Maisie

A meddlesome, but well-meaning Brooklyn showgirl(the wonderful Ann Sothern) becomes stranded and ends up on a Wyoming ranch where she falls in love with a handsome foreman(Robert Young) and attempts to clear him of a trumped-up murder charge. Based on the Wilson Collinson novel, "Dark Dame", the film was intended as a vehicle for blonde bombshell Jean Harlow, who died before the project could be lifted off the ground. The script was then given to another spicy and likable MGM contract player, Ann Sothern, who had charmed her way into the hearts of movie audiences a year earlier with her delightful turn as the wisecracking blonde in the United Artists release, TRADE WINDS. Miss Sothern's winning personality and comedic talents enabled the film to betray its low-budget status, and the picture became such a hit that it spawned no less than nine sequels, all starring the gifted Miss Sothern. "MAISIE" may not be one of MGM's confirmed classics, but it is noteworthy, however, as one of the few film series to feature a lady as the central character.

Plot-- A jobless brassy blonde worms her way into a spot on a Wyoming cattle ranch thanks to an infatuation with the foreman. There she gets mixed up with the cultured ranch owner and his philandering wife.

Ann Sothern brings off the wise-cracking Maisie in winning fashion. At times she's a little much, but the role's harder than it may look. She's got to be feisty, on one hand, without becoming dislikable, on the other. And that's a challenge since most every line is caustic even if humorous. I really liked the first part where Maisie sort of knocks around eking out a living. But once she settles in on Slim's (Young) ranch and gets involved with the Ames's (Hunter and Hussey), plot takes over and personality recedes. Looks to me like the screenwriter didn't know where to take the storyline, and reached for something melodramatic. Whatever the reason, the two parts don't blend that well despite Sothern's lively bridging performance.

On a different note, catch how Maisie's rather dubious background is finessed. It may not be exactly respectable, but no hint of anything immoral. There were quite a few movie series at the time (1939), mostly amateur sleuths, Charlie Chan, The Falcon, et al. The Maisie series, I believe, was one of the few to feature a female lead. Still, Sothern's so good in the tradition of sassy 30's dames, I'm not surprised a number of sequels followed.

On the whole, the movie's a Sothern showcase with a solid line-up of supporting players-- nice guy Young, a classy Hunter, and a vixenish Hussey. So catch the first part, especially.

MAISIE was the first in a series of ten MGM features starring the delightful Ann Sothern as a sharp-tongued Brooklyn chorus girl with a heart of gold. One way or the other, Maisie found herself in the middle of other people's problems, and, more often than not, found a reasonable solution.

The MAISIE series was made on a noticeably low-budget, but Ms. Sothern's bright and vivacious personality elevated these "B" movies to A picture status, making every entry in the series always worth watching. MAISIE is also of great historical importance because it's the first time a female was the central character of a film series.(BLONDIE doesn't count because most of the 28 films in that series revolved around Dagwood).

Though I have seen all of the films in the MAISIE series and love them all dearly, my top favorites are: MAISIE(1939), CONGO MAISIE(1940), GOLD RUSH MAISIE(1940), MAISIE WAS A LADY(1941), MAISIE GETS HER MAN(1942), and MAISIE GOES TO RENO(1944).

Our heroine, Ann Sothern as Maisie Ravier, is left stranded in a small Wyoming town with the rather unfortunate name of Big Horn. With only 15 cents to her name, she takes a carnival job and through a chance comment, meets Robert Young ('Slim' Martin). For some unexplained reason Maisie stows away on Martins truck and ensconces herself at the farm run by Martin for rich Ian Hunter (Cliff Ames), who turns up with his cheap wife played by Ruth Hussey. A series of misadventures follows with romance for Maisie and tragedy for the Ames. In the end Maisie comes shining through.

The first in a series, Sothern plays Maisie as a brassy, worldwise, blonde with a heart of gold. Her role is reminiscent of Jean Harlow in 'Red Dust': I have heard that Harlow was in line for the role but have no confirmation of that.

The movie itself is quite amusing, if dated, but not helped by poor production values and obvious in studio scenes. There is one shot where Robert Young is driving a truck and a calf pokes it's head into the front part of the truck. Although meant to be real, it is so obviously fake it is laughable. Young walks around in ramrod fashion and Hunter is strangely wooden. Overall, enjoyable nonsense. Not to be taken too seriously.

First in MGM's Maisie series starring the adorable Ann Sothern as everyone's favorite Brooklyn showgirl. Most of the movies in this series follow the same formula: Maisie loses one job but finds another, usually thanks to her love interest in that particular film. This first one has Maisie falling for a ranch foreman (Robert Young, rather unbelievable in cowboy get-up) while befriending the sad ranch owner whose wife is cheating on him.

Ann Sothern was born to play this role. It was apparently originally intended for Jean Harlow before her untimely death, but I can't imagine anyone else doing quite as good with it as Ann. She's delightful to watch. Then there's Robert Young, who tries to make the most of a real A-hole of a character. It's kind of hard to swallow that Maisie would fall for him so fast despite him treating her like crap. But "them's was the times." Ian Hunter offers solid support as the sympathetic cuckold and Ruth Hussey does a good job as the villainous wife.

The Maisie movies tend to be classified as comedies, but that's not really true. As with other MGM series like the Hardy films, these movies are mostly dramas with a little bit of comedy thrown in. Some entries have more comedy and some have less. This first one leans more on the drama. I mean, a character in this commits suicide for crying out loud. Not much humor in that. Anyway, it's an enjoyable start to an entertaining series. The darker moments add a little something to it that helps it rise above your average B movie.