Das zweite Leben des Doktor X

Had this film not cast Humphrey Bogart as the title mad scientist, this film would probably regarded as just another 1930's big studio "B" thriller. Bogart tries hard , but he is Bogart, and its just to hard to take seeing him playing an executed mad scientist brought back from the dead who is now a scientific vampire. Supposedly, Boris Karloff was slated to play the title role, but was not available.

I have to admit I was very impressed with the films art direction (credited to Esdras Hartley.) The laboratory of Dr. Flegg consists of a maze of glass tubes dripping a dark fluid in beakers, and has the look of a giant circulatory system, reflecting the films emphasis on blood.

Hollywood legend has it that Bogart was having trouble with WB brass at the time with the type roles they were giving him. The WB brass wanted to punish him by casting him in this and KING OF THE UNDERWORLD in order show Bogie who was boss.

Legendary actor Humphrey Bogart is probably one of the most important figures in the history of American cinema, thanks to his unforgettable performances during the 1940s and 1950s in classics like "Casablanca" (1942), "The Maltese Falcon" (1941) and "The African Queen" (1951), movies that took him to the level of superstar as well as transforming him into an icon of the Film Noir genre of those years. However, success wasn't easy for Bogie, as he spent almost the first decade of his film career playing gangsters and cowboys in low-budget movies. As another of Warner Brothers' stock actors, Bogart had to play whatever the studio wanted him to play, and it was in this way when one of the most interesting oddities in Bogart career happened: he was hired to play a villain in a horror movie, "The Return of Doctor X", a b-movie slated as a sequel to 1932 hit "Doctor X".

In this movie, Wayne Morris plays Walter "Wichita" Garrett, a young reporter recently arrived to New York, who is of course looking for the big note that will make him a regular in the newspaper where he works. Finally he gets an interview with the famous theater actress Angela Merrova (Lya Lys), but when he goes to he apartment in order to interview her, he finds her dead. Strange things begin to happen as the corpse disappears before the cops arrive, and even weirder: Angela Merrova appears alive, making Garrett look like a madman. Without a job, Garrett decides to investigate how is possible that Merrova is still alive, and makes a visit to his friend Dr. Rhodes (Dennis Morgan) looking for answers. Together, Rhodes and Garrett will discover the terrible secret behind Merrova's apparent resurrection and the identity of the man behind it.

While it was presented as a sequel, "The Return of Doctor X" is a completely different story that has absolutely nothing to do with the firs movie, as it is in fact, based on William J. Makin's novel "The Doctor's Secret". Written by Lee Katz, the story has the same pattern typical of mystery and horror films of the 30s (which incidentally, "Doctor X" follows too to a certain extent), with a wisecracking reporter trying to solve a case of serial murders; however, in this film the horror elements are toned down in favor of the mystery. The film flows in a very straight forward way, and while there are some interesting additions (the ending has a slight Noir touch), it doesn't move too far away from the typical formula. However, this is the lesser of the script's problems, but more on that later.

Another oddity of this film is that it was the modest debut as a director of Vincent Sherman, who would become a respected director of melodramas in the 40s, and TV series during the 70s. In this his first film, Sherman's skill to direct actors is already evident, although still in a raw form. An actor himself, Sherman is naturally able to bring the best from his cast, and seems specially keen to allow actors Humphrey Bogart and John Litel to show off their talents in the movie. Of course, this is not a masterpiece and Sherman basically makes his movie a tale of murder and mystery by the book; however, it is notable how entertaining the final result is, specially considering the really flawed script he had to work with.

As written above, the acting is very good for a b-movie of its time, with Wayne Morris delivering a very effective performance as "Wichita" Garrett. His very natural presence allows him to make the character work, even at the sillier parts of the script. Dennis Morgan is also quite good, although a bit too melodramatic for his own good. Rosemary Lane plays Dr. Rhodes' love interest, although her character doesn't really have a lot to do in the story. John Litel delivers a wonderful performance as Dr. Flegg, and along Bogart, is one of the highlights of the movie. Finally, it is legendary how Bogie hated to play Dr. Marshall Quesne in this film, but despite he badmouthing this movie, his performance is truly remarkable. This quirky, wicked and bizarre character manage to become very real thanks to Bogart's professional acting.

Sadly, this is not one of the best examples of this style of horror movies, and not because the mystery is easy to figure out (a common trait in films like this), but because the plot's beginning is so poorly constructed that it requires a bit more than the usual amount of suspension of disbelief to accept the event that starts the film (the disappearance of the corpse being unnoticed is a major plot hole). I don't know if this problem was present in the original novel, but it really damages the development of the script. Still, to Kantz' credit, I must say that he manages to make the story work after this awful start and by the ending it really has turned into something better.

