[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

When Tomorrow Comes

  • 1939
  • Approved
  • 1 Std. 32 Min.
IMDb-BEWERTUNG
6,7/10
859
IHRE BEWERTUNG
Charles Boyer and Irene Dunne in When Tomorrow Comes (1939)
DramaRomance

Füge eine Handlung in deiner Sprache hinzuA concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.

  • Regie
    • John M. Stahl
  • Drehbuch
    • James M. Cain
    • Dwight Taylor
    • Herbert J. Biberman
  • Hauptbesetzung
    • Irene Dunne
    • Charles Boyer
    • Barbara O'Neil
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    859
    IHRE BEWERTUNG
    • Regie
      • John M. Stahl
    • Drehbuch
      • James M. Cain
      • Dwight Taylor
      • Herbert J. Biberman
    • Hauptbesetzung
      • Irene Dunne
      • Charles Boyer
      • Barbara O'Neil
    • 16Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 1 wins total

    Fotos40

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 34
    Poster ansehen

    Topbesetzung88

    Ändern
    Irene Dunne
    Irene Dunne
    • Helen Lawrence
    Charles Boyer
    Charles Boyer
    • Philippe Andre Chagal
    Barbara O'Neil
    Barbara O'Neil
    • Madeleine Chagal
    Onslow Stevens
    Onslow Stevens
    • Jim Holden
    Nydia Westman
    Nydia Westman
    • Lulu
    Nella Walker
    Nella Walker
    • Betty Dumont
    Fritz Feld
    Fritz Feld
    • Nicholas
    Eddie Acuff
    Eddie Acuff
    • Second Bus Driver
    • (Nicht genannt)
    Maude Allen
    • Woman
    • (Nicht genannt)
    Dorothy Appleby
    Dorothy Appleby
    • Waitress
    • (Nicht genannt)
    Jane Barnes
    Jane Barnes
    • Waitress
    • (Nicht genannt)
    Georgie Billings
    • Boy Hiding From Policeman
    • (Nicht genannt)
    Gladys Blake
    Gladys Blake
    • Tenement Resident
    • (Nicht genannt)
    Stanley Blystone
    Stanley Blystone
    • First Bus Driver
    • (Nicht genannt)
    Wade Boteler
    Wade Boteler
    • Policeman at Pier
    • (Nicht genannt)
    Harry C. Bradley
    Harry C. Bradley
    • Reverend Mr. Morris
    • (Nicht genannt)
    Helen Brown
    • Waitress
    • (Nicht genannt)
    Sonny Bupp
    Sonny Bupp
    • Boy Hiding from Policeman
    • (Nicht genannt)
    • Regie
      • John M. Stahl
    • Drehbuch
      • James M. Cain
      • Dwight Taylor
      • Herbert J. Biberman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    6,7859
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    7boblipton

    American Cheese Without Apple Pie

    Charles Boyer and Irene Dunne couldn't catch a break in 1939. First LOVE AFFAIR turns out badly for the body of the movie, then here we have Miss Dunne, a waitress, in love with Boyer, a concert pianist-prince with Barbara O'Neil as his mad wife. He loves her too, but Miss O'Neil has bouts of sanity, during which she comes to Miss Dunne's apartment.

    This is one of the prestige dramas that John Stahl directed every year or so for Universal during the 1930s. As in the other movie, the chemistry between the leads is marvelous. This movie is the lesser, which I attribute to the utter lack of humor of Stahl, as opposed to Leo McCarey. Of course, the fact that a reported 21 writers worked on this picture may have given the film maker so much material that any humor had to be cut. Once you get past the meet cute, in which Boyer tries to order apple pie with cheese, hold the pie, it's all a romantic heartbreaker with their unfulfilled love. And that it is.
    6xan-the-crawford-fan

    Doesn't know what it wants to be

    After Charles Boyer and Irene Dunne had been paired together in the fabulous Love Affair (1939), someone decided to pair them together again (that's the other film of theirs- Together Again (1944)), and this was the result.

