Andy Hardy Meets Debutante

The Judy Garland many venerate today is the post-Plaza Theater (c.1951) Judy --damaged, pill-popping, alcoholic, overweight--the inspiration for female-impersonators everywhere because of her unique way of pouring out a broken heart in song while living life on the brink as Liza's mother. But the real Judy, the Judy who won America's heart back in the late 1930s is this incandescent teenager, eighteen years old at the time of this film. Those who find the later Judy's manner of acting and singing over-the-top, a bit vulgar, should listen here to the sheer beauty and purity of her soprano voice, her flawless enunciation and phrasing, her feeling for jazz, her utter simplicity. What's more she was a superb actress; witness the scene in the Central Park hansom cab with Mickey, so touchingly real and affecting. It is said that Stella Adler, who was to become Marlon Brando's teacher, but working for Arthur Freed at MGM at that time, was a great supporter of her amazing talent; perhaps Stella coached her acting. The story of this film is typically silly and dated but Judy and Mickey together are as always wonderful!

ANDY HARDY MEETS DEBUTANTE (Metro-Goldwyn-Mayer, 1940), directed by George B. Seitz, marks the ninth installment to the "Andy Hardy" family series starring Lewis Stone,Mickey Rooney, Cecilia Parker, Fay Holden and Sara Haden. It also marked the return of Judy Garland, reprising her role of Betsy Booth introduced in LOVE FINDS ANDY HARDY (1938). Lana Turner, who also appeared in that same movie, does not appear in this segment, though her Cynthia Potter character and photograph are mentioned and shown here. As for Garland, though she plays a debutante, the debutante in the title happens to be characterized by another new MGM starlet by the name of Diana Lewis, who would become Andy Hardy's latest problem and new love combined interest.

ANDY HARDY MEETS DEBUTANTE breaks its series tradition by not opening in Judge Hardy's courtroom. Instead, it begins Saturday morning with teenage lover boy, Andy Hardy (Mickey Rooney) asleep in bed with magazine photo cover of the Number 1 debutante, Daphne Fowler beside him, while Judge Hardy (Lewis Stone) is away fishing. Hardy is then called back to Carvel by George Benedict (Addison Richards) regarding some legal matters regarding on shutting down the Carvel Orphanage and displacing many of its orphans. Though Andy has never met Daphne Fowler, he brags about having met her two years ago to his girlfriend, Polly Benedict (Ann Rutherford), who, after learning the Hardy family will be heading for New York City where the Judge is to go on a business matter to keep the orphanage from closing, she and his best pal, Beezy (Georgie Breakstone) have Andy promise to return home with a photo of he and Daphne together to place in their high school newspaper, the Olympian. After a train ride to New York City, the Hardy's family, also consisting of mother (Fay Holden), Aunt Milly (Sara Haden) and Andy's older sister, Marian (Cecilia Parker), stay at a brownstone apartment on East 49th Street as arranged by Andy's debutante girlfriend, Betsy Booth (Judy Garland). As the Judge works on legal matters to save the orphanage, Betsy, whose parents are out of town, tries to help Andy with his latest problem, but doesn't know what to do since Andy insists she not ask him any questions. Going through much difficulty trying to meet Daphne Fowler (Diana Lewis), it is unknown to Andy that Daphne and Betsy are the best of friends. Others in the cast include: Marjorie Gateson (Mrs. Desmond K. Fowler); George Lessy (Mr. Underwood);Clyde Willson (Francis, later called Butch); and Cy Kendall (Mr. Carrillo, the Club Sirocco restaurant manager). If Clyde Wilson seems a bit familiar, he is that little boy who gets extreme closeup while leading a parade of little kids in the Mickey Rooney-Judy Garland musical, BABES IN ARMS (1939). This is probably the only time Willson would have an extensive role in a feature film. While his character ends every other sentence with the word "please," he also gets his man-to-man talk from Andy on how to become more of a man with a stronger name of Butch.

With Judy Garland in the cast, playing a girl of age 15 as opposed to her true older age, she still gets treated like a child by Andy, unaware he's more like a child than Betsy is. As the Hardy's find time to see such New York City landmarks as The Statue of Liberty, Andy and Betsy take time walking together on Fifth Avenue, standing by St. Patrick's Cathedral, visiting Grant's Tomb, and even have their horse and buggy ride alone together in Central Park. Garland gets to sing a couple of songs, first an oldie introduced in the Marx Brothers comedy, A NIGHT AT THE OPERA (1935) titled "Alone," followed by a new tune, "I'm Nobody's Baby." Some lighter moments of humor feature Andy acting like a big shot while eating at a swank New York restaurant and running up a high bill of $37.25 while having only $8 in his pocket. Lessons learned later by Andy regarding his father to be not just a "hick small town judge" as compared to those highly educated ones of the New York City court.

