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IMDbPro

'Til We Meet Again

  • 1940
  • Approved
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
6,7/10
781
IHRE BEWERTUNG
George Brent and Merle Oberon in 'Til We Meet Again (1940)
DramaKriminalitätMysteryRomanzeThriller

Füge eine Handlung in deiner Sprache hinzuDying Joan Ames meets criminal Dan Hardesty on a luxury liner as he is being transported back to America by policeman Steve Burke to face execution. Joan and Dan fall in love, their fates un... Alles lesenDying Joan Ames meets criminal Dan Hardesty on a luxury liner as he is being transported back to America by policeman Steve Burke to face execution. Joan and Dan fall in love, their fates unbeknownst to one another.Dying Joan Ames meets criminal Dan Hardesty on a luxury liner as he is being transported back to America by policeman Steve Burke to face execution. Joan and Dan fall in love, their fates unbeknownst to one another.

  • Regie
    • Edmund Goulding
    • William K. Howard
    • William Keighley
  • Drehbuch
    • Warren Duff
    • Robert Lord
  • Hauptbesetzung
    • Merle Oberon
    • George Brent
    • Pat O'Brien
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    781
    IHRE BEWERTUNG
    • Regie
      • Edmund Goulding
      • William K. Howard
      • William Keighley
    • Drehbuch
      • Warren Duff
      • Robert Lord
    • Hauptbesetzung
      • Merle Oberon
      • George Brent
      • Pat O'Brien
    • 29Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 wins total

    Fotos7

    Poster ansehen
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    Topbesetzung67

    Ändern
    Merle Oberon
    Merle Oberon
    • Joan Ames
    George Brent
    George Brent
    • Dan Hardesty
    Pat O'Brien
    Pat O'Brien
    • Steve Burke
    Geraldine Fitzgerald
    Geraldine Fitzgerald
    • Bonny Coburn
    Binnie Barnes
    Binnie Barnes
    • Comtesse de Bresac
    Frank McHugh
    Frank McHugh
    • Rockingham T. Rockingham
    Eric Blore
    Eric Blore
    • Sir Harold Pinchard
    Henry O'Neill
    Henry O'Neill
    • Dr. Cameron
    George Reeves
    George Reeves
    • Jimmy Coburn
    Frank Wilcox
    Frank Wilcox
    • Ass't. Purser
    Doris Lloyd
    Doris Lloyd
    • Louise
    Marjorie Gateson
    Marjorie Gateson
    • Mrs. Hester
    Regis Toomey
    Regis Toomey
    • Freddy
    William Halligan
    William Halligan
    • Bartender on Boat
    Victor Kilian
    Victor Kilian
    • Herb McGillis
    Wade Boteler
    Wade Boteler
    • Captain Stoddard
    Herbert Anderson
    Herbert Anderson
      Mary Anderson
      Mary Anderson
      • Girl
      • (Nicht genannt)
      • Regie
        • Edmund Goulding
        • William K. Howard
        • William Keighley
      • Drehbuch
        • Warren Duff
        • Robert Lord
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen29

      6,7781
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      7bkoganbing

      Another One Way Pasage

      'Til We Meet Again is a remake of Warner Brothers earlier film, One Way Passage, a story of doomed romance that starred William Powell and Kay Francis. This film and the previous one concerns the shipboard romance of a man being brought back to the United States in custody to face the gas chamber in San Quentin and a terminally ill woman on a cruise for one last fling at life. Taking the parts of Powell and Francis are George Brent and Merle Oberon.

      I can see Jack Warner's mind at work on this one. The year before George Brent had romanced and treated the terminally ill Bette Davis in Dark Victory. Why not get Brent into a remake of this other film about a dying woman and her last romance? We even get Geraldine Fitzgerald in this one in the same part, best friend to the terminally ill woman.

      The part of the police lieutenant escorting Brent is built up considerably from One Way Passage where the role was played by Warren Hymer. Here Pat O'Brien is the cop and he's nobody's fool. Still Brent has friends on board, Frank McHugh who's a con man with a nice drunk act and Binnie Barnes who's a con woman with a phony French accent. She goes after O'Brien and not totally in the line of duty. She's also my favorite in this film.

      Oberon and Brent make a beautiful pair of lovers and one had better have as big a supply of handkerchiefs as one did in watching One Way Passage.
      10truedesign18444

      Heart wrenching romance

      If you like romance, you must see this movie. It is well written, beautifully directed, and superbly acted. The music, too, is memorable. Merle Oberon is perfection. George Brent is excellent. Binnie Barnes is masterfully restrained and right on the mark. Unless you are emotionless, make sure you have some tissues ready. This is a remake of an earlier movie that starred William Powell, but it is so much better thanks to the perfect casting of Merle Oberon in the lead. She is the force that propels this story. Along with the romantic thread of the movie, there is a compelling drama of two men, a criminal and a cop, bound together on a ship carrying the criminal back to prison. The drama and the romance are flawlessly blended in a tale that never drags.
      6planktonrules

      An exceptional story but a less than exceptional remake

      George Brent stars as a murderer who has been traveling the world avoiding his execution. On his tail the whole way is the detective, played by Pat O'Brien. Once Brent is finally apprehended in China, he's taken aboard a cruise ship bound for America. There he meets Merle Oberon and they fall in love. However, they both are hiding secrets--Brent cannot bring himself to tell her he will be executed and Oberon cannot bring herself to tell him she's got a fatal heart condition. While this may sound a bit sappy and contrived, it did work reasonably well--mostly because the detective agreed to let Brent keep the secret until they docked in San Francisco.

      Had I never seen ONE WAY PASSAGE, then I might have been tempted to score this picture much higher. That's because 'TIL WE MEET AGAIN is a remake of ONE WAY PASSAGE and in most every way, the original is a better picture. The original film starred William Powell and he was at his best in this film. While I always love George Brent in films, he just couldn't beat Powell's performance and so he was handicapped from the outset. The original film was also better because it was more concise, didn't rely as much on secondary characters and plots and just sparkled. Side by side, there just isn't much to merit watching 'TIL WE MEET AGAIN. The latter film adds too many plot elements and draws out the eventual parting too long. And, to top it off, create a possible loophole at the end of the film (depending on how you interpret it)--even though there is no way the lovers could have had a happy ending.

      Nope...stick with the original.
      8angelofvic

      Unexpectedly compelling, extremely satisfying romance/drama

      Excellent and very enjoyable, 'Til We Meet Again is about an escaped prisoner and an ill woman who fall in love on a cruise ship. This movie had me figuratively grabbing for the tissues. But I won't discuss the plot so as not to spoil anything. Suffice it to say, the movie starts sweetly, and quickly becomes unexpectedly compelling and enormously satisfying -- as very few movies are.

      It stars Merle Oberon and George Brent, and they are both great! I could hardly believe this was the same George Brent as his sedate character in Dark Victory.

      And Merle Oberon is breathtaking. So exquisitely beautiful, and charming and delicate like porcelain. Her looks and mannerisms and innocent style and charm reminded me very much of Audrey Hepburn, and I kept wondering if Hepburn could have played the role (had she been the correct age), but I concluded Oberon was definitely the right actress.

      Merle's unusual, exotic dark looks, otherworldly beauty, and rare talent and magnetism prompted me to look up more about her, and I found out she was born in India and was half Indian! Her mother was Indian. That explains her unique look and air, which sets her apart from all other Hollywood stars.

      This film, like Now Voyager and Ship of Fools, and all the greatest classic love stories, has a beautiful musical love theme that carries you through the movie, whenever the two lead characters are together. 'Til We Meet Again's love theme is exquisite.

      This movie is a well-made, very classy film that's enjoyable, captivating, moving, and extremely fulfilling. The characters are engaging and unforgettable, emotionally identifiable and heartfelt. I certainly recommend 'Til We Meet Again, especially if you love romances, or especially if you love classic films/dramas that are unusual and exquisite.
      6boblipton

      Like Most Remakes, Not As Good As The Original

      George Brent and Merle Oberon meet in a bar in Hong Kong, share a cocktail of his own concoction, break the glasses and part. He's promptly apprehended by Pat O'Brien, and taken back to be hanged for murder. She's on the same cruise ship, dying of heart disease.

      It's a remake of 1932's ONE-WAY PASSAGE, the most romantic movie not directed by Frank Borzage. The musical theme is the same; Frank McHugh is the same; Binnie Barnes takes Aline MacMahon's role, and Geraldine Fitzgerald is present for Miss Oberon to make her illness apparent to. Everyone performs their roles well, but at 99 minutes, this lacks the tightness and sense of racing time that makes the original movie's 67 minutes such a sensation. Those high-speed Pre-Code movies from Warner Brothers made their points and moved ahead. This one works, but not as well.

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      Verwandte Interessen

      Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
      Drama
      James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Die Sopranos (1999)
      Kriminalität
      Jack Nicholson and Faye Dunaway in Chinatown (1974)
      Mystery
      Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
      Romanze
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      Thriller

      Handlung

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      Wusstest du schon

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      • Wissenswertes
        Bette Davis was offered the lead in this film, but as she'd just played a terminally ill woman in Opfer einer großen Liebe (1939), she turned it down.
      • Patzer
        The doctor states that Joan Ames has angina pectoris and that nothing can be done for her. In fact, nitroglycerine had been used for the treatment of angina since the 1870s.
      • Zitate

        Steve Burke: What are you gonna do after?

        Comtesse de Bresac: Tonight?

        Steve Burke: No, when you get to be 40 or 45 and you start gettin' old.

        Comtesse de Bresac: I'll be dead.

        Steve Burke: No, you won't, Liz. I've been watching you and thinkin' about you the last few days... and wondering just what could happen to make you get onto yourself. You know, I've watched thieves grow old. They grow old very badly. They shrivel up, and fear gets in their heart, and... they get on the junk and booze and coke and...

        [Liz bows down her head and sobs]

      • Verbindungen
        Featured in Inside the Dream Factory (1995)
      • Soundtracks
        Where Was I?
        (1939) (uncredited)

        Music by W. Franke Harling

        Lyrics by Al Dubin

        Played during the opening credits

        Also played on piano when Dan and Joan break their glasses

        Played often in the score and sung by the Hawaiian band

      Top-Auswahl

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      Details

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      • Erscheinungsdatum
        • 20. April 1940 (Vereinigte Staaten)
      • Herkunftsland
        • Vereinigte Staaten
      • Sprachen
        • Englisch
        • Französisch
        • Deutsch
      • Auch bekannt als
        • Till We Meet Again
      • Drehorte
        • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Kalifornien, USA(Studio)
      • Produktionsfirma
        • Warner Bros.
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      Technische Daten

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      • Laufzeit
        • 1 Std. 39 Min.(99 min)
      • Farbe
        • Black and White
      • Seitenverhältnis
        • 1.37 : 1

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