Drunter und drüber

"It's a Wonderful World" is an entertaining comedic delight starring the immortal James Stewart and the incredibly talented Claudette Colbert. James Stewart as usual plays a down to earth, no nonsense, practical man who also happens to be a private investigator. In the process of trying to clear a client of his who is accused of murder he is captured by the police, escapes from the police, kidnaps a poetess (Colbert's character), and performs in a play while on the lam. I found the chemistry between Stewart and Colbert to be on a par with Myrna Loy and William Powell in the "Thin Man" series. Claudette Colbert is extremely entertaining and likable in a clumsy sort of way similar to Katharine Hepburn's character in "Bringing Up Baby". Overall, this is a wonderful film and should bring only enjoyment to its viewers.

Drunken tycoon Willie Heywood gets married for the fourth time. Private detective Guy Johnson (James Stewart) is his hired body man. One night, Willie stumbles upon the murder of his mistress Dolores Gonzalez. It's a setup by his new wife Vivian and her lover Al Mallon. Guy quickly grabs Willie and hides him from the police. Willie promises to pay Guy $100k to solve the murder. They are quickly arrested but Guy manages to escape. He kidnaps poet Edwina Corday (Claudette Colbert) as he makes a getaway.

The pairing is great. The screwball comedy plot is a little too screwy. The initial kidnapping is a little rough and they left behind the little dog. The glasses are hilarious. The wacky rambling adventure has its ups and its downs. Mostly, one has to love the comic chemistry of Stewart and Colbert.

Was IT'S A WONDERFUL WORLD hurt by the fact that it is difficult for me to imagine Jimmy Stewart as a hardball character, even a chauvinist, or was it helped by the fact that this movie would have been nothing without him? Granted, Claudette Colbert plays the poet, the hopelessly romantic dreamer, well, and that plays off Stewart's greed-driven detective splendidly.

The detective, crime-solving part of the film is well done within its confines, Edgar Kennedy and Nat Pendleton are cast well as the rather slow-witted police. If this 1939 film had been made two and a half decades earlier, they would have fallen over each other, broken things, and caused ultraviolence in a Mack Sennett sort of way.) Guy Kibbee is, of course, perfect as the Stewart's partner. I will not spoil the ending, but I can say that as with all well-written screwball comedies, the film has a delightful way of meandering through situations and reaching a conclusion which satisfies.

I don't know if this will help, but before viewing, I had to promise my wife that it was not that Christmas movie.

I waited for months for this to come on TCM because Leonard Maltin said it was a "very, very funny" screwball comedy. He must have seen a different movie. This film has plenty of screwballs in it, alright, but the "plot" is confusing, wandering all over the place with no clear direction, the characters are irritating, and the dialog is stupid -- I can't believe Ben Hecht and Herman Mankiewicz couldn't do better than this. Not funny, just plain silly. A waste of time.

Stewart easily steals the picture for laughs in this fast-paced, roller-coaster screwball - playing well outside his normal character range (motivated by money, despising women). Clearly influenced by 'It happened one night', especially with Colbert in the lead. Entertaining movie, genuinely funny, and withstands repeated viewings. Highlights include Stewart's impromptu impersonations of a scout leader and Southern actor and hearing the poem that Colbert has supposedly written just for him being broadcast over the radio (wearing very thick spectacles).