Though not as memorable as the popular LOVE FINDS ANDY HARDY, ANDY HARDY MEETS DEBUTANTE, at 87 minutes, is both typical and acceptable entry to the Hardy franchise. As the series progresses more on Andy and his father in that order, roles involving his sister Marion (Cecilia Parker); mother Emily (Fay Holden) and Aunt Milly (Sara Haden) have their limitations. Formerly available on video cassette dating back to the 1990s, and later DVD, ANDY HARDY MEETS DEBUTANTE can be seen whenever broadcast on Turner Classic Movies. Next installment: ANDY HARDY'S PRIVATE SECRETARY (1941) introducing Kathryn Grayson. (***)

Just two years after "Love Finds Andy Hardy", Mickey Rooney and Judy Garland meet again in another tale about Carvel's most dramatic high schooler. In this film, girlfriend Polly Benedict has slowed his roll and ridiculed Andy's obsession with a New York debutante named Daphne Fowler (Diana Lewis). When Judge Hardy decides to take the entire family to NYC while he confronts a big city law firm over financial commitments due an orphanage, Andy (Rooney) reconnects with Betsy Booth (Garland) and contrives to meet the mysterious and desirable Miss Fowler.

At this point the story bogs down. But two somehow-interconnected stories emerge: the benefits of living in the American Republic and Andy's despondency at being a backwater fish from a small pond.

The first part might be expected in a nation perched on the philosophical precipice of isolationism versus involvement in the ongoing war in Europe. Judge Hardy delivers a stirring speech that defines equality as equal opportunity under the law.

The party of the second part---Andy---somehow finds a way through his gloom and returns to Carvel a wiser man, where he confronts Polly, hoping to put their relationship back on track.

The best part of this film might be the musical interludes by Miss Garland. But Rooney is the driver of this and all the Andy Hardy films, and he does not disappoint. If you enjoy the Garland-Rooney vehicles, be sure to watch "Girl Crazy".

Just by the title alone you know that Mickey Rooney is once again going to have some woman trouble. Andy Hardy Meets Debutante has the Hardy family going to New York to make a holiday of it because Lewis Stone has a court case there. Judge Hardy is stepping off the bench in Carvel and going to New York to represent an orphanage in Carvel that is in danger of closing due to a loophole in a trust agreement the Judge drew up while he was still in private practice.

Rooney is once again putting his steady girlfriend Ann Rutherford on hold again while he fantasizes about Diana Lewis who is a Paris Hilton type débutante. When the Hardys arrive in New York they stay with Judy Garland's family whom we met in a previous Hardy film. And of course Andy in his naive way makes a huge fool of himself a few different ways in the film.

Judy Garland's two songs are the highlight of the film. She sings I'm Nobody's Baby written for this film and Alone which MGM owned the copyright for having been sung most memorably by Allan Jones in A Night At The Opera. As it turns out she knows Diana Lewis and Judy plays little Miss Fixit and cures Rooney of his puppy love. Of course you know the next Hardy film, he'll be back and involved in some other romantic mess. Why Ann Rutherford just didn't give that boy the heave-ho is one of the screen's greatest mysteries.

There is also a very touching scene one of the best father and son moments with Lewis Stone and Mickey Rooney when they visit New York City's Hall Of Fame at New York University Bronx campus. Rooney is wishing that the Hardys who are big-shots in Carvel had a little more class and were mixing easily in society with Diana Lewis's crowd. Stone gives him a most stern lecture about all the people in that Hall of Fame who started from nothing and made the country what it is. It was one of the best patriotic moments in an era where the screen was starting to fill with such sentiments I've ever seen.

Andy Hardy Meets Debutante still holds up well and should be seen for Judy Garland's singing and Lewis Stone's very unsentimental but very real lecture on the spirit of America.

Andy Hardy Meets Debutante (1940)

** 1/2 (out of 4)

The ninth film in the series (if you don't count the two shorts) has the Hardy family going to New York so that the Judge (Lewis Stone) can help keep an orphanage open. Andy (Mickey Rooney) has gotten into some trouble because he told people back home that he knows a famous model (Diana Lewis) and that she has the hots for him. While he tries to track her down he's too stupid to realize that there's one young woman (Judy Garland) who really does care for him. Outside the two shorts, this here was my first film from the series and it was pretty much what I expected even though I've read this wasn't nearly one of the best of the series. There's enough charm and good will for two movies so it's hard to imagine someone not getting some entertainment out of the film. I think it goes without saying that this film, and the series for that matter, was built around moral lessons for young people as Andy has a problem and then Judge is there to help him. The problem here is Andy being poor and from a small town feeling as if he isn't good enough to be around those who might look down on him. The importance of social standing and money is something Judge has to explain and this scene, while over-dramatic, does deliver a nice message. Rooney is in top form and delivers another winning performance. His comic timing is just right and his attitude perfectly mixes in with the stern Stone. The two of them work well together but that's to be expected considering how long this series ran. Garland is also pretty good here and manages to get off two songs. Rutherford, Fay Holden and Cecilia Parker are also winning in their roles. The scene stealer is the young Clyde Willson who plays one of the orphans and gets a big laugh each time he says a line given to him by Andy.