Füge eine Handlung in deiner Sprache hinzuA wealthy woman meets a bum on a park bench and marries him the same evening.A wealthy woman meets a bum on a park bench and marries him the same evening.A wealthy woman meets a bum on a park bench and marries him the same evening.
- Regie
- Drehbuch
- Hauptbesetzung
Wilson Benge
- Jordan's Butler
- (Nicht genannt)
George Cooper
- $50 Passerby
- (Nicht genannt)
Richard Cramer
- $35 Passerby
- (Nicht genannt)
Jack Daley
- Quarter Passerby
- (Nicht genannt)
Charles Dorety
- Fifty-Cent Passerby
- (Nicht genannt)
Empfohlene Bewertungen
The second half of the movie is all about applying the frolic of the first half to the reality of day to day life...and well worth looking forward to, much less sitting through. Bill's "idea" is to seize every opportunity, much less day, and Cora's "practicality" is the deadening effect being reasonable at all costs can have. Henry O'Neill was a great find, and you'll notice him more often than you'd think once you've identified him: as Bill's worst enemy at the beginning of the movie, it is he, as Cora's dad, who brings not only the couple but the theme together by the end of the movie. Deeper than it appears, it is charming through and through
Lucky Night gets off to a roaring start, with Loy and Taylor tearing up the town and obviously having a ball together. There's great chemistry and the situations they get themselves into are a lot of fun to watch. For awhile I was really thinking this movie was going to turn out to be an underrated and little-known gem.
Unfortunately, when the pair sober up the next morning, the story goes off the rails and becomes a dreary, incoherent mess. Taylor's character keeps rambling about how he has some "idea" about what life should be, but he can't articulate what he means. The dialogue actually becomes so bizarre at times that I wondered if the writer was all there.
This one is worth checking out if you're a fan of Loy -- she's always a pleasure to watch -- but if you start to get antsy halfway through, change the channel. You won't be missing anything.
Unfortunately, when the pair sober up the next morning, the story goes off the rails and becomes a dreary, incoherent mess. Taylor's character keeps rambling about how he has some "idea" about what life should be, but he can't articulate what he means. The dialogue actually becomes so bizarre at times that I wondered if the writer was all there.
This one is worth checking out if you're a fan of Loy -- she's always a pleasure to watch -- but if you start to get antsy halfway through, change the channel. You won't be missing anything.
This may be the golden age of movies, but now and then (e.g. Penny Serenade) MGM could produce a certified turkey. This gets almost as bad as it gets. And it's 1939, the best year ever for films. Whew.
Myrna Loy and Robert Taylor are cute together. This movie is about two people that meet and have one lucky night together and decide to try and make their luck last a life time. I saw this movie on cable one night and enjoyed it a lot. I would like to have it on DVD but can't even find it on VHS. Check out some of Myrna Loy's films you wont be sorry, watch The Thin Man collection, and The Best Years Of Our Lives. They are all great movies. If you have time watch Robert Taylor in Ivanhoe. Why can't Hollywood make them like they did back in the day when there were real "MOVIE STARS" in Hollywood. Where did the Class go in Hollywood. No more greats like Katherine Hepburn or Cary Grant, we are left with these mild at best actors. George Clooney which is one of the best ones we have now days is still not up to Cary Grant league.
I first saw this movie on Turner classic movies, and really enjoyed it. It was a fun, flirty and wild (as wild as you could be in the movies of the 30's) story of two people who hit it off and had a crazy life together. Not a brain teaser of a movie, nor was it made to make you think or entertain your brain. In the course of this movie, the two love birds accidentally marry each other, get drunk, beg for a quarter, get rich, and buy a car - all in one night! For a girls' night, or a veg-out session, Myrna Loy is entertaining and fun in this film. Turner should play this more often as an option to the tired and repetitive movies they sometimes show. If you haven't seen this movie, give it a try!
Wusstest du schon
- WissenswertesOverton is supposed to be flat broke and homeless, but he's wearing an immaculate three-piece suit and tie and is freshly shaved. (Loy is also well-dressed in a fur-trimmed suit, but she's only pretending.) As was so often the case at MGM, Louis B. Mayer loathed the depiction of poverty.
- PatzerThe neon sign over the gaming establishment is Play Palace, but the sign painted on the glass over the front door is Play Place, both identifications appearing in the same shot, at the same time, as the couple drives out with their new car. This identical shot, but shortened to end before the car appears, is used again in Dritter Finger, linke Hand (1940), also starring Myrna Loy who apparently visits the Play Palace again, this time with Melvyn Douglas.
- Zitate
Cora Jordan: Bill!
Bill Overton: [Asleep] Hmmmm?
Cora Jordan: I don't know where we are. Do you?
Bill Overton: Hmmmm.
[Wakes up, startled]
Bill Overton: It looks like a hotel!
Cora Jordan: Look outside and see if we're still in America.
- VerbindungenReferences Das Sklavenschiff (1937)
- SoundtracksYou Are My Lucky Star
(1935) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played by an Organ Grinder
Reprised twice by the orchestra at George's
Incorporated into the score often
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Roligt hela natten
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 589.000 $ (geschätzt)
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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