Second Fiddle

Surprisingly good teaming of the two fox stars in tale of Hollywood publicity man bringing Minnesota school teacher to test for role in epic "Girl of the North Country." the film is a satire of the "gone With the wind" search that had plagued the country a year before.Sonja is very appealing as a real type person instead of a potential Olympic star waiting to be discovered.Tyrone Power surprises as a lovesick publicist after Sonja.it was nice change of pace from the he=man hero roles he had been doing.Rudy Vallee,Mary Healy are fun as other couple. Edna Mae Oliver steals scenes as Sonja's aunt Phoebe.Mary Healy socks across a couple of Irving Berlin songs with gusto,proving she should have had bigger career.Rudy Valle has a couple of nice songs,too.It's niether prime Power or Sonja but it's fun and lively with its inside look at Hollywood publicity schemes and the like.

She couldn't sing, she didn't dance much, and her acting was, well, evident. Nevertheless, Sonja Henie, "Queen of the Ice," became one of the biggest box office attractions of her time as a result of the 12 movies she made between 1936 and 1948. You owe it to yourself to see at least one of these films, none of which are really musicals but which often include a lot of great music. Arguably the best of her figure skating extravaganzas is "Second Fiddle," the story of a Minnesota school teacher whose talent takes her to Hollywood. Sound familiar? Henie was from Norway and was discovered after winning three Olympic gold medals. The Irving Berlin score and the performances of Tyrone Power, Rudy Vallee, Mary Healy, and Edna Mae Oliver are more good reasons to watch this film. And they were right about Henie; you can't keep your eyes off her. If you like what you see, give a try to One in a Million (1936) in which Borrah Minevitch and His Harmonica Rascals provide the laughs. --Musicals on the Silver Screen, American Library Association, 2013

Fox certainly knew what kind of material to give their skating star, SONJA HENIE--a light but diverting plot, lots of musical interludes, a few skating sequences, a handsome co-star, some comedy relief and as many Sonja close-ups as possible.

They scored on every point with SECOND FIDDLE. It's light entertainment for the masses who came to see Sonja skate with everyone else playing second fiddle to her in importance. But TYRONE POWER manages to be impressive as her leading man, more charismatic than usual and spirited, suggesting that there was a lot more to him than the kind of roles he was getting at the time. It doesn't hurt that he's at his handsomest in this early film. And EDNA MAY OLIVER had no peer when it came to stealing the spotlight on an almost regular basis whenever she could.

Furthermore, RUDY VALLEE gets a chance to warble a couple of Irving Berlin tunes. He's part of a scheme by Power, a publicity agent for a Hollywood studio, to revive Vallee's fading career by getting a phony romantic buildup pairing him with Henie. Henie, of course, knows nothing of the scheme and therefore she and Power have romantic misunderstanding until the final reel.

It's a diverting piece of entertainment, one of the better Sonja Henie films produced by Fox and well worth seeing for the skating sequences alone, if you're a Henie fan. Her graceful routines are well choreographed for the camera.

When seen today, Sonja Henie films are incredibly strange and the notion that this Norwegian skating champion could be one of the biggest stars at Twentieth Century-Fox is just baffling. After all, Henie was cute--but not exactly a big star due to her looks. And, in each of her films, they SOMEHOW contrived to get her onto the ice SOMEWHERE!! The films really make no sense...though I must admit that most are still entertaining if you see them today. You just need to be sure to suspend all disbelief, otherwise your brain will nag you with 1001 questions!

The film revolves around a slick publicity agent, Jimmy (Tyrone Power). He's an amazingly good liar--even for a P.R. man and his routine is pretty funny. However, when he gets the smart idea of creating a fake romance between two new studio stars, Roger (Rudy Vallee) and Trudi (Henie), things get complicated. Roger is already in love with another woman and he's apprehensive to play like he's in love with Trudi. Worse, however, is that slowly Jimmy is falling for Trudi himself...but when the plan backfires and Trudi learns that Roger is only PRETENDING to love her, she is furious as well as hurt and leaves Hollywood. What is that weasel, Jimmy, to do?!

In addition to the strange plot, the studio cast Edna May Oliver as Trudi's aunt. This is ridiculous, as Oliver seems about as Norwegian as pizza! And, there are LOTS of ridiculous songs and skating numbers that make the whole thing a bit on the silly side. BUT, the leads try there best and despite all the silliness, it IS enjoyable.

By the way, the studio head who you hear but never see is played by Charles Lane--the old familiar character actor.

Tyrone Power is a publicist who does his job too well in "Second Fiddle," also starring Sonja Henie.

Power plays Jimmy Sutton, who is helping in the search for a star of a movie being made from a best-selling book. This was perhaps inspired by the search for Scarlett.

When they find their girl, she's a Norwegian schoolteacher living in Minnesota. Power sets up a publicity stunt, which is a fake romance between her and another star (Rudy Vallee). He then is responsible for the flowers, the love poems, and finally writes her a song.

By now, of course, he's madly in love with her, and she's in love with Rudy. This is much to the consternation of Rudy's girlfriend, played by Mary Healy.

The two stars are delightful, but of course, some of the best lines are from Edna May Oliver, who is hilarious as Henie's aunt. One line not Oliver's that certainly got a laugh in theaters is from Henie to Power: "You'd be handsome if you took care of yourself." He's pretty dazzling as is.

The Irving Berlin music is okay, but I have to admit my favorite is "Back to Back" which I found lively and fun.

Though skating styles have changed a great deal over the last 66 years, Sonja Henie's skating holds up. She was a graceful, fast skater who could dance and spin magnificently. Back then, the jumps were all singles and landed low, but it's obvious that if she were a young skater today, she would still have what it takes.

Very entertaining.