of gags to make "The Bank Dick" a classic comedy that gets even better as it goes along. The amusing, tangled plot gives Fields plenty of material to work with, and the other characters also pitch in to keep you smiling.
After a few amusing introductory scenes that introduce Egbert Sousé, the kind of character Fields loved to play, things really start rolling once Egbert somehow manages to land a job as a bank detective. The wackier the plot gets, the more it shows just how effective Fields's dry style can be. His stoic character and the confusion going on around him often make a hilarious combination. It's very entertaining, goes by quickly, and is filled with comic detail that makes it just as funny when you watch it over again.
After a few amusing introductory scenes that introduce Egbert Sousé, the kind of character Fields loved to play, things really start rolling once Egbert somehow manages to land a job as a bank detective. The wackier the plot gets, the more it shows just how effective Fields's dry style can be. His stoic character and the confusion going on around him often make a hilarious combination. It's very entertaining, goes by quickly, and is filled with comic detail that makes it just as funny when you watch it over again.
A classic comedy from the irreverent W. C. Fields who unapologetically dismantles as many of the Production Code's rules as he can as he frequents the Black Pussy, a bar managed by Shemp Howard, one-third of the Three Stooges. The plot is secondary to the gags, which come thick and fast; they don't always hit, but when they do they're smack bang in the centre of the bullseye.
a source of strange joy, even in its quiet and failed moments. great moments mostly mumbled and underplayed so that the film seems so humble and so unaggressive, unlike most comedies now which would wring your neck if they could...Fields' before-its-time irony and self-consciousness about moviemaking is revealed in a throwaway line during the car chase at the end...in the midst of all the obviously speeded-up film and projection effects, Egbert Souse deadpans "you're going to make me have an accident....." I'm almost ready to move into Lompoc, with its Spanish-Americo chili parlor, and, I hope, "rivers of beer flowing over your grandmother's paisley shawl...." and, apparently, absinthe is still available....
The irreverent Fields gives spark to what would otherwise have been a quite humdrum comedy movie.
His politically incorrect jokes seem very present-day, and so makes you understand that the people back in the 1940's weren't so far removed from us as we sometimes think.
Fields is nasty to children, his wife and the bank examiner, whistles at pretty girls and in general just behaves terribly. You wouldn't think they would film stuff like that back in 1940, but Fields did. The movie is populated by crooks and phonies, as for instance the bank president, who says "let me give you a hardy handshake" and then just rests his hand lightly in Fields' for a second. It's a very observant and stinging visual commentary which tells more than many phrases: that's what films are good at, and it is used here to great effect.
The final car chase is really scary, with extra's ducking under cars with only inches to spare!
His politically incorrect jokes seem very present-day, and so makes you understand that the people back in the 1940's weren't so far removed from us as we sometimes think.
Fields is nasty to children, his wife and the bank examiner, whistles at pretty girls and in general just behaves terribly. You wouldn't think they would film stuff like that back in 1940, but Fields did. The movie is populated by crooks and phonies, as for instance the bank president, who says "let me give you a hardy handshake" and then just rests his hand lightly in Fields' for a second. It's a very observant and stinging visual commentary which tells more than many phrases: that's what films are good at, and it is used here to great effect.
The final car chase is really scary, with extra's ducking under cars with only inches to spare!
Wusstest du schon
- Wissenswertes"Mahatma Kane Jeeves" (the pseudonym used by W.C. Fields as screenwriter) is a play on words from stage plays of the era. "My hat, my cane, Jeeves!" And in fact, at the end of the film his butler does hand him his hat and his cane.
- PatzerIn the opening bit of dialogue, one of the old ladies points out that there is an "accent grave" over the final e in a character's name, meaning it would be pronounced "Sous-AY", not "Souse". In fact, it's an accent aigu (or acute accent), in both pronunciation and painted on the mailbox she's looking at.
- Zitate
Egbert Sousé: [at the bar of the Black Pussy Cat cafe] Was I in here last night and did I spend a twenty dollar bill?
Joe Guelpe: Yeah.
Egbert Sousé: Oh boy, what a load that is off my mind! I thought I'd lost it.
- VerbindungenFeatured in Frances Farmer Presents: Bank Dick (1958)
- SoundtracksHome Sweet Home
(1823) (uncredited)
Music by H.R. Bishop
Background music near the beginning of the movie and at the end
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Details
- Laufzeit
- 1 Std. 12 Min.(72 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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