Of course, the main attraction of "The Return of Doctor X" is still to see Humphrey Bogart in a rare role as a horror movie villain, however, and despite the many problems with the script, I think that the film has more to its favor than just an against type performance by Bogie. I feel it truly captures the essence of pulp novels of its time, and works almost as a bridge between the 30s Gothic horror and the 40s era of Film Noir. It is not a very good movie, but fans of Bogie won't like to miss it. 6/10

...and I almost can never say that about post-code sequels to precode movies. This really isn't a horror film - it's more of a mystery. A doctor has a mysterious ashen-faced assistant with a Bride-of-Frankenstein like streak of gray in his hair. The assistant seems to always be lurking about, and even though the doctor would obviously like to get rid of this guy for some reason he does not. On top of that, a young woman turns up on the doctor's doorstep one night with this same ashen appearance. She passes out and the doctor instantly knows what to do to restore her to health. Whatever is going on here? Wise-cracking Wayne Morris as reporter Walter Garrett is on the trail of the mystery, and although Morris is no Lee Tracy (Lee Tracy was the reporter in the original) he does a good job. Do note that this is not at all a sequel to the original Dr. X from 1933. In fact I think it's better. I thought the original was slow and somewhat creaky and I've seen far better showcases for the wonderful Lee Tracy than Dr. X.

Of course, the real reason to watch this film is that the ashen-faced assistant is played by Humphrey Bogart in one of the many roles he was ordered into by Jack Warner while he watched James Cagney get meatier showcases. I've always liked this one and it's not just because of Bogey.

Reporter Wayne Morris and doctor Dennis Morgan team up to investigate some murders and a possible connection to people with a rare blood type. This leads them to suspect doctor John Litel and his creepy assistant Humphrey Bogart. In-name-only sequel to Doctor X that is best known today as Humphrey Bogart's only horror or science fiction film. As such, it's usually mocked or joked about. It really doesn't deserve to be. It's not a great film but a perfectly entertaining hour-long horror flick. Bogart's performance is fine. His nervous twitches and weird makeup give him a creepy presence that is the film's most memorable asset. For those looking to see him act much worse, I suggest seeking out more mainstream-acceptable fare as Dark Victory.

Interestingly, Bogie doesn't even get top billing. Neither does Dennis Morgan. Both are billed below Wayne Morris and Rosemary Lane. This seems odd today when Bogart and Morgan are more well known to classic film fans than either Morris or Lane. But in 1939 neither was a big star yet. Morgan was an up-and-comer and Bogie had been toiling away at WB for years as the villain in gangster pictures. Still, it seems strange WB at that time thought Wayne Morris had more potential than Bogie or Morgan. Morris is actually the weakest link in the film. He was an actor with a big frame and a boy-next-door likability but was ill-suited for a streetwise investigative reporter. The fact that he wore a silly hat with the brim turned up in front and was pretty much comic relief for the first half hour of the movie doesn't help the audience take him seriously. The supporting cast is nice. Rosemary Lane receives second billing and is the female lead but really has nothing to do but be the victim. I haven't added up everybody's screen time but it seems to me she was in the picture very little. Huntz Hall of Bowery Boys fame appears as a copy boy who needles Morris. Lya Lys has a meatier part than Lane as a woman brought back to life in the same manner Bogart was. She even allows herself to be made up to look waxy and dead, which was a big deal back in the day for any actress who wanted to be thought of as a romantic leading lady. John Litel turns in a typically stable performance as the doctor behind bringing Bogie back. He actually seems to be the movie's villain for most of the running time before Bogie's Dr. X takes over.

Overall, an enjoyable B horror film that should please fans of the genre. It's unfairly slammed a lot, even more than the usual B movie from the period. My guess is that's because a lot of Bogart fans who don't normally like this type of movie checked it out for him and didn't like it. The movie definitely garners more attention because of his part than it would otherwise. At its heart it's just another in a string of mad scientist movies made from the '30s through the '50s, albeit an enjoyable one. If you're a Bogart completist, I'm sure you'll want to check it out for curiosity's sake. Hopefully you'll like it. Fans of old sci-fi and horror films will definitely enjoy it.

I love this film and that's the reason I'm adding a review to a film that already has 30 reviews. First of all, many previous reviewers complain that this is not a typical horror movie from the period. For example there is no Karloff or Lugosi in a starring role. That is true, but the film plays more like a breezy, fast paced Warner Bros. B' crime film. I have no problem with that. Although the horror isn't stressed, the finale with Bogart taking the girl to the abandoned farm house is pretty spooky.

I argue with those saying the cast isn't very good. While Bogart isn't at home playing a corpse who has returned to life, he doesn't disappoint. John Litel, is over the top (and great) as the doctor who returns Bogart from the dead. Finally Wayne Morris, who is the real star of the film, plays the wise guy reporter investigating the strange happenings. The rest of the cast is well above average for a "chunk it out as fast as possible" B' picture. This includes, Dennis Morgan, Rosemary Lane, Huntz Hall, and the spooky Lya Lys.

This is no masterpiece, but this is fast and fun and never boring for a second. Ah, if only there were only more films like this. Who doesn't love a Bogart zombie film? Must viewing for any film buff.