The Lady and the Mob

A movie like this with its broad humor is mainly a matter of taste. A refined, uptown lady (Bainter) organizes her own mock mob in order to rid the city of a real mob of extortionists. Bainter's gang is made up of 'deeze' and 'doze' Runyonesque characters like Warren Hymer and Joe Sawyer. The laughs are supposed to come from their silly shenanigans, plus the unlikelihood of an uptown old lady leading a bunch of uncouth characters. Throw in Bowman and Lupino (before her drama queen days) as the required love interest and the format is complete. The movie does have its moments, particularly the castor oil treatment, while the aging Bainter does well in a very demanding role. The movie's pretty much a one-note comedic set-up, so you should know within the first 10-minutes whether to stay with it or not.

Technically speaking, "The Lady and the Mob" is a B-movie...though probably not in the way you think. Today, many people think that a B-movie is a bad movie--sort of like the Troma movies like "The Toxic Avenger". Well, originally the term wasn't a pejorative one--it simply meant the lesser film at a double-feature--which were common in the 1930s-50s. The A-picture was the more expensive of the two and usually ran at least 70-90 minutes. The B, on the other hand, ran between 50-70 minutes (never longer) and cost considerably less and had lesser known stars. In this sense, "The Lady and the Mob" is clearly a B--albeit a very good one.

When the film starts, a young couple (Lee Bowman and Ida Lupino) are talking about getting married but the guy says he needs his mother to approve of his choice. Now this isn't at all where the film ends up going...it's a plot line that is soon abandoned. Instead, what happens AFTER the lady meets the mother....that's the real plot.

What happens is this. The mother (Fay Bainter) learns that her dry cleaner is being shaken down by criminals offering 'protection'. So, she decides to fight fire with fire and sends in a goon (Warren Hymer) to beat up the mobster...but he gets beaten up instead. Clearly, she's going to need reinforcements. So, she arranges to have a group of criminals on probation to be sent to her....and she'll help them reform AND they'll help her beat the pulp out of the mobsters. But it's not exactly THAT easy....see the film and see what I mean.

The film has a very unusual plot and is helped by all the nice supporting actors and a well written script. All in all, a delightful little comedy that is far better than you might expect from a lowly B. And, Miss Bainter is terrific in this one!

I watched this film on TCM and mostly wanted to view it because it featured a 21 year-old Ida Lupino, an actress who I adore. The movie tries to be funny, and the old lady who this film is mostly about is as cute as a button, but I think that the film tries too hard to be funny instead of simply being naturally funny. But Ida Lupino is not to blame for any problems with the film -- the writers are! She has always been a powerhouse actress and once she took on being a director, as always, she gave it her all! So watch this film if you are looking for something light-hearted and harmless fun. It's nice watching this elderly woman take on the mob in her own way and bringing them to their knees!

This tidy, short little comedy starts with a romantic comedy premise: beautiful and young Ida Lupino (at the beginning of her career) has to visit her prospective mother-in-law from Hell, strong-willed Fay Bainter (at the height of her career and fame), who had broken all of her son's previous engagements. Bainter immediately begins treating Lupino as a secretary. But when Bainter learns that her dry cleaner, Henry Armetta, is being shaken down by a mob protective association, Bainter becomes determined to break the mob herself, and recruits her own mob to fight them. It's fast and funny, and has a delightful cast of character actors playing their tough-guy roles with their tongues firmly in their cheeks; its tone is captured in the telegraph Young sends to her fiancée, Lee Bowman, "Is there insanity in your family? Return at once."

There's only so much a person can take of watching Ida Lupino. She escaped me as an actress in the 30's and 40's only to reinvent herself as a director in the 50's and 60's. I think that's where she belongs: behind the camera.