The Marshal of Mesa City

A low budget movie about a corrupt sheriff, a pretty school marm, and a drafted marshal is a likely recipe for the routine. MOMC not only avoids the routine but also raises itself above many "A" westerns of the 40's and 50's. The four principals are all excellent and bring life to their characters. Ames is convincingly detestable as the scheming suitor who can't understand "no", all the while maintaining his private gang of hoods. Vale, the co-star of a number of O'Brien westerns, has an appealing vivacity and makes one understand why Ames is infatuated. Henry Brandon has an interesting role as Duke Allison, a gunfighter brought in to handle O'Brien. His entrance in a saloon is a standout. Another nice moment is when he "turns in" his gun to O'Brien. If you look closely, you'll see he isn't completely comfortable handling his six-shooters but this is a minor quibble and doesn't detract from his performance. George O'Brien brings an easy going confidence to his role as an ex-marshal just trying to get on with his life. He's not non-violent in the Destry mold but he doesn't seek confrontation as many "B" western marshals would. I don't know how real western marshals acted but I would expect some would act with the quiet, low key manner of O'Brien's. Much of the credit for the standout moments in this movie go to the writers including the uncredited Academy Award winning writer Dudley Nichols. The script clearly is a cut or two above most movies of this ilk. A good cast and script can only go so far, however, without a director equal to them. As Howard proves, one doesn't need a big budget when provided good ingredients and recipe. He gets the most out of the characters and makes them real people, people with personalities you believe. The climactic showdown in the smoke is an inspired scene that brings a close to this worthy movie.

This isn't the greatest western ever or even a great western. It won't replace Josey Wales in my video library and people won't be comparing it to High Noon. What it is is an excellent example of how much can be accomplished on a low budget with second tier, but not second rate, actors. It is a fine little western, better than many Randolph Scott oaters, and well worth a look.

When hooligans start shooting up mesa city, school marm virginia king (dale) has had enough and takes the wagon to yuma. But when the stage gets held up, retired marshal cliff mason (o'brien) comes to her rescue. But the sheriff and the judge are just as crooked, and no-one can stop the thugs. So back in town, it's going to be a showdown between mason and the sheriff. Leon ames always played the underhanded, smarmy cowboy or businessman. It's well done, and a typical western. But there's something about it that makes it a little more fun.. maybe it's the dedication mason has to his job. He keeps going, against a mostly crooked town. Only 163 votes so far, so turner classics doesn't seem to show this one. Directed by david howard, who died young at 45, just a couple years after making this film.

County Sheriff Leon Ames is stuck on schoolmarm Virginia Vale, and his henchmen slug anyone who speaks to her. She decides to leave town, but the henchmen hold up the stagecoach, only to be thwarted by well-mannered George O'Brien. He's a retired lawman on his way to his new ranch, but escorts the lady back to town, then stays over to the dance, and then gets cajoled by mayor Lloyd Ingraham into becoming town Marshal.

George O'Brien's western series for RKO in the late 1930s were arguably the best of the lot, even if he hated the way his career was going. This movie with a "Gunfight at the OK Corral" feel -- there's Henry Brandon slightly miscast as the gunslinger hired to kill him, but charmed into becoming his deputy -- is a remake of 1935's THE ARIZONIAN. Leon Ames makes a fine villain, and Miss Vale reminds me a bit of Loretta Young. Harry Wild's camerawork is well up to his usual standard. Mostly, though, it's O'Brien giving a fine performance as a man who knows his job and does it intelligently that appeals to me.

It's a better 60-minutes than average horse opera. I like the way the plot involves dueling lawmen, one a county sheriff (Ames), the other a town marshal (O'Brien). Also, the judge and town mayor are on different sides. So it's not just good guys versus bad; it's one town faction versus another. Of course, O'Brien's faction are the good guys while Ames' are crooked as the proverbial dog's hind leg.

At first, I thought RKO might be trying to pair up Brandon (Duke) with O'Brien for a series like the Three Mesquiteers, but that's not the way things turn out. The oater's also notable for including Leon Ames who later went on to an A-movie stint with MGM and a lengthy TV career, usually as an amiable father. Though getting close to middle-age (40), O'Brien looks like one of the physically strongest of the cowboy heroes, with biceps like proverbial ham-hocks. Anyway, it's a generally well done little matinée special that manages to avoid many clichés of its type.

It's Mesa City, Arizona 1880. The town is a violent place run by corrupt Sheriff Jud Cronin (Leon Ames). School teacher Virginia King (Virginia Vale) has had enough of the violence and Jud's advances. She is set to leave town. Her stagecoach is stopped by Jud's men. Retired lawman Cliff Mason (George O'Brien) comes to her rescue. He gets selected as the new Marshal. Cronin sends in infamous gunman Duke Allison (Henry Brandon).

It's an old fashion western. The good guy is in white. There is a damsel in distress. It's simplistic. It's old school. On the superficial side, George O'Brien is a bit wide. I'd like a fitter actor as the leading man. Duke is the more compelling character. If Cliff is Wyatt Earp, Duke is his Doc Holliday. Apparently, this is a remake of The Arizonian (1935). I've never seen that movie. It could be this has all the standard premise that is in every other western.