    It starts as a drama about women going on strike for unfair wages and there's a lot of time devoted to a working people's union, then Dunne meets Boyer and the next part of the film is devoted to their acquaintance, then there is a hurricane and they're forced to take refuge in a church, then there's drama involving Boyer, his unstable wife (gee, it's Barbara O'Neill! What a shocker! 😏) and his love with Dunne, but this being a Hollywood movie, the good couple wins- moralistically, of course. This was made under the production code, after all.

    It's not that the film needed a couple of cuts- in fact, with all the plot changes, it should have been half an hour longer, or even two Dunne-Boyer films. It's that it jumps around too much and it's boring.

    Dunne's working woman fair wages campaign is pretty much forgotten about after she falls in love with Boyer. Not enough time is given to Barbara O'Neill's character, other than to develop her as a crazy psycho b*tch, and remind us that O'Neill was so much more effective as Boyer's crazy psycho b*tch wife in All This, And Heaven Too (1940).

    Dunne is no more or less annoying than usual- she sings a song while Boyer plays the piano, so her fans will like that. Me, I'm not overly fond of her singing, and so I just tuned out until she was done.

    She and Boyer have chemistry that was just as good as what they had in Love Affair, and this film has a moralistic ending too, but what the ending of Love Affair is sweet and will bring a tear to your eye, the ending of this one is like "Well, now it's over and you can do something else now." The acting is pretty good, O'Neill is very over-the-top, but if you've seen AT,AHT, you know what to expect from her in a role like this.

    Overall, not as good as Love Affair, but not quite as bad as Together Again. It won't kill you if yoy watch it, but it's disappointing.
    9clanciai

    A very happily romantic adventure ending up in a hopelessly tragic knot...

    This is a heart-rending story covered up in a romantic comedy of many wonderful and surprising turnings, and it is impossible to guess at the sad conclusion of this very entertaining and stimulating journey. It's a typical Irene Dunne film, it's like a twin shadow of "Love Affair" of the same year, but although this film is more hearty and gleeful in its romantic ways, it is more tragic than "Love Affair", which puts on a more sinister fateful aspect but nevertheless ends better. Here you are faced with a truly hopeless situation with no end to its abysmal tragedy, which no one can do anything about, and still Charles Boyer and Irene Dunne settle to make the best of it and hope for tomorrow anyway, and maybe, after all, it will come...
    4rodinnyc

    A bore

    I stayed with this hoping for something and it delivered squat. I actually got hooked in the beginning which would have made a very good movie...when Dunne is essential in getting coworkers "the girls" to support a strike against her boss, never seen, of a chain of restaurants. The first part of the film sets up a smart, working women facing the exploitation of the bosses....and she is pursued by the union rep, a handsome man. Instead she becomes tied up in a subsequent dreary plot with Boyer. The first part of the film is charming and interesting and she's an arresting character. Even he is mildly interesting. The slice of 1939 life they partake of is very well played: going to the piers where people are cooling off pre AC, helping a kid who's skinned his knee, lost his pants held up by rope. He's pushing his friend in a go cart. After setting up an interesting film they are caught in a storm. Held up in a church. Which holds up the film. Even that is passably interesting. Finally, we meet Boyer's mad wife who isn't so addled when away from her mother and her minder. She wants her husband. And Dunne as a good woman in a 1939 movie, isn't going to fight her for him. This is all trite. Had it been a light, romantic comedy built around striking women it would have been a good film. A film about a strong, smart woman leading a strike. As it is...I guess this is what is called condescendingly "a woman's film" like today's "chick flicks" and it's a bore.
    8lbbrooks

