Ruhelose Liebe

I didn't really intend to watch this whole movie--it was on the channel my satellite dish was tuned to, when i turned off my DVD player after watching another movie, late at night. But after only a couple scenes, i was glued to it! I was so impressed with the characterization and the witty humor (unlike other films of its era, the humor was not corny at all, and was genuinely funny), and I just HAD to keep watching, even though I wasn't looking forward to the tears that this film (and its later version, An Affair to Remember), is reputed to bring to all who watch it.

The humor centering around the nosiness and gossip among the other cruise patrons, was especially funny and timeless.

I found Irene Dunn's character (Terry) to be extremely appealing and likable, with a very expressive and beautiful face (and, as someone else mentioned, those pearly whites are stunning!). Boyer (Michael), was quite believable as a playboy experiencing true love for the first time. You could see the love in his eyes when he looked at Terry, and when he listened to her sing. And all of his other emotions throughout the movie, whether happy or sad, were readable via his expressive eyes alone--no need for any other expression!

Of course, the children at the orphanage were too good to be true (typical for old movies), but they were so adorable and likable, and I could just feel the love and pride that Terry felt while working with them. It really seemed genuine.

I had always thought of these old movies as corny, but this one changed my perspective! Highly recommended for all ages!

I'd always been curious about this original version of the romantic 1957 hit, "An Affair to Remember" which was a bona fide box-office success, made so memorable by the classy pairing of Cary Grant and Deborah Kerr. That CinemaScope remake in Color by DeLuxe, of this black-and-white original, was also co-written and directed by Leo McCarey, a man who wasn't afraid to regularly mix genuine sentiment with some fairly gloppy sentimentality in the same (admittedly tasty) cinematic dish.

I join those who prefer the original, thanks mostly to the restrained and very professional performances of a quite young-looking Charles Boyer and Miss Irene Dunne, who looks quite ravishing throughout (modelling some gowns that are as chic today as the first time this film was shown). And what a set of pearly whites she had... the better to charm the stuffing out of us with that glowing smile!

Anyway, Turner Classic Movies showed it the other evening and I couldn't believe the terrible condition of the print. Scratches, skips, muddiness, sound problems, every possible defect seemed to be in appalling evidence! Apparently the DVD now in circulation is every bit as bad. Hey! Come on guys! This film is considered one of the better ones during a year (1939) when Hollywood studios unleashed a cornucopia of goodies. How about giving us a version worth watching, for heaven's sake!

When a film gets done three times for three generations, I guess you have to concede it's definitely got something going for it.

Lovers Charles Boyer/Irene Dunne, Cary Grant/Deborah Kerr, and Warren Beatty/Annette Bening all have their different appeal, but I think the story is universal. What woman who's seen this film hasn't dreamed of an ocean voyage where she will meet the love of her life?

Earnest and hopeful Irene Dunne goes on an ocean voyage where she meets continental playboy Charles Boyer. He's definitely a love 'em and leave 'em type, but there's something about Irene that keeps drawing him back.

It doesn't help that both are involved with different people. But this is the movies and we all know how things work out on film.

Mention should also be made of Maria Ouspenskaya as Boyer's beloved grandmother. She's a grand old lady and you know when I guy takes a girl home to meet granny, it's a sign he's hooked.

Lee Bowman is Irene's involvement and he's such a good guy, I kind of feel sorry for him he's getting dumped.

Leo McCarey directs these romantic films with a sure hand. For lovers of romance of all ages.

"Love Affair", the fabulously romantic film of 1939, is the model in which two other remakes were fashioned, yet, this classic film stands out in our memory because the great chemistry between Irene Dunne and Charles Boyer.

The stars of "Love affair" exuded charm and sophistication, as well as good looks. It's easy to see why Michel falls for the beautiful Terry on board the luxury liner that is bringing them back to New York. The passengers' curiosity play well in the ship sequences. It's a great fun to watch Michel and Terry fall madly in love with one another, yet they must resolve their own entanglements with other people in order to be able to be together. Fate gets in their way.

Irene Dunne was an exquisite woman that played everything with enormous panache. Charles Boyer matches his co-star as the suave playboy who suddenly finds the love of his life. It's a joy to watch these two actors filling the screen. They made it so easy that their acting seems effortless.

In minor roles Maria Ouspenskaya, is seen as Michel's grandmother Janou, a lady who saw in Terry the perfect woman for her grandson. Lee Bowman is Kenneth, and Astrid Allwyn is the elegant Lois.

Thanks to Leo McCarey, this is a timeless film that will bring joy to audiences forever.

I can't believe that this film is so forgotten by the film viewing public. This film is one of the better romances of the 1930s but, thanks to a mention of AN AFFAIR TO REMEMBER in the movie SLEEPLESS IN SEATTLE, AN AFFAIR TO REMEMBER is now considered a "classic"--But how can this be...?! After all, LOVE AFFAIR is the original and AN AFFAIR TO REMEMBER is a by-the-numbers and relatively boring remake. Charles Boyer and Irene Dunne are wonderful in this film. And, the direction and writing were excellent. However, doing NEARLY the exact same film two decades later seems pointless. I like Cary Grant and have nothing in particular against Deborah Kerr--but they just aren't as good as the originals.

Do yourself a favor. If you haven't seen either film, watch this one first. And, if you have seen only AN AFFAIR TO REMEMBER, see this film and find out how beautiful and well-made this film is. Also, if you like LOVE AFFAIR, try seeing another great romance, SMILIN' THROUGH (1932). It has a lot in common with LOVE AFFAIR and you can even see that the writers of this later film "borrowed" one of the plot twists from SMILIN' THROUGH.