    Dunne and Boyer Star in "Small" Film

    While not as big and splashy as their pairing in "Love Affair" released the same year, Irene Dunne and Charles Boyer star in what is rather a "small" film. "When Tomorrow Comes" is a tale of unrequited love between two people who because of the man being bound to a mentally ill wife can never be together. Irene Dunne convincingly plays an underemployed ordinary working gal, one who aspires to be a singer but who is stuck toiling the days away as a waitress. Her character bonds with Boyer's character by disobeying her restaurant's "no substitutions" rule and fulfilling his request for French apple pie. This scene is endearing as she dares to simply place a piece of cheese on top of a slice of hot apple pie and cover the pie until the cheese melts--LOL, "it ain't nothing' but a thing" as Dunne goes the extra step to please the customer. From then on the two are friends and go off together to explore Manhattan and go sailing together. Their would be love affair is derailed by nothing less than a hurricane and the reappearance of Boyer's wife, played here by Barbara O'Neill. O'Neill steals the show as she portrays a woman who is mentally unbalanced, but not for the reason everyone suspects. While her illness is attributed to the death of her infant son, we soon discover that she is using this as an excuse to keep Boyer bound to her. In the scene where Dunne confronts her and pleads for her to release Boyer, we are chilled by O'Neill's psychopathic threat to do harm to Boyer should he leave her for Dunne. O'Neill is scary as hell and Dunne understands as the audience does that she is promising to do Boyer harm not merely threatening to. Because of this, Dunne knows that Boyer can never be hers and for this reason she must bid him farewell forever. The final scene where they part ways as she exits from the restaurant where they are having their last supper together is a tearjerker. No matter how many times she plays the poignant heroine who is called on to do the right thing, Dunne nails it. Her pain is our pain. Boyer's pain in losing her is also our own. Their love is lost and the pain is unbearable.

    Mehr wie diese

    Qualen der Liebe
    6,8
    Qualen der Liebe
    Modell wider Willen
    6,7
    Modell wider Willen
    Seitenwege des Lebens
    7,0
    Seitenwege des Lebens
    Cluny Brown auf Freiersfüßen
    7,4
    Cluny Brown auf Freiersfüßen
    Reich wirst du nie
    6,7
    Reich wirst du nie
    Nacht über Indien
    6,8
    Nacht über Indien
    Ruhelose Liebe
    7,3
    Ruhelose Liebe
    Magnificent Obsession
    6,8
    Magnificent Obsession
    Du und ich
    6,8
    Du und ich
    Mr. Lucky
    7,1
    Mr. Lucky
    Eine Welt zu Füßen
    6,5
    Eine Welt zu Füßen
    Der letzte Akkord
    6,2
    Der letzte Akkord

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      After the movie came out, author James M. Cain sued Universal Pictures and director John M. Stahl for copyright violation. Although the movie was based on Cain's novel, "A Modern Cinderella," Cain claimed the filmmakers had stolen the scene where the two lovers take refuge in a church during a storm from his 1937 novel, "Serenade." Screenwriter Dwight Taylor admitted he'd taken the concept of the church scene from "Serenade," but had written an entirely new scene for the movie. The judge in the case ruled against Cain, saying there were significant differences between the book and movie scenes. The case established the legal principle of "scènes à faire" ("scenes to be written"), which states that certain concepts, settings, and devices (i.e. spy gadgets in spy novels) appear in multiple works of fiction and are therefore not subject to copyright laws. Today, the concept of "scènes à faire" is often used in software copyright cases, where certain types of programs, files, and variables appear in all software packages and cannot be copyrighted.
    • Verbindungen
      Remade as Der letzte Akkord (1957)
    • Soundtracks
      Yankee Doodle
      Traditional

      Played by the busboys at the labor meeting

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ

    • How long is When Tomorrow Comes?
      Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 11. August 1939 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Give Us the Night
    • Drehorte
      • Universal Studios - 100 Universal City Plaza, Universal City, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Universal Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 1.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 32 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Charles Boyer and Irene Dunne in When Tomorrow Comes (1939)
    Oberste Lücke
    By what name was When Tomorrow Comes (1939) officially released in Canada in